| Zimmerman, Shadow D. “Hedda Gabler.” How to Teach a Play: Exercises for the College Classroom, edited by Miriam Chirico and Kelly Younger. London: Bloomsbury Publishing, 2020. |
Publications, Essays |
19th Century, Acting Pedagogy, Scandinavian, Scenery |
| "STONE ANGELS: PAINFUL PROGRESS AFTER THE MILLENNIUM." Etudes, vol. 4, no. 1, Dec. 2018. http://www.etudesonline.com/dec2018heiner.html |
Publications, Essays |
20th Century, 21st Century, American, Queer Studies |
| Stefka Mihaylova, "Liveness Redux: Radical Performance, Television, and the Truthfulness of Illusion in Bloody Mess by Forced Entertainment," Contemporary Theatre Review 30.3 (2020): 340-356. |
Publications, Essays |
Theater History, Theory/Criticism, 21st Century, Postmodern, Television |
| "'The ransome of Prides fury': The Executions as the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth." New England Theatre Journal 26 (2015): 1-20. |
Publications, Essays |
17th Century, English, Performance Studies, Popular Culture, Theater History |
| "'Would you die for the Fatherland?': Disciplining the German Commemorative Body," Theatre History Studies 35 (2016): 39-72. |
Publications, Essays |
18th Century, 19th Century, 20th Century, Culture, Dance, Modernism, Performance Studies, Popular Culture, Race and Ethnicity |
| "Brooklyn’s Experimental Frontiers: A Performance Geography” TDR: The Drama Review 58:3 (August 2014): 97-123. |
Publications, Essays |
Theater History, 21st Century, Activist Theater, American, Experimental, Performance Studies, Postcolonial, Race and Ethnicity |
| "Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Play Review. Ollantay Theatre Magazine, Spring/Summer 2008 |
Publications, Reviews, Graduate |
Critical Theory |
| "Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue." Ecumenica, vol. 12, no. 2, Dec. 2019 |
Publications, Essays |
21st Century, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Queer Studies, Religion |
| "Time Slip: Fiat Lux Redux/Remix as University-Museum Social Practice,” in Global Art and the Practice of the University-Museum, edited by Jane Chin Davidson and Sandra Esslinger; partnership with UCLA Fowler Museum, Routledge Press, Museum Studies Series |
Publications |
Museum Studies/Museology |
| 2014, “At the Convergence of Transitional Justice and Art,” Review essay for International Journal of Transitional Justice, Vol. 8, pp. 314-322. |
Publications |
African, Social Justice |
| 2014, “Reverberations of Testimony: South Africa’s TRC in Art and Media,” in Transitional Justice, Culture and Society: Beyond Outreach. Edited by Clara Ramirez-Barat, International Center for Transitional Justice, New York: Social Science Research Council. |
Publications |
African, Social Justice |
| 2015, “Genocides at Home: Ishi, Again,” chapter in Theatre and Human Rights after 1945: Things Unspeakable, edited by Mary Luckhurst and Emilie Morin, Palgrave Macmillan |
Publications |
Social Change, Social Justice, Theater History |
| 2015, “Justice in Transition: South Africa Political Trials, 1956–1964,” chapter in The Courtroom as a Space of Resistance: Reflections on the Legacy of the Rivonia Trial, edited by Awol Allo. Ashgate, Edinburgh/Glasgow Law and Society Series, Ashgate; reprint from Cole’s monograph on the Truth and Reconciliation Commission. |
Publications |
African, Social Justice |
| 2015, “The Theater and the University: Two ‘Last’ (and Lasting) Human Venues,” Theatre Topics, vol. 25, no. 1. |
Publications |
Theater History |
| 2016, “In the Theater of the Rule of Law: Performing the Rivonia Trial in South Africa, 1963-1964,” co-authored with Jens Meierhenrich, chapter in Political Trials in Theory and History edited by Jens Meierhenrich and Devin O. Pendas, Cambridge: Cambridge University Press. |
Publications |
African |
| ALICE: Tales of a Curious Girl |
Creative Work, Publications |
Playwriting |
| Fool's Fire. PBS Broadcasting & Sony New York, NY. 1992 |
Publications, Film/Video |
Design, Film/Cinema |
| Girl Under Grain (Anthologized in New America) |
Creative Work, Publications |
Playwriting |
| Gum and The Mother of Modern Censorship |
Creative Work, Publications |
Playwriting |
| Gum |
Creative Work, Publications |
Playwriting |
| Madden , C. (2018) Teaching the Alexander Technique: Active Pathways to Integrative Practice. London: Singing Dragon (Jessica KingsleyPublishers). |
Publications, Books |
Acting, Acting for the Camera, Acting Pedagogy |
| Performing South Africa’s Truth Commission: Stages of Transition (2010) Africa After Gender? co-edited w Takyiwaa Manuh and Stephan Miescher, Indiana University Press (2007) Ghana’s Concert Party Theatre (2001) Lead Curator, Fiat Lux Redux: Ansel Adams and Clark Kerr, exhibit at the Bancroft Library, UC Berkeley (2012) |
Creative Work, Exhibits, Publications, Books, Film/Video |
African, Gender, Women, and Sexuality Studies, Theater History |
| Troy Women (Anthologized in DIVINE FIRE: Eight Contemporary Plays Inspired by the Greeks) |
Creative Work, Publications |
Playwriting |
| Troy Women |
Creative Work, Publications |
Playwriting |
| Catherine M. Cole. Performing South Africa's Truth Commission. Indiana University Press, 2010. |
Publications, Books |
African |
