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Graduate

Author/Titlesort descending Research Type Related Fields
Rogus, Amanda M. “Make Distinction of Our Hands”: A Material Examination of Henslowe’s Diary, A Co-Written Codex" (2019, MLitt Thesis). Graduate, Masters Theses Theater History
Sarah Marsh. "Never Mere Observation: Performance, Technology, and the Act of Looking." Diss. U of Washington, 2017. Graduate, Dissertations Drama, Science and Technology, Theater History
Scott Venters - The (Im)mediate Animal: An Anti-theatrical History of Interspecies Entanglements in  Enlightenment Transactions, 1640-1800 Graduate, Dissertations 17th Century, 18th Century, English, French
Shadow Zimmerman, Mediating Black Modernisms: Charles S Johnson and His Circle, Printing Opportunity and Performing the New Negro Graduate, Dissertations Theory/Criticism, 20th Century, African American, Popular Culture
Shelby Lunderman: Cruel and Unusual Performance: (Re)producing Capital Punishment on the U.S. Stage Graduate, Dissertations Theater History, American, Critical Theory, Social Justice
Susan Finque: "Re-story(y)ing Theatre History in the Americas: Professional Players and the Callao Contract of 1599". Dissertation, University of Washington, 2017. Graduate, Dissertations Gender, Women, and Sexuality Studies, Latin American
Theatre Review, “Aksiyon ve Performans”, E, October 2003, p. 68-70, on the projects and performances of Jerzy Grotowski and Thomas Richards Workcenter held in Istanbul in August 2003. Publications, Reviews, Graduate Critical Theory
Theatre Review, “Birinci ÇGSG Sahne Sanatlari Bulusmasinin Ardindan...”, Tiyatro Tiyatro, July 2007, on the contributing performances at the first convention of the contemporary performance arts in Istanbul between May 22nd and June 3rd. Publications, Reviews, Graduate Critical Theory
Theatre Review, “Grotowski Tiyatrosu ve Düsündükleri; Grotowski Bulusmasi”, in Oyun, a quarterly theatre and performance periodical, issue no. 3, 2010, p. 54-60; 71-80. Publications, Reviews, Graduate Critical Theory
Theatre Review, “Hotel Pro Forma”, 2008 Sanat Dünyamiz. Güz 2008 -108th issue Yapi Kredi Kültür Yayincilik, p. 8-10, and in the 15th issue of Mimesis, in the 2008 Istanbul Theatre Festival dossier. Publications, Reviews, Graduate Critical Theory
Theatre Review, “Önemli Seyler Oluyor”, E, August 2003, p. 52-54 on Pina Bausch’s Istanbul Project performed in June 2003, also including introductory notes to the Workcenter’s above-mentioned projects as forth-coming event. Publications, Reviews, Graduate Critical Theory
Theatre Review, “Tek Kisilik Sehir”, E, April 2003, p.49-50 on Behiç Ak’s play performed and produced by Aksanat Prodüksiyon Tiyatrosu, directed by Isil Kasapoglu. Publications, Reviews, Graduate Critical Theory
Translation, “Gerçekçilik” from “The Introduction/Realism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965,  as appeared in E, November 2003, p.50-54. Publications, Translations, Graduate Critical Theory
Translation, “Sembolizm” from “The Introduction/Symbolism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature. New York:Oxford University Press. 1965 as appeared in E, June 2003, p.78-84. Publications, Translations, Graduate Critical Theory
Translation, “Siirde Düsüncenin Rolü – Siir, Dil ve Düsünce”, “Role of Thought in Poetry, Poetry, Language and Thought”, Paul Valery, in Richard Ellmand & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, August 2003, p. 56-62. Publications, Translations, Graduate Critical Theory
Weiyu Li -The Black is the New Red: Performances of Racial Blackness in the Maoist China  Graduate, Dissertations Chinese, History
The Octopus: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX. Conferences, Graduate Critical Theory
“Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. Conferences, Graduate Critical Theory
“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. Conferences, Graduate Critical Theory
“Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. Conferences, Graduate Critical Theory
“Resolution through Radio: Juvenile Delinquency, Buffalo, and the Federal Theatre Project." MA in Theatre Studies Thesis. Florida State University. 2016. Graduate, Masters Theses 20th Century, American, Historiography, Social Change, Theater History
“Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. Conferences, Graduate Critical Theory
“The Reclamation of Angst and Self in These Streets: A Rock ‘n’ Roll Story.” University of British Columbia Graduate Symposium. Vancouver, B.C. Conferences, Graduate Critical Theory
“The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea." Comparative Drama. Los Angeles, CA. March 2006. Conferences, Graduate Critical Theory
“The Women of Grunge (Re)membered.” Mid America Theatre Conference Annual Meeting. Cleveland, OH. Conferences, Graduate Critical Theory

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