Blog Archive - February 2016

Poster for "The Life and Many Deaths of Peter Pan"

By Taigé Kussman and Mimi Santos

A little over a year ago, third-year MFA directing candidate Leah Adcock-Starr (now a graduate) gathered a group of artists from the University of Washington and Seattle theatre community to devise a new play about JM Barrie and his creation, Peter Pan. That devised piece had a three performance workshop run at the Penthouse Theatre in November of 2015. After the workshop, the play went back into the incubator until an opportunity arose to produce it at the 2016 Seattle Fringe Festival! Out of the incubator and into rehearsal went the little play about Pan. The re-imagined play The Life and Many Deaths of Peter Pan goes up at the Seattle Fringe Festival February 25–March 5, 2016. The company includes seven UW Drama alumni...

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Skip Mercier

Skip Mercier is half-way through his second quarter as senior lecturer in design at the UW School of Drama. In addition to his teaching responsibilities, he keeps an active professional career in scenic, costume, and puppet design. Skip recently answered a few questions about his work and teaching experience at UW.

You have two shows up in New York City right now. Can you tell us a little about each of them?

Old Hats by Bill Irwin and David Shiner with music by Shaina Taub, directed by Tina Landau, opened at Signature Theatre on February 18. It is a modern vaudeville with the “clowns” Bill and David transforming into different characters for each sketch. They are in competition for Shaina’s attention who drives the show with songs and...

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Kathy-hsieh

Kathy Hsieh is the Cultural Partnerships & Grants Manager for the Seattle Office of Arts & Culture and Co-Executive Producer for SIS Productions. From 1990–1997 she served as Managing Director for the Northwest Asian American Theatre (NWAAT), which was recently featured in the Lost & Founded reading series.

We asked Kathy a few questions about NWAAT and her current work as an artist and arts administrator—work that is driven by a desire to inspire the community will of Seattle’s arts & cultural sector to play a leading role in creating racial equity.

What challenges did the Northwest Asian American Theatre (NWAAT) encounter?

When NWAAT (as Theatrical Ensemble of Asians – TEA) was started by UW students like Marilyn Tokuda, Stan Asis, and Maria Batayola, it enjoyed success because it was the first time locally that the...

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