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“Framing Violence in Interspecies Relations: Encountering Flesh as Neoliberal Spatio-temporal Imaginary in The Portland Meat Collective," ASTR 2015, Portland
Conferences
21st Century
,
Activist Theater
,
Aesthetics
,
Critical Theory
,
Popular Culture
,
Social Change
,
Visual Culture
"Has Theatre Ever Been Secular?", Panel Organizer and Respondent, Religion and Theatre Focus Group, ATHE 2015, Montreal
Conferences
Global and Transnational Studies
,
Religion
,
Social Change
,
Theory/Criticism
"Sovereign Bodies: Excessive Materiality and the Performance of Dis-substantiation in the Formation of the Public Sphere," Mid-America Theatre Conference (2015)
Conferences
17th Century
,
African American
,
Critical Theory
,
Ecocriticism
,
Global and Transnational Studies
,
Theater History
“Forced Entertainment’s Live Simulacrum: Automata, Liveness, and the Human Actor’s Virtuosity,” plenary, ASTR, Baltimore, 2014
Conferences
21st Century
,
English
,
Experimental
,
Radical Theater
,
Theory/Criticism
“’A medium for informing persons:’ Kamishibai and Land Reform in Allied Occupied Japan” Mid-America Theatre Conference. Cleveland, Ohio, March 6-9, 2014.
Conferences
Japanese
,
Theater History
Adcock-Starr, Leah. (April 2014)
. "B.F.F.’s and the Bard: Reclaiming the Importance of Female Friendship in William Shakespeare’s A Midsummer Night’s Dream".
Paper presented at Shakespeare 450: Societe Francaise Shakespeare. Paris, France.
Conferences
Directing
,
Feminism and Feminist Theory
,
Gender, Women, and Sexuality Studies
,
Shakespeare
“近松の心中物と民間信仰ー年忌供養と回向を中心に (Chikamatsu’s Love Suicide Plays and Popular Belief – An Examination of Death Anniversaries and Memorial Prayers).” Paper presentation in Japanese. 早稲田大学演劇映像学会 (Waseda University’s Conference on Theatre and Film). Tokyo. July, 2014.
Conferences
18th Century
,
Japanese
,
Religion
,
Theater History
Judith Shahn is a board member of the Voice and Speech Trainers Association and attended the London conference at The Royal Central School of Speech and Drama
Conferences
Devised Work
,
Music
,
Performance Studies
,
Singing
,
Speech
,
Voice
Keynote Address, "Staging American Memories," Toulouse, France.
Conferences
American
,
Theater History
“The Politics and Aesthetics of Play: The Wartburg Book-Burning and Hellenic Masculinity in the Construction of the German Nation,” (Re)Presenting Archives, University of British Columbia, April, 2014
Conferences
18th Century
,
19th Century
,
Aesthetics
,
Gender, Women, and Sexuality Studies
,
German
,
Popular Culture
,
Race and Ethnicity
,
Theater History
"'Better to burn': The Stage, the Church, and the Construction of
Woman
in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014
Conferences
Ancient
,
Feminism and Feminist Theory
,
Gender, Women, and Sexuality Studies
,
Popular Culture
,
Religion
,
Theater History
,
Theory/Criticism
"The Matter of the Heart: Vesalius, Vivisection, and the Mediation of Print," What Performs? The American Society for Theatre Research, Animals Perform Working Session, November, 2014
Conferences
16th Century
,
Italian
,
Popular Culture
,
Reception Studies
,
Science and Technology
"Layers of Mourning: Ghosting in Chikamatsu's Love Suicide Plays," Asian Studies Conference Japan. Tokyo. June 2014.
Conferences
18th Century
,
Japanese
"University of Washington Students' Work Related to Women of Sand." SW/TX Popular/American Culture. Albuquerque, NM.
Conferences
,
Graduate
Critical Theory
“The Reclamation of Angst and Self in
These Streets: A Rock ‘n’ Roll Story.”
University of British Columbia Graduate Symposium. Vancouver, B.C.
Conferences
,
Graduate
Critical Theory
“The Women of Grunge (Re)membered.” Mid America Theatre Conference Annual Meeting. Cleveland, OH.
Conferences
,
Graduate
Critical Theory
"Drowning Playwrights, and Other State Incursions into Genre," Mid-America Theatre Conference 2014, History Symposium #25.
Conferences
Critical Theory
"Revising the National Theater Narrative of 18th-Century Germany," Mid-America Theatre Conference 2014, History Symposium #21.
Conferences
Critical Theory
"Spectacular Performance in Cuzco, Peru: Indigenismo and the Restor(y)ation of Andean Culture," Mid-America Theatre Conference 2014, History Symposium #19.
Conferences
Critical Theory
"Awe and Wonder Putting on a Show: The Anitkythera Mechanism and the Look of the 1st Century B.C.E.," Mid-America Theatre Conference 2014, History Symposium #18.
Conferences
Critical Theory
"The Behzti Riot: Revising the Narrative of Post-Wold War II Radical Theatre in Biew of Non-Leftist Performance," Mid-America Theatre Conference 2014, History Symposium #13.
Conferences
Critical Theory
"Larger than Life: Displacing History at Oklahoma's Centennial Land Run Monument," Mid-America Theatre Conference 2014, History Symposium #8
Conferences
Critical Theory
"Reenactment and Reinvention: Diasporic Performances of Culture in Cleveland," Mid-America Theatre Conference 2014, History Symposium #7
Conferences
Critical Theory
“These Streets: How Theater and Memory Fuse to Revise Grunge History,” Mid-America Theatre Conference 2014, History Symposium #3
Conferences
Critical Theory
"The Private vs. Public Death of a Patriarch in 'All My Sons' and 'August: Osage County,'" ATDS, Comparative Drama Conference, 'Revealing Patriarch: Cruelty, Corruption, and Death in Contemporary U.S. Drama' Panel, Baltimore, MD, April 2013.
Conferences
American
,
Playwriting
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