| “近松の心中物と民間信仰ー年忌供養と回向を中心に (Chikamatsu’s Love Suicide Plays and Popular Belief – An Examination of Death Anniversaries and Memorial Prayers).” Paper presentation in Japanese. 早稲田大学演劇映像学会 (Waseda University’s Conference on Theatre and Film). Tokyo. July, 2014. |
Conferences |
18th Century, Japanese, Religion, Theater History |
| ““A Weak Woman Beat Them”: Constructing Feminine Leadership and Resistance” Panelist, Mid-American Theatre Conference, Chicago, IL. 8 March 2020 |
Conferences |
Theater History, 17th Century, Critical Theory, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies |
| “‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013 |
Conferences |
17th Century, Critical Theory, Popular Culture, Religion, Theater History |
| “Weeping Women of Electricidad." Comparative Drama. Los Angeles, CA. March 2007. |
Conferences, Graduate |
Critical Theory |
| “Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012 |
Conferences |
20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History |
| “These Streets: How Theater and Memory Fuse to Revise Grunge History,” Mid-America Theatre Conference 2014, History Symposium #3 |
Conferences |
Critical Theory |
| “The Women of Grunge (Re)membered.” Mid America Theatre Conference Annual Meeting. Cleveland, OH. |
Conferences, Graduate |
Critical Theory |
| “The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea." Comparative Drama. Los Angeles, CA. March 2006. |
Conferences, Graduate |
Critical Theory |
| “The Reclamation of Angst and Self in These Streets: A Rock ‘n’ Roll Story.” University of British Columbia Graduate Symposium. Vancouver, B.C. |
Conferences, Graduate |
Critical Theory |
| “The Nature of Orca Encounters: SeaWorld Post-Blackfish.” Working Group, American Society for Theatre Research. Atlanta, Georgia. November 16-19, 2017. |
Conferences |
Ecocriticism, Museum Studies/Museology |
| “The Last ‘Last Meal’: Reexamining Execution and the Performance of Power.” Mid-America Theatre Conference. Houston, Texas. March 16-19, 2017. |
Conferences |
Critical Theory, Social Justice, Theory/Criticism |
| “The Incarceration of Language: Xhosa and the Performance of Race in South Africa’s Ubuze Bam.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018. |
Conferences |
African, Social Justice |
| “The Glass to Discover Oneself: Social Media, Affect Theory, and Theatre.” Presenter, University of Wisconsin-Madison Theatre and Drama Graduate Student Conference, Madison, 14 April 2018. |
Conferences |
21st Century, Reception Studies, Shakespeare |
| “The Character of Nostalgia: Meaning, Yearning, and Simulations of the Recent Past.” Mid-America Theatre Conference (MATC), Chicago, 2020. |
Conferences |
Historiography, Performance Studies, Popular Culture |
| “Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. |
Conferences, Graduate |
Critical Theory |
| “Tamburlaine and Sublime Auto-Generation: A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 |
Conferences |
16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy |
| “Sweet Touch: The Sexuality and Power of Carmen in Simon Stephens’ Carmen Disruption.” Presenter, Comparative Drama Conference (CDC) Annual Conference, Orlando, 4 April 2018. |
Conferences |
21st Century, Dramaturgy, English, Gender, Women, and Sexuality Studies, Queer Studies |
| “Spinning in Zero G: Playing Astronaut as Touristic Experience …and Theatre Research,” Mid-America Theatre Conference (MATC), Milwaukee, 2018. |
Conferences |
21st Century, Culture, Performance Studies, Popular Culture, Postmodern, Theater History |
| “Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue.” Presenter, Religion and Theatre Emerging Scholar Panel, American Theatre in Higher Education (ATHE) Annual Conference, 4 August 2018. |
Conferences |
21st Century, Dramaturgy, Feminism and Feminist Theory, Queer Studies, Religion |
| “Restoration Sociability and the Post-Revolutionary National Imaginary in Dryden’s Essay of Dramatick Poesie,” ATHE, Orlando, FL, August, 2019 |
Conferences |
17th Century, 18th Century, Theory/Criticism |
| “Power Perspective, and Role-Play: Mock Interviews with Inmates.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018. |
Conferences |
Devised Work, Social Change, Social Justice |
| “Performing the American Astronaut: From Fighter Pilot to Cold Warrior.” Innovation Series. University of Houston. March, 2017. |
Conferences |
20th Century, Costumes, Historiography, History, Performance Studies, Popular Culture, Theater History |
| “Performance, Flight, and the 9/11 Memorial & Museum,” American Society for Theatre Research (ASTR). Arlington, 2019. |
Conferences |
21st Century, Historiography, Museum Studies/Museology, Performance Studies, Popular Culture |
| “It all Comes Round Again: Immersive 1950s Simulations as Reminiscence Therapy.” Mid-America Theatre Conference (MATC), Cleveland, 2022. |
Conferences |
20th Century, 21st Century, Historiography, Performance Studies, Popular Culture |
| “Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. |
Conferences, Graduate |
Critical Theory |
