We've moved! The School of Drama operations are relocating to Condon Hall until Summer 2024, while Hutchinson Hall undergoes seismic upgrades. See additional information.

You are here

Conferences

Author/Titlesort descending Research Type Related Fields
"Has Theatre Ever Been Secular?", Panel Organizer and Respondent, Religion and Theatre Focus Group, ATHE 2015, Montreal Conferences Global and Transnational Studies, Religion, Social Change, Theory/Criticism
"The Revelation of the Sensible: Theatre and Science in Seventeenth-Century Revolutionary England," ATHE, Boston, August, 2018 Conferences 17th Century, Performance Studies, Religion, Science and Technology, Theater History
"The Violent Spatializing of Time:  Colonizing Utopian Imaginaries in Seventeenth-Century Barbados,"  International Medieval Congress, Kalamazoo, 2016. Conferences 17th Century, Ecocriticism, Global and Transnational Studies, Postcolonial, Race and Ethnicity, Religion
"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 Conferences Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism
“Authentic Sensations: Female Bodies and Creating Spiritual Affect.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. Conferences Theater History, 19th Century, American, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Religion
“Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. Conferences Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion
“Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue.” Presenter, Religion and Theatre Emerging Scholar Panel, American Theatre in Higher Education (ATHE) Annual Conference, 4 August 2018. Conferences 21st Century, Dramaturgy, Feminism and Feminist Theory, Queer Studies, Religion
“Tamburlaine and Sublime Auto-Generation:  A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 Conferences 16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy
“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012  Conferences 20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History
“‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013 Conferences 17th Century, Critical Theory, Popular Culture, Religion, Theater History
“近松の心中物と民間信仰ー年忌供養と回向を中心に (Chikamatsu’s Love Suicide Plays and Popular Belief – An Examination of Death Anniversaries and Memorial Prayers).” Paper presentation in Japanese. 早稲田大学演劇映像学会 (Waseda University’s Conference on Theatre and Film). Tokyo. July, 2014. Conferences 18th Century, Japanese, Religion, Theater History
Share