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Critical Theory
All content tagged with this term:
People
Sarah Bryant-Bertail
Associate Professor Emerita
Shelby Lunderman
PhD program
Sarah Marsh
PhD Program
Carlos Salazar
PhD program
Monica Cortes Viharo
PhD Program
Research
Conferences
"Taksim Square, Squared," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013.
"'The Most Famous Man in the U.S. Meets the Most Famous Woman in France': Thomas Edison, Sarah Bernhardt and the Birth of Motion Pictures," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013.
"The Octopus: Becoming Guatemalan in a Home Depot Parking Lot," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013.
"Emanuel Fried’s Working Class Theatre, You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013.
"First Person, Plural," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013.
"Stained by Tears: Circulation of Affect in Professional and Amateur Performance in Early Modern Osaka," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013.
"Awe and Wonder Putting on a Show: The Anitkythera Mechanism and the Look of the 1st Century B.C.E.," Mid-America Theatre Conference 2014, History Symposium #18.
"Drowning Playwrights, and Other State Incursions into Genre," Mid-America Theatre Conference 2014, History Symposium #25.
"Larger than Life: Displacing History at Oklahoma's Centennial Land Run Monument," Mid-America Theatre Conference 2014, History Symposium #8
"Reenactment and Reinvention: Diasporic Performances of Culture in Cleveland," Mid-America Theatre Conference 2014, History Symposium #7
"Revising the National Theater Narrative of 18th-Century Germany," Mid-America Theatre Conference 2014, History Symposium #21.
"Sovereign Bodies: Excessive Materiality and the Performance of Dis-substantiation in the Formation of the Public Sphere," Mid-America Theatre Conference (2015)
"Spectacular Performance in Cuzco, Peru: Indigenismo and the Restor(y)ation of Andean Culture," Mid-America Theatre Conference 2014, History Symposium #19.
"The Behzti Riot: Revising the Narrative of Post-Wold War II Radical Theatre in Biew of Non-Leftist Performance," Mid-America Theatre Conference 2014, History Symposium #13.
2018 Interdisciplinary Graduate Students Conference (IGSC) in Seattle, WA. "Being a Hedgehog: Isolation, Creativity, and Destruction."
“Framing Violence in Interspecies Relations: Encountering Flesh as Neoliberal Spatio-temporal Imaginary in The Portland Meat Collective," ASTR 2015, Portland
“The Last ‘Last Meal’: Reexamining Execution and the Performance of Power.” Mid-America Theatre Conference. Houston, Texas. March 16-19, 2017.
“These Streets: How Theater and Memory Fuse to Revise Grunge History,” Mid-America Theatre Conference 2014, History Symposium #3
“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s
Death and the King’s Horseman,
” Frontiers and Borders, Oklahoma State University, March, 2012
“‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013
Publications
,
Reviews
,
Graduate
"Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Play Review. Ollantay Theatre Magazine, Spring/Summer 2008
Book Review of
Performance Practice and Process
. New Theatre Quarterly, Spring 2008
Book Review of
The Performance Studies Reader.
for New Theatre Quarterly, Spring 2008
Book Review, Zehra Ipsiroglu,
Gençler Için Nazim Hikmet Oyunlari
. E, May 2003, p. 9
Theatre Review, “Aksiyon ve Performans”, E, October 2003, p. 68-70, on the projects and performances of Jerzy Grotowski and Thomas Richards Workcenter held in Istanbul in August 2003.
Theatre Review, “Birinci ÇGSG Sahne Sanatlari Bulusmasinin Ardindan...”, Tiyatro Tiyatro, July 2007, on the contributing performances at the first convention of the contemporary performance arts in Istanbul between May 22nd and June 3rd.
Theatre Review, “Grotowski Tiyatrosu ve Düsündükleri; Grotowski Bulusmasi”, in
Oyun
, a quarterly theatre and performance periodical, issue no. 3, 2010, p. 54-60; 71-80.
Theatre Review, “Hotel Pro Forma”, 2008 Sanat Dünyamiz. Güz 2008 -108th issue Yapi Kredi Kültür Yayincilik, p. 8-10, and in the 15th issue of Mimesis, in the 2008 Istanbul Theatre Festival dossier.
Theatre Review, “Önemli Seyler Oluyor”, E, August 2003, p. 52-54 on Pina Bausch’s Istanbul Project performed in June 2003, also including introductory notes to the Workcenter’s above-mentioned projects as forth-coming event.
Theatre Review, “Tek Kisilik Sehir”, E, April 2003, p.49-50 on Behiç Ak’s play performed and produced by Aksanat Prodüksiyon Tiyatrosu, directed by Isil Kasapoglu.
Conferences
,
Graduate
"Creating a Young Epic Audience in Loomer’s Bocón.” SW/TX Popular Culture Assoc./American Culture Assoc. Albuquerque NM. February 2006.
"Enacting Engravings: The Pictorial Narrative of
Il Pomo d'Oro
," Mid-America Theatre Conference, March 2013.
"Food in José Cruz Gonzalez’s Calabasas Street," SW/TX Popular/American Culture. Albuquerque, NM.
"Girls Who Do Boys: Teatro Luna’s MACHOS.” SW/TX Popular/American Culture. Albuquerque, NM. February 2009.
"La Llorona: Helpful Spirit for Children," SW Women Studies Conference. Socorro, NM. March 2003.
"Latino Theatre for Young Audiences," Association for Theatre in Higher Education.
"Latino Theatre for Young Audiences." presented: "Marketing to a New Audience: Seattle Children's Theatre and Tomás and the Library Lady.” Association for Theatre in Higher Education. New York, NY.
"Mourning in Eurydice by Sarah Ruhl," Comparative Drama. Los Angeles, CA.
"Reclaiming Rosaura Reveltes," Mixed Heritage/Ethnicity/Race Women's Studies Conference. Albuquerque, NM. March 2004.
"Reclaiming Rosaura Reveltes." Mixed Heritage/Ethnicity/Race Women's Studies Conference. Albuquerque, NM. March 2004.
"Silencing the Fool: The
Hanswurst
Controversy of 18th Century Vienna," American Society for Eighteenth-Century Studies, April 2013.
"Teatro Visión’s 2006 Production of Alfaro’s Electricidad: Reclaiming the Mexican Heritage Plaza," ATHE. New Orleans, LA. July 2007.
"The Commerce of Textual Sex: How Ken Davenport Made
My First Time
." American Society for Theatre Research Conference, November 2011.
"The Theoretical Work of Jose Cruz Gonzalez." ATHE. Los Angeles, CA.
"University of Washington Students' Work Related to Women of Sand." SW/TX Popular/American Culture. Albuquerque, NM.
"You Are What You Eat: Mexicanidad and Producing Valdez's Los Vendidos." SW/Texas Popular Culture Assoc./American Culture Association. Albuquerque, NM. Feb. 2005.
"Picante or Szechuan?: Aquiring a Taste for Ethnic Performance," ASTR. Las Vegas, NV. November 2004.
Article Writing Seminar for the Latino Theatre Focus Group, ATHE. Denver, CO. August 2008.
Motherhood Research Group: “Subverting La Llorona in Loomer’s Bocón." ASTR. Toronto. November 2005.
“
The Octopus
: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX.
“Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006.
“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007.
“Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005.
“Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006.
“The Reclamation of Angst and Self in
These Streets: A Rock ‘n’ Roll Story.”
University of British Columbia Graduate Symposium. Vancouver, B.C.
“The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea." Comparative Drama. Los Angeles, CA. March 2006.
“The Women of Grunge (Re)membered.” Mid America Theatre Conference Annual Meeting. Cleveland, OH.
“Weeping Women of Electricidad." Comparative Drama. Los Angeles, CA. March 2007.
Publications
,
Translations
,
Graduate
Book translation,
Sehirler
, published in December 2007, by Yapi Kredi Kültür Yayincilik: Reader, John. 2004. Cities London: William Heinemann. Citation for my translation: Reader, John. Sehirler. trans. F. Bahar Karlidag. Istanbul: YKY, 2007.
Translation, “Gerçekçilik” from “The Introduction/Realism” in Richard Ellman & Fiedelson, Charles, Jr, Eds.
The Modern Tradition: Backgrounds of Modern Literature
, New York: Oxford University Press, 1965, as appeared in E, November 2003, p.50-54.
Translation, “Sembolizm” from “The Introduction/Symbolism” in Richard Ellman & Fiedelson, Charles, Jr, Eds.
The Modern Tradition: Backgrounds of Modern Literature
. New York:Oxford University Press. 1965 as appeared in E, June 2003, p.78-84.
Translation, “Siirde Düsüncenin Rolü – Siir, Dil ve Düsünce”, “Role of Thought in Poetry, Poetry, Language and Thought”, Paul Valery, in Richard Ellmand & Fiedelson, Charles, Jr, Eds.
The Modern Tradition: Backgrounds of Modern Literature
, New York: Oxford University Press, 1965, as appeared in E, August 2003, p. 56-62.
Publications
,
Essays
Cortes, Monica Munoz (1995). The Works of Anna Deavere Smith: An Exploration of Otherness.
The Berkeley McNair Journal, 3
(Summer 1995), 87-97
Publications
,
Essays
,
Graduate
Essay, "Bir Biçim Polemiği: Fredric Jameson’ın Marksizm ve Form eseri ışığında Brecht-Lukacs tartışması ve Üç Kuruşluk Opera eseri üzerinde bir uygulama.”
Septet Interdiscipliary Journal for the Arts, Humanities, and Social Sciences
Vol 2. June 2012.
Undergraduate
Griffith, H. (2014) “Through the Lens of Apartheid: The Shifting of Perspectives for Sizwe Bansi is Dead," winner of the 2014 National Amy and Eric Burger Essays on Theatre Competition.
Graduate
,
Dissertations
Jason Eckard - Tenth and Eleventh Century Liturgical Drama and the Rise of the Latin Christian Church
Shelby Lunderman: Cruel and Unusual Performance: (Re)producing Capital Punishment on the U.S. Stage
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