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Conferences

Author/Titlesort ascending Research Type Related Fields
“近松の心中物と民間信仰ー年忌供養と回向を中心に (Chikamatsu’s Love Suicide Plays and Popular Belief – An Examination of Death Anniversaries and Memorial Prayers).” Paper presentation in Japanese. 早稲田大学演劇映像学会 (Waseda University’s Conference on Theatre and Film). Tokyo. July, 2014. Conferences 18th Century, Japanese, Religion, Theater History
““A Weak Woman Beat Them”: Constructing Feminine Leadership and Resistance” Panelist, Mid-American Theatre Conference, Chicago, IL. 8 March 2020 Conferences Theater History, 17th Century, Critical Theory, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies
“‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013 Conferences 17th Century, Critical Theory, Popular Culture, Religion, Theater History
“Weeping Women of Electricidad." Comparative Drama. Los Angeles, CA. March 2007. Conferences, Graduate Critical Theory
“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012  Conferences 20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History
“These Streets: How Theater and Memory Fuse to Revise Grunge History,” Mid-America Theatre Conference 2014, History Symposium #3 Conferences Critical Theory
“The Women of Grunge (Re)membered.” Mid America Theatre Conference Annual Meeting. Cleveland, OH. Conferences, Graduate Critical Theory
“The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea." Comparative Drama. Los Angeles, CA. March 2006. Conferences, Graduate Critical Theory
“The Reclamation of Angst and Self in These Streets: A Rock ‘n’ Roll Story.” University of British Columbia Graduate Symposium. Vancouver, B.C. Conferences, Graduate Critical Theory
“The Nature of Orca Encounters: SeaWorld Post-Blackfish.” Working Group, American Society for Theatre Research. Atlanta, Georgia. November 16-19, 2017. Conferences Ecocriticism, Museum Studies/Museology
“The Last ‘Last Meal’: Reexamining Execution and the Performance of Power.” Mid-America Theatre Conference. Houston, Texas. March 16-19, 2017. Conferences Critical Theory, Social Justice, Theory/Criticism
“The Incarceration of Language: Xhosa and the Performance of Race in South Africa’s Ubuze Bam.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018. Conferences African, Social Justice
“The Glass to Discover Oneself: Social Media, Affect Theory, and Theatre.” Presenter, University of Wisconsin-Madison Theatre and Drama Graduate Student Conference, Madison, 14 April 2018. Conferences 21st Century, Reception Studies, Shakespeare
“The Character of Nostalgia: Meaning, Yearning, and Simulations of the Recent Past.” Mid-America Theatre Conference (MATC), Chicago, 2020. Conferences Historiography, Performance Studies, Popular Culture
“Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. Conferences, Graduate Critical Theory
“Tamburlaine and Sublime Auto-Generation:  A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 Conferences 16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy
“Sweet Touch: The Sexuality and Power of Carmen in Simon Stephens’ Carmen Disruption.” Presenter, Comparative Drama Conference (CDC) Annual Conference, Orlando, 4 April 2018. Conferences 21st Century, Dramaturgy, English, Gender, Women, and Sexuality Studies, Queer Studies
“Spinning in Zero G: Playing Astronaut as Touristic Experience …and Theatre Research,” Mid-America Theatre Conference (MATC), Milwaukee, 2018. Conferences 21st Century, Culture, Performance Studies, Popular Culture, Postmodern, Theater History
“Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue.” Presenter, Religion and Theatre Emerging Scholar Panel, American Theatre in Higher Education (ATHE) Annual Conference, 4 August 2018. Conferences 21st Century, Dramaturgy, Feminism and Feminist Theory, Queer Studies, Religion
“Restoration Sociability and the Post-Revolutionary National Imaginary in Dryden’s Essay of Dramatick Poesie,”  ATHE, Orlando, FL, August, 2019 Conferences 17th Century, 18th Century, Theory/Criticism
“Power Perspective, and Role-Play: Mock Interviews with Inmates.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018. Conferences Devised Work, Social Change, Social Justice
“Performing the American Astronaut: From Fighter Pilot to Cold Warrior.” Innovation Series. University of Houston. March, 2017. Conferences 20th Century, Costumes, Historiography, History, Performance Studies, Popular Culture, Theater History
“Performance, Flight, and the 9/11 Memorial & Museum,” American Society for Theatre Research (ASTR). Arlington, 2019. Conferences 21st Century, Historiography, Museum Studies/Museology, Performance Studies, Popular Culture
“It all Comes Round Again: Immersive 1950s Simulations as Reminiscence Therapy.” Mid-America Theatre Conference (MATC), Cleveland, 2022. Conferences 20th Century, 21st Century, Historiography, Performance Studies, Popular Culture
“Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. Conferences, Graduate Critical Theory

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