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Salazar, Carlos. The Memory of the Islands: Cultural Negotiations and their Remains in (Post)Colonial Costa Rica. 2021. University of Washington, PhD dissertation.
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2018 Theatre History Symposium of MATC (Mid-America Theatre Conference), Milwaukee, WI. Panel: "Counter Spin: Racial and Counter-Cultural Clap Blacks."
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2017 American Asociation for Theatre Research Conference (ASTR), "Extraordinary Bodies." Working Group: "Global South"
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Scott Magelssen, “White-Skinned Gods: Thor Heyerdahl, The Kon-Tiki Museum, and the Racial Theory of Polynesian Origins.” TDR: The Drama Review 60.1 [T229] (Winter, 2016).
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"The Violent Spatializing of Time: Colonizing Utopian Imaginaries in Seventeenth-Century Barbados," International Medieval Congress, Kalamazoo, 2016.
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"Brooklyn’s Experimental Frontiers: A Performance Geography” TDR: The Drama Review 58:3 (August 2014): 97-123.
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“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012
