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“Tactical Slowness: Fomenting a Culture of Mental Health in the Academy” (2018) |
Scott Magelssen, Shelby Lunderman |
Culture, Drama, Performance Studies, Popular Culture, Theater History |
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Teaching the Alexander Technique (2018) |
Cathy Madden |
Acting, Acting for the Camera, Acting Pedagogy |
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Víctor Hugo Rascón Banda en el Teatro Costarricense (2018) |
Carlos Salazar |
Drama, Dramaturgy, Latin American, Latino/a Studies, Theater History |
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“Raising Proper Citizens" (2018) |
Stefka Mihaylova |
19th Century, 20th Century, Bulgarian, Culture, Literature and Other Arts |
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Uncle Tom's Cabins (2018) |
Stefka Mihaylova |
19th Century, 20th Century, 21st Century, Drama, Global and Transnational Studies, Literature and Other Arts, Performance Studies |
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"'Better to burn': The Prima Mimarum and Political Friction in Fourth-Century Antioch," Theatre Journal (March, 2018) (2018) |
Scott Venters |
Ancient, Classics, Gender, Women, and Sexuality Studies, Performance Studies, Popular Culture, Religion |
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“Performing a Viking History of America: The 1893 Voyage and Display of a Viking Longship at the Columbus Quadricentennial” (2017) |
Scott Magelssen |
19th Century, Culture, Historiography, History, Performance Studies, Popular Culture, Scandinavian, Theater History, Theory/Criticism, Visual Culture |
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Galvanizing Performance (2017) |
Cathy Madden |
Acting, Acting Pedagogy, Alexander Technique, Dance, Music, Singing |
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London in a Box (2017) |
Odai Johnson |
18th Century, American, History, Theater History |
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Sequins, Self and Struggle (2017) |
Catherine Cole |
African |
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“Our Academic Discipline is Making Us Sicker” (2016) |
Scott Magelssen |
Culture, Performance Studies, Popular Culture, Theater History |
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“White-Skinned Gods: Thor Heyerdahl, The Kon-Tiki Museum, and the Racial Theory of Polynesian Origins.” (2016) |
Scott Magelssen |
Indigenous, Performance Studies, Popular Culture, Postcolonial, Race and Ethnicity, Scandinavian, Theater History |
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In the Theater of the Rule of Law: Performing the Rivonia Trial in South Africa, 1963-1964 (2016) |
Catherine Cole |
African |
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The Servant Economy (2016) |
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Acting, Culture |
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Zelda Fichandler, Valient Striver in the Arena (2016) |
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History, Theater Management |
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A Lover's Guide to American Playwrights: Anne Washburn (2016) |
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Playwriting |
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15 Actors, 20 Years: Making Lives In and Out of the American Theatre (2016) |
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Acting |
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Cathy Madden (contributor), Marjorie Barstow, Her Teaching and Training (2016) |
Cathy Madden |
Alexander Technique |
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"'Would you die for the Fatherland?': Disciplining the German Commemorative Body" Theatre History Studies (2016) |
Scott Venters |
18th Century, 19th Century, 20th Century, Culture, Dance, Modernism, Performance Studies, Popular Culture, Race and Ethnicity |
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“The Radical Formalism of Suzan-Lori Parks and Sarah Kane” (2015) |
Stefka Mihaylova |
20th Century, Drama, Theory/Criticism |
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The Theater and the University: Two ‘Last’ (and Lasting) Human Venues (2015) |
Catherine Cole |
Theater History |
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Justice in Transition: South Africa Political Trials, 1956–1964 (2015) |
Catherine Cole |
African, Social Justice |
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Genocides at Home: Ishi, Again (2015) |
Catherine Cole |
Social Change, Social Justice, Theater History |
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A Lover's Guide to American Playwrights--I Married a Playwright: Karen Hartman (2015) |
Karen Hartman |
Playwriting |
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"'The ransome of Prides fury': The Executions as the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth." New England Theatre Journal 26 (2015): 1-20. (2015) |
Scott Venters |
17th Century, English, Performance Studies, Popular Culture, Theater History |
