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“The Incarceration of Language: Xhosa and the Performance of Race in South Africa’s Ubuze Bam.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018.
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Foreword, “Sequins, Self and Struggle” special issue, Safundi: The Journal of South African and American Studies, vol. 18, no. 2., 2017
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2016, “In the Theater of the Rule of Law: Performing the Rivonia Trial in South Africa, 1963-1964,” co-authored with Jens Meierhenrich, chapter in Political Trials in Theory and History edited by Jens Meierhenrich and Devin O. Pendas, Cambridge: Cambridge University Press.
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2015, “Justice in Transition: South Africa Political Trials, 1956–1964,” chapter in The Courtroom as a Space of Resistance: Reflections on the Legacy of the Rivonia Trial, edited by Awol Allo. Ashgate, Edinburgh/Glasgow Law and Society Series, Ashgate; reprint from Cole’s monograph on the Truth and Reconciliation Commission.
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2014, “At the Convergence of Transitional Justice and Art,” Review essay for International Journal of Transitional Justice, Vol. 8, pp. 314-322.
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2014, “Reverberations of Testimony: South Africa’s TRC in Art and Media,” in Transitional Justice, Culture and Society: Beyond Outreach. Edited by Clara Ramirez-Barat, International Center for Transitional Justice, New York: Social Science Research Council.
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“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012
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Cima, Gibson A. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. 2012. University of Washington, PhD dissertation.
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Catherine M. Cole. Performing South Africa's Truth Commission. Indiana University Press, 2010.
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Cole, Jennifer and Lynn M. Thomas, eds. Love in Africa. Chicago: University of Chicago Press, 2009. Print.
