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Conferences

Author/Title Research Type Related Fields
Rogus, Amanda M. “The Pedagogy of Trauma Drama: Teaching a Trauma-Informed Understanding of Measure for Measure” - Mid-America Theatre Conference, Chicago, IL. (March 2020) Conferences Acting Pedagogy
Rogus, Amanda M. “A Play by Any Other Name Would Sound as Sweet: Paleographical Proof of Mispronunciation in Henslowe’s Diary” - Mid-America Theatre Conference, Chicago, IL. (March 2020) Conferences Theater History
Rogus, Amanda M. "Shakespeare's Survivors: The Representation of the Philomela Character Across the Dramatic Canon" Wooden O Symposium, Online Zoom Presentation due to COVID-19. (August 2020) Conferences Shakespeare
““A Weak Woman Beat Them”: Constructing Feminine Leadership and Resistance” Panelist, Mid-American Theatre Conference, Chicago, IL. 8 March 2020 Conferences Theater History, 17th Century, Critical Theory, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies
“Authentic Sensations: Female Bodies and Creating Spiritual Affect.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. Conferences Theater History, 19th Century, American, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Religion
“Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. Conferences Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion
Rogus, Amanda M. “Two Hands are Better Than One: A Paleographic Exploration of Henslowe's Diary” Mid-America Theatre Conference, Cleveland, OH. (March 2019) Conferences Theater History
Rogus, Amanda M. “Exit Juliet Pursued by Romeo: Exploring Storytelling Shifts in Explicit Stage Directions” College English Association Conference, New Orleans, LA. (March 2019) Conferences Shakespeare
Rogus, Amanda M. “Ignorant or Seem So Craftily”: Isabella and Angelo’s Rhetoric in Measure for Measure” South Atlantic Modern Language Association Conference Atlanta, GA. (November 2019) Conferences Shakespeare
Rogus, Amanda M. “Treachery Thy Name is Barabas; Lawfulness Thy Name is Shylock: Yet Villainy in Both?” College English Association Conference, St. Petersburgh, FL. (April 2018) Conferences Shakespeare
Rogus, Amanda M. “One Collective Sensation in the Greek Chorus Line: A Performance Reflection of Oedipus” Ancient Theatre Conference, Lynchburg, VA. (October 2018) Conferences Acting, Theater History
“Sweet Touch: The Sexuality and Power of Carmen in Simon Stephens’ Carmen Disruption.” Presenter, Comparative Drama Conference (CDC) Annual Conference, Orlando, 4 April 2018. Conferences 21st Century, Dramaturgy, English, Gender, Women, and Sexuality Studies, Queer Studies
“The Glass to Discover Oneself: Social Media, Affect Theory, and Theatre.” Presenter, University of Wisconsin-Madison Theatre and Drama Graduate Student Conference, Madison, 14 April 2018. Conferences 21st Century, Reception Studies, Shakespeare
“Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue.” Presenter, Religion and Theatre Emerging Scholar Panel, American Theatre in Higher Education (ATHE) Annual Conference, 4 August 2018. Conferences 21st Century, Dramaturgy, Feminism and Feminist Theory, Queer Studies, Religion
“Spinning in Zero G: Playing Astronaut as Touristic Experience …and Theatre Research,” Mid-America Theatre Conference (MATC), Milwaukee, 2018. Conferences 21st Century, Culture, Performance Studies, Popular Culture, Postmodern, Theater History
“Forest, Orchards, and Fallow Fields: Chekhov’s Moral Philosophy,” invited talk, Chekhov in the 21stCentury: A Symposium, Theatre Department, Lewis and Clark College, June 28, 2018 Conferences Drama, Modernism, Theater History
2018 Interdisciplinary Graduate Students Conference (IGSC) in Seattle, WA.  "Being a Hedgehog: Isolation, Creativity, and Destruction." Conferences Critical Theory, Hispanic Studies, Literature and Other Arts, Spanish, Theory/Criticism
2018 Theatre History Symposium of MATC (Mid-America Theatre Conference), Milwaukee, WI. Panel: "Counter Spin: Racial and Counter-Cultural Clap Blacks." Conferences Latin American, Latino/a Studies, Performance Studies, Postcolonial
“Arousing the Empathic Gendered Subject: Transpecies Domesticity and Sentient Spectacles in the Early Enlightenment,” Animal Engagements, ASTR Forum, La Jolla, CA, November, 2018. Conferences 17th Century, 18th Century, Drama, Gender, Women, and Sexuality Studies, Popular Culture
“Power Perspective, and Role-Play: Mock Interviews with Inmates.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018. Conferences Devised Work, Social Change, Social Justice
“The Incarceration of Language: Xhosa and the Performance of Race in South Africa’s Ubuze Bam.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018. Conferences African, Social Justice
2018 Theatre History Symposium of MATC (Mid-America Theatre Conference) in Milwaukee, WIPanel: The Upside Downs: Mobile Theatres, Confinement, and Parallel StagesChair: Robert Shimko, University of Houston Conferences 18th Century, Feminism and Feminist Theory, French, Historiography, History, Performance Studies
"The Revelation of the Sensible: Theatre and Science in Seventeenth-Century Revolutionary England," ATHE, Boston, August, 2018 Conferences 17th Century, Performance Studies, Religion, Science and Technology, Theater History
Rogus, Amanda M. “The Patriarchal Matriarch: An Analysis of Women’s Power in Jen Silverman’s Plays” Race and Gender Roles Conference, Miami, OH. (February 2017) Conferences Theater History, Theory/Criticism
Rogus, Amanda M. “Early Modern Villainy?: Law’s Role in Shakespeare’s Merchant and Marlowe’s Malta” Elizabethan and Jacobean Conference, Harrisonburg, VA. (November 2017) Conferences Shakespeare

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