| Guthu, Sarah. European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970. 2013. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, 20th Century, American, Drama, Modernism |
| Heiner, Cate. Affective Ambiguity: The Specifics of Staging Trauma and Negotiating Empathy. 2023. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theory/Criticism, 21st Century, Performance Studies, Social Change |
| Higgins, Jeanmarie. Producing Absence: Theatrical Representations of Domestic Space. 2011. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, Theory/Criticism, Drama, Gender, Women, and Sexuality Studies |
| Huang, Ching-Yi. Performing an 'Absent' China: Cultural Propaganda in Anti-Communist Taiwan in the 1950's and 1960's. 2013. University of Washington, PhD dissertation. |
Graduate, Dissertations |
20th Century, Drama |
| Hutchison, Jacob. Satirical Activism: Citizenship and satire in 21st century performance. 2018. University of Washington, PhD dissertation. |
Graduate, Dissertations |
21st Century, Activist Theater, Drama, Performance Studies |
| Jackson-Schebetta, Lisa K. Staging Spain, Staging America: Representations of Spain in U.S. Hispanic and Anglo Theatre, 1931-1939. 2010. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, 20th Century, American, Drama, Hispanic Studies, Spanish |
| Kammer, Miriam F. Ecofeminist Dramaturgy and the Shakespeare of Today. 2011. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Drama, Dramaturgy, Ecocriticism, Feminism and Feminist Theory, Shakespeare |
| Karlidag, Bahar. Workers' Theatre Movement conventions as shaping/informing conditions in the theatrical collaboration of Joan Littlewood and Ewan MacColl and beyond: in Littlewood's success. 2017. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, English |
| Li, Weiyu. The Black is the New Red: Performances of Racial Blackness in the Maoist China. 2022. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Chinese, History |
| Lunderman, Shelby. Cruel and Unusual Performance: (Re)producing Capital Punishment on the U.S. Stage. 2020. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, American, Critical Theory, Social Justice |
| Mackenzie Bounds, “Technophobic Drama: America’s Stages Fearing Machines,” expected 2024. |
Graduate, Dissertations |
Acting, Design, Directing, Theater History, Theory/Criticism, 20th Century, 21st Century, Critical Theory, Performance Studies, Popular Culture |
| Marsh, Sarah. Never Mere Observation: Performance, Technology, and the Act of Looking. 2017. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, Drama, Science and Technology |
| McFall, Edwin K. Tragic Hero to Antichrist: Macbeth, the Oedipus Tyrannus of the English Renaissance. 2005. University of Washington, PhD dissertation. |
Graduate, Dissertations |
17th Century, Drama, Shakespeare |
| Merhi, Mona. Space Maneuverings in Post-Uprising Syrian Performances: Scarring Space and Language. 2023. University of Washington, PhD dissertation. |
Graduate, Dissertations |
21st Century, Lighting, Performance Studies, Playwriting, Scenery, Sound Design |
| Monson, Duygu. Replacing the Image of the Ottoman Turk: Le Bourgeois Gentilhomme and Turquerie as Resistance. 2021. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History |
| Motherhood Research Group: “Subverting La Llorona in Loomer’s Bocón." ASTR. Toronto. November 2005. |
Conferences, Graduate |
Critical Theory |
| no.place. by andre g brown |
Creative Work, Graduate, Masters Theses |
African American, Devised Work, Directing, Performance Studies, Social Change, Social Justice |
| Polster, Joshua E. Rethinking Arthur Miller: Symbol and structure. 2006. University of Washington, PhD dissertation. |
Graduate, Dissertations |
20th Century, American, Drama |
| Ramis, Anna Gabriela. The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater. 2012. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theory/Criticism, Drama |
| Reilly, Kara Elizabeth. Automata: A Spectacular History of the Mimetic Faculty. 2006. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theory/Criticism, Drama |
| Rizzardi, Jonathan. Grieving the Federal Theatre: Youth Programs and Performance from the Project that Tried to Heal the United States. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
20th Century, American |
| Rogus, Amanda M. "Finding the Font of Accessibility: The Ideal Materiality in Pedagogical Formats for Neurodivergent Learners" Capella University - Harold Abel School of Psychology (February 2021) |
Graduate, Masters Theses |
21st Century, Acting Pedagogy |
| Rogus, Amanda M. "Spatiotemporal Dramaturgy, Dialogic "Imagination to Give them Shape": The Symbiosis of Doubling Types and Bakhtin's Chronotopes" (MFA Thesis - Dramaturgy & Acting Concentration) |
Graduate, Masters Theses |
Acting, Dramaturgy, Shakespeare |
| Rogus, Amanda M. “Make Distinction of Our Hands”: A Material Examination of Henslowe’s Diary, A Co-Written Codex" (2019, MLitt Thesis). |
Graduate, Masters Theses |
Theater History |
| Salazar, Carlos. The Memory of the Islands: Cultural Negotiations and their Remains in (Post)Colonial Costa Rica. 2021. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Latin American, Postcolonial |
