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SO FAR SO GOOD Program

SO FAR SO GOOD

By Libby King, Nick Bryant, Gretchen Hahn, Asialani Holman, Erica Matthews, Antonio Mitchell, Koo Park, Andrés Rodriguez, Joellen Sweeney, Jason Treviño, Erika Vetter, Amber Walker, Annie (Da-hye) Bang, and Emily K. Smith
Directed by Libby King
October 29 - November 1, 2021
Streamed via YouTube

This show runs approximately 85 minutes. There will be no intermission.
This production contains coarse language, flashing lights, and the depiction of an eating disorder.

SCENOGRAPHER Annie (Da-hye) Bang [MFA design student]
SCRIPTWORKER
Joellen Sweeney [MFA acting student]
ASSISTANT DIRECTOR 
Andrew Coopman [MFA directing student]
STAGE MANAGER
Emily K. Smith [undergraduate Drama major]
CHOREOGRAPHER Antonio Mitchell [MFA acting student]
LIVE STREAM PROGRAMMER Jay McAleer [UW Drama staff]
LIVE STREAM AUDIO Mark Huang [UW Drama staff]
LIVE STREAM TECHNICIANS Marcos Everstijn, Ian Lootens [UW Drama staff]
DIGITAL HOUSE MANAGER Brittany Thomas [UW Drama alumnus]

CAST

[All cast members are members of the Professional Actor Training Program - MFA Acting]
THE VETERAN Nick Bryant
CONTROL FREAK/ANA Gretchen Hahn
THE GHOST Asialani Holman
THE HERO Erica Matthews
EMCEE Antonio Mitchell
BIRTHDAY BOY Koo Park
VINCE, THE BARTENDER Andrés Rodriguez
MARGOT/JOELLEN Joellen Sweeney
FOOL Jason Treviño
THE MISSUS Erika Vetter
THE DREAMER Amber Walker

SPECIAL THANKS
JEROME ELLIS for the use of his song sparrow part 2 
jeromeellis.com

Read the director's noteMeet the Company
What is Devised Theatre?

SCHOOL OF DRAMA STAFF

DIRECTOR OF ENGAGEMENT Holly Arsenault
UNDERGRADUATE ADVISOR Eloise Boyle
PROGRAM COORDINATOR Malcolm Brown
GRADUATE ADVISER Sue Bruns
PROPERTY MASTER Andrea Bush
SHOP MANAGER Alex Danilchik
STAGE TECHNICIAN Marcos Everstijn
PRODUCTION MANAGER Ryan Gastelum
COSTUME SHOP MANAGER Ricky German
SCENIC ARTIST Jennifer Law
STAGE TECHNICIAN Ian Lootens
COSTUMER LEAD Val Mayse
MASTER ELECTRICIAN Jay McAleer
STAGE TECHNICIAN - SOUND MuTTT
ADMINISTRATIVE ASSISTANT Maritza Ogarro
CONSTITUENT RELATIONS OFFICER Caroline Rensel
COMPUTING SPECIALIST Gretchen Shantz
COSTUMER LEAD Deborah Skorstad
FINE AND PERFORMING ARTS LIBRARIAN Madison Sullivan
ADMINISTRATOR Tina Swenson
MASTER CARPENTER Tres Tracy Ballon

SCHOOL OF DRAMA FACULTY

Professors
Valerie Curtis-Newton, Head of Directing and Playwriting
Odai Johnson
Geoff Korf, Executive Director
Scott Magelssen, Head of Theatre History, Theory, and Criticism
Deborah Trout, Head of Design and Production

Associate Professors
Jeffrey Fracé, Head of Acting

Assistant Professors
Libby King
Adrienne Mackey
Stefka Mihaylova

Teaching Professors
Cathy Madden
G.W. Skip Mercier

Associate Teaching Professors
Kwame Braun
Bridget Connors
Scott Hafso

Lecturer
Andrew D. Smith

Part-Time Lecturers
Geoffrey Alm
David Armstrong
Paul Budraitis
Sunam Ellis
Elisabeth Farwell-Moreland
Kira Franz-Knight
John Jacobsen
Kelly Kitchens
Anita Montgomery
Jane Nichols
Myra Platt
Chris Reay
Carol Roscoe
Amy Thone
Tamin Totzke
Christine Tschirgi
Julia Hayes Welch
Rob Witmer
Carey Wong
Bradley Wrenn

Staff Instructors
Ryan Gastelum
Jennifer Law
Val Mayse
Deborah Skorstad

Affiliate Faculty
Thomas Postlewait

Emeritus Faculty
Sarah Bryant-Bertail
Jack Clay
Robert Dahlstrom
Bill Forrester
Mark Jenkins
Judith Shahn
Aurora Valentinetti
Barry Witham
Jack Wolcott

COVID-19 SAFETY STATEMENT

During the creation of this production, every precaution was taken for the protection of the faculty, students and staff. All University of Washington COVID-19 prevention guidelines were followed, including but not limited to:

  • Whenever possible, proper social distancing was practiced and actively monitored.
  • Face coverings were provided and worn by everyone except for certain socially distanced recorded scenes.
  • Hand sanitizer and disinfecting spray was provided and used.
  • Daily health attestations were required and regular communication about safe practices were constantly reinforced. 
  • All in-person participation was done on a voluntary basis. 
  • Only the faculty, students and staff necessary were in the areas where the production took place.
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