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Conferences

Author/Title Research Type Related Fields
““A Weak Woman Beat Them”: Constructing Feminine Leadership and Resistance” Panelist, Mid-American Theatre Conference, Chicago, IL. 8 March 2020 Conferences Theater History, 17th Century, Critical Theory, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies
“Authentic Sensations: Female Bodies and Creating Spiritual Affect.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. Conferences Theater History, 19th Century, American, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Religion
“Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. Conferences Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion
“Sweet Touch: The Sexuality and Power of Carmen in Simon Stephens’ Carmen Disruption.” Presenter, Comparative Drama Conference (CDC) Annual Conference, Orlando, 4 April 2018. Conferences 21st Century, Dramaturgy, English, Gender, Women, and Sexuality Studies, Queer Studies
“Arousing the Empathic Gendered Subject: Transpecies Domesticity and Sentient Spectacles in the Early Enlightenment,” Animal Engagements, ASTR Forum, La Jolla, CA, November, 2018. Conferences 17th Century, 18th Century, Drama, Gender, Women, and Sexuality Studies, Popular Culture
“British Sikh Flaneurs: How the Failure of Multiculturalism Produces a Contemporary Avant-Garde,”  plenary, ASTR, Portland, 2015. Conferences Drama, English, Gender, Women, and Sexuality Studies, Race and Ethnicity, Radical Theater, Reception Studies, Theory/Criticism
Adcock-Starr, Leah.  (April 2014). "B.F.F.’s and the Bard: Reclaiming the Importance of Female Friendship in William Shakespeare’s A Midsummer Night’s Dream".  Paper presented at Shakespeare 450: Societe Francaise Shakespeare.  Paris, France. Conferences Directing, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Shakespeare
 “The Politics and Aesthetics of Play:  The Wartburg Book-Burning and Hellenic Masculinity in the Construction of the German Nation,” (Re)Presenting Archives, University of British Columbia, April, 2014 Conferences 18th Century, 19th Century, Aesthetics, Gender, Women, and Sexuality Studies, German, Popular Culture, Race and Ethnicity, Theater History
"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 Conferences Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism
“Tamburlaine and Sublime Auto-Generation:  A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 Conferences 16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy
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