| Geoff Korf, lighting designer. Two Trains Running. Walter Kerr Theatre, Broadway, 1992. |
Creative Work, Productions |
Lighting |
| Geoff Korf, lighting designer. Water by the Spoonful. Oregon Shakespeare Festival, Thomas Theatre, 2014. |
Creative Work, Productions |
Lighting |
| Geoff Korf, lighting designer. High School Musical. Minneapolis Children's Theatre, 2007. |
Creative Work, Productions |
Lighting, Theater for Youth |
| Judy Shahn, dialect coach. The American Cycle at Intiman Theatre, Seattle. Included All the King's Men, (directed by Pam McKinnon), To Kill a Mockingbird, and Native Son, 2004-2006. |
Creative Work, Productions |
Dialects |
| Judy Shahn, dialect designer and coach. A Kentucky Cycle by Robert Schenkan, directed by Warner Shook, 1992. |
Creative Work, Productions |
Dialects |
| Judy Shahn, dialect/language coach. Homebody Kabul by Tony Kushner, directed by Bartlett Sher. Intiman Theatre, 2006. |
Creative Work, Productions |
Dialects |
| Judy Shahn, vocal/dialect coach. Angels in America by Tony Kushner, (Parts 1 and 2), directed by Warner Shook. Intiman Theatre, 1994. |
Creative Work, Productions |
Dialects |
| Mark Jenkins, "Uncle Vanya." Uncle Vanya. Russia, Japan, US. |
Creative Work, Performances |
Acting |
| Mark Jenkins, actor. New York Shakespeare Festival, Broadway, off-Broadway. |
Creative Work, Performances |
Acting, Shakespeare |
| Mark Jenkins, founder. Freehold Theatre Lab Studio. |
Creative Work, Projects |
Theater Management |
| Mark Jenkins, playwright. Red Earth, Gold Gate, Shadow Sky. Recipient New Play Award, ACT Theatre, 2013. |
Creative Work, Productions |
Playwriting |
| Phillip Lienau, director. Murder in the Cathedral. Hutchinson 218, University of Washington, Seattle, WA, 2014. |
Creative Work, Productions |
Directing |
| Phillip Lienau, scenic designer. Florencia en el Amazonas. Ellie Caulkins Opera House, Denver, CO, 2012. |
Creative Work, Productions |
Scenery, Opera |
| Phillip Lienau, scenic designer. Imaginary Invalid. Lee Center for the Arts, Seattle University, WA, 2014. |
Creative Work, Productions |
Scenery |
| Phillip Lienau, scenic designer. Jerry Springer: The Opera. Moore Theatre, Seattle, WA, 2014. |
Creative Work, Productions |
Scenery, Opera |
| Sarah Nash Gates, costume designer. A Tale of Two Cities. Seattle Children's Theatre, 2007-2008. |
Creative Work, Productions |
Costumes, Theater for Youth |
| Sarah Nash Gates, costume designer. Biederman and the Firebugs. Oregon Shakespare Festival, 1991-1992. |
Creative Work, Productions |
Costumes |
| Sarah Nash Gates, costume designer. Crumbs from the Table of Joy. Intiman Theatre, 1999-2000. |
Creative Work, Productions |
Costumes |
| Sarah Nash Gates, costume designer. Gross Indecency: The Three Trials of Oscar Wilde. Intiman Theatre, 1997-1998. |
Creative Work, Productions |
Costumes |
| Sarah Nash Gates, costume designer. Salome. Seattle Opera, 2001-2002. |
Creative Work, Productions |
Costumes, Opera |
| Sarah Nash Gates, costume designer. The Tempest. Oregon Shakespeare Festival, 1985-1986. |
Creative Work, Productions |
Costumes, Shakespeare |
| Sarah Nash Gates. Production Clown Wardrobe. Ringling Brothers, Barnum & Bailey Circus, 108th Edition. 1978. |
Creative Work, Productions |
Costumes |
| Susan Finque, Artistic Director. Alice B Theatre, 1984-1995. |
Creative Work, Productions |
Directing |
| Susan Finque, Director. Kiss of the Spider Woman. 2006.Winner, Chicago's Jeff Award, Best Director of a Musical for KISS OF THE SPIDER WOMAN |
Creative Work, Productions |
Directing, Musical Theater |
| Susan Finque, Interim Producing Artistic Director. New York City's Dixon Place, 1998. |
Creative Work, Productions |
Directing |