School of Drama Blog

Taige' Kussman

She may have finished her credit requirements—and received her diploma—last December, but Taigé Kussman hasn’t quite wrapped her educational experience at the School of Drama. That wrap will come March 8, closing night of the Undergraduate Theater Society’s production of Cabaret, in which Taigé plays the iconic role of Sally Bowles.

“It’s a fitting capstone to her collegiate career,” says Professor Andrew Tsao, head of the undergraduate program. “Taigé came to us a young artist with a great deal of talent. She is now leaving us as a young artist with a great deal of talent and a lot more knowledge and craft.”

Taigé came to the University of Washington as a transfer student. She is the first in her family to go to college and after completing her transfer degree found herself frustrated and unable to articulate what she wanted to do. She took a few...

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Marya Sea Kaminski

Marya Sea Kaminski is a writer, actor, and solo performer, and, as of September 2014, the Associate Artistic Director of Seattle Repertory Theatre. She is a founding member of and was co-artistic director of the Washington Ensemble Theatre from 2004-2008. Her work has earned her many awards including the 2010 Genius Award in Theater from The Stranger. Marya earned her MFA (Professional Actor Training Program) from UW Drama in 2004. She recently took the time to answer a few questions over email about her new role at Seattle Rep.

In August, you wrote about your desire to return to artistic leadership. How do you define/approach artistic leadership?

For me, leadership is about standing up for the community I belong to, making sure everyone is counted and that we are collectively nourished with the things we need. In the case of artists, I believe our nourishment comes from opportunity, variety, challenge, and collaboration. I don't think leadership is...

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Simon Tran in rehearsal for Yellow Face.

In just a couple of days, undergraduate Elizabeth Wu's directorial debut with the Undergraduate Theater Society opens at Hutchinson Hall. Elizabeth is a senior majoring in Drama and English. In addition to her coursework and directorial duties, Elizabeth serves on the Drama BA Council and as the student representative to the School of Drama Advisory Board. This is her second blog post reflecting on her work on David Henry Hwang's 'Yellow Face.'

January 19th, Martin Luther King, Jr. Day, came at an important time for our country. It gave us a period to reflect on our nation’s current events; to think about the dream set out by Dr. King to end racial profiling and violence against people of minority and color. More than ever it gave us pause to think about our own first amendment rights—what we can do (in our own power) to end racial discrimination. It’s in this period of reflection that Yellow Face celebrates its opening in Hutchinson...

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Elizabeth Wu, drama major and director of Yellow Face

This January, undergraduate Elizabeth Wu takes on David Henry Hwang's 'Yellow Face' for her directorial debut with the Undergraduate Theater Society. Elizabeth is a senior majoring in Drama and English. In addition to her coursework and directorial duties, Elizabeth serves on the Drama BA Council and as the student representative to the School of Drama Advisory Board. In this post, she reflects on finding her courage as a director.

August 28th, 2014. Brooklyn, New York.

Sitting in Cammareri Café, just on the edge of Fort Greene Park, I wait anxiously to meet an artist that I have long respected and admired. Having just gotten off the plane from Edinburgh the day before, I clutch my coffee close. That summer I learned a great lesson from my study abroad TA and current MFA Directing candidate, Leah Adcock-Starr: jet lag was no match against a double shot 8oz coffee. I hear the café door open and look up to see playwright David Henry Hwang walk in. I...

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Colton Sullivan

Hello readers,

My name is Colton Sullivan. I am a drama major and I recently acted in Sweet Charity – the inaugural production of the UW Musical Theater Program. I played the roles of Monte the Cop, Marvin, Pompeii customer #9, and Daddy. I will be telling you about my experience as a drama major in this flagship production.

End Slate

I must tell you when I was asked to write this, the thought was to reflect on my experience – as a drama major – acting in Sweet Charity, a play with an ensemble of dance students, vocal students, and the new musical theater students. The problem with this frame of writing, though, is that in this ensemble of 22 actors and a massive team of designers and crew members, there were a lot more than just those four majors represented. There were biology, scenic design, environmental...

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Cathy Madden is a Principal Lecturer at the UW School of Drama. Her specialty is the direct integration of the Alexander Technique into the acting process. Cathy leads workshops on the Alexander Technique around the world, including in Japan. Her book Integrative Alexander Technique Practice for Performing Artists: Onstage Synergy is scheduled for publication in January 2015. You can catch Cathy at the third and final installment of the 2014 Performing Arts Lecture Series on Tuesday, November 4. In this blog post, Cathy shares with us how teaching in Japan hones her skills.

Every year, for the last 18 years, I have spent a month or more teaching in Japan. I have taught for different groups, but most of my recent teaching has been with BodyChance, an Alexander Technique Training School for which I am an...

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Judith Shahn, Senior Lecturer in Voice and Dialects at the UW School of Drama, has been a leading voice specialist in the Northwest for the last twenty five years. Her innovative approach to dialect training has been documented in the Voice and Speech Trainers Association's publication "Essays in Voice and Speech." An actress and director as well, Judith has coached dozens of productions at the Seattle Repertory Theatre, Intiman, ACT, as well as the Oregon and Utah Shakespeare Festivals. Most recently she coached Intiman's 20th anniversary staging of "Angels in America." She coached Intiman's original production 20 years ago. In this blog post, Judith reflects on the annual VASTA conference.

This past August, I attended the 2014 Voice and Speech Trainers Association (VASTA) Conference in London. As a VASTA board member, I am required to go, but this was a conference not to be missed! I have...

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Cold Empty Terrible - Rehearsal
New Paradise Labs is currently in residence at University of Washington School of Drama. NPL Artistic Director, Whit MacLaughlin, has been collaborating with our MFA graduate students to create 'Cold Empty Terrible,' a newly devised work inspired by a fragmented avant-garde play nestled inside Anton Chekhov’s 'The Seagull.'

Below, Whit reflects on his time in residence at UW School of Drama, the joys and challenges of making performance work from scratch, and the process of building 'Cold Empty Terrible.'

1) How does creating performance through a group-generated process benefit the PATPs as artists?

These group-created pieces put actors closer to the driver’s seat of the generative process. By building a...

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Anna Lamadrid

Anna Lamadrid is a third-year MFA candidate in the Professional Actor Training Program. At UW, she originated the role of Rachel in Reading to Vegetables and got to sass it up as Aunt Sally in 5th of July. She'll next be seen in the world premiere of Cold Empty Terrible, a devised piece directed by guest artist Whit MacLaughlin and created in collaboration with UW School of Drama MFA students. In this blog post, Anna reflects on the process of creating Cold Empty Terrible and what that experience has brought to the surface for her as an artist. 

As I begin my final year at the University of Washington, and the more we dive into Cold Empty Terrible rehearsals, I can’t help but reflect on my experiences in the School of Drama and what those experiences have taught me.


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2014 Performing Arts Lecture Series: Celebrity and Its Discontents

Odai Johnson is a professor of theatre history and the head of the School of Drama’s PhD program, as well as a founding member of the Center for Performance Studies. His lecture, “The Predatory Gaze of Looking,” kicks off the third-annual Performing Arts Lecture Series.

This year’s Performing Arts Lecture Series takes on the topic of celebrity. The series not only addresses the process of acquiring fame, the mechanisms of its reproduction, and the discontents behind this excess of looking – that is, not just ‘celebrity’ as a pronoun (that remarkable person) – but ‘Celebrity’ as a process of consumption. To acquire what Joseph Roach has called ‘It’ seems to be the compulsion of the media, but we would do well to ask what does ‘It’ acquire? We know a great deal about the...

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