| “Weeping Women of Electricidad." Comparative Drama. Los Angeles, CA. March 2007. |
Conferences, Graduate |
Critical Theory |
| “The Women of Grunge (Re)membered.” Mid America Theatre Conference Annual Meeting. Cleveland, OH. |
Conferences, Graduate |
Critical Theory |
| “The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea." Comparative Drama. Los Angeles, CA. March 2006. |
Conferences, Graduate |
Critical Theory |
| “The Reclamation of Angst and Self in These Streets: A Rock ‘n’ Roll Story.” University of British Columbia Graduate Symposium. Vancouver, B.C. |
Conferences, Graduate |
Critical Theory |
| “Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. |
Conferences, Graduate |
Critical Theory |
| “Resolution through Radio: Juvenile Delinquency, Buffalo, and the Federal Theatre Project." MA in Theatre Studies Thesis. Florida State University. 2016. |
Graduate, Masters Theses |
20th Century, American, Historiography, Social Change, Theater History |
| “Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. |
Conferences, Graduate |
Critical Theory |
| “Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. |
Conferences, Graduate |
Critical Theory |
| “Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. |
Conferences, Graduate |
Critical Theory |
| “The Octopus: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX. |
Conferences, Graduate |
Critical Theory |
| Zimmerman, Shadow. Mediating Black Modernisms: Charles S Johnson and His Circle, Printing Opportunity and Performing the New Negro. 2022. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theory/Criticism, 20th Century, African American, Popular Culture |
| Womack, Malcolm. Harlem Holiday: The Cotton Club, 1925-1940. 2013. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, 20th Century, African American, American, Drama |
Wighs, Robert. Alaska Native Theatre: Cultural Resurgence and Reception in Post-Statehood Alaska. University of Washington, PhD dissertation. In progress.
|
Graduate, Dissertations |
American |
| Warrick, John A. The Medieval Theatrical Hell-mouth: Ritual/Colonial Formations and Protestant Transformations in Anglo/Saxon and Early Modern England. 2006. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Drama, English, Medieval, Religion |
| Villiers, Eric. Staging Queer, Queer(ing) Curation: Queer Art, Queer Performativity, and Queer Curatorial Practices in Art Museums. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
20th Century, 21st Century, Performance Studies |
| Venters, Scott. The (Im)mediate Animal: An Anti-theatrical History of Interspecies Entanglements in Enlightenment Transactions, 1640-1800. 2021. University of Washington, PhD dissertation. |
Graduate, Dissertations |
17th Century, 18th Century, English, French |
| Translation, “Siirde Düsüncenin Rolü – Siir, Dil ve Düsünce”, “Role of Thought in Poetry, Poetry, Language and Thought”, Paul Valery, in Richard Ellmand & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, August 2003, p. 56-62. |
Publications, Translations, Graduate |
Critical Theory |
| Translation, “Sembolizm” from “The Introduction/Symbolism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature. New York:Oxford University Press. 1965 as appeared in E, June 2003, p.78-84. |
Publications, Translations, Graduate |
Critical Theory |
| Translation, “Gerçekçilik” from “The Introduction/Realism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, November 2003, p.50-54. |
Publications, Translations, Graduate |
Critical Theory |
| Trainor, Sebastian. Ubu's Moment: Lost Histories of a Fin-de-Siecle Avant Garde Theatre. 2024. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, Theory/Criticism, 19th Century, Drama |
| Tourniaire, Guillaume. Show Boat's "Make Believe": Subversion of Stereotype and Sympathy as Liberalism. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
Theater History, 20th Century, Dramaturgy, Musical Theater, Race and Ethnicity |
| Theatre Review, “Tek Kisilik Sehir”, E, April 2003, p.49-50 on Behiç Ak’s play performed and produced by Aksanat Prodüksiyon Tiyatrosu, directed by Isil Kasapoglu. |
Publications, Reviews, Graduate |
Critical Theory |
| Theatre Review, “Önemli Seyler Oluyor”, E, August 2003, p. 52-54 on Pina Bausch’s Istanbul Project performed in June 2003, also including introductory notes to the Workcenter’s above-mentioned projects as forth-coming event. |
Publications, Reviews, Graduate |
Critical Theory |
Theatre Review, “Hotel Pro Forma”, 2008 Sanat Dünyamiz. Güz 2008 -108th issue Yapi Kredi Kültür Yayincilik, p. 8-10, and in the 15th issue of Mimesis, in the 2008 Istanbul Theatre Festival dossier.
|
Publications, Reviews, Graduate |
Critical Theory |
| Theatre Review, “Grotowski Tiyatrosu ve Düsündükleri; Grotowski Bulusmasi”, in Oyun, a quarterly theatre and performance periodical, issue no. 3, 2010, p. 54-60; 71-80. |
Publications, Reviews, Graduate |
Critical Theory |
