Related Faculty
- Associate Professor, Theatre Theory and Criticism
Latest News
- New CineMedia program gains exposure at screening event (December 3, 2013)
Related Research
- Venters, Scott. The (Im)mediate Animal: An Anti-theatrical History of Interspecies Entanglements in Enlightenment Transactions, 1640-1800. 2021. University of Washington, PhD dissertation.
- “Sweet Touch: The Sexuality and Power of Carmen in Simon Stephens’ Carmen Disruption.” Presenter, Comparative Drama Conference (CDC) Annual Conference, Orlando, 4 April 2018.
- "Beyond Hybrid Bodies in the Early Enlightenment Laboratory: Epistemological Formations as Interspecies Constitutions," From the Curious to the Quantum Working Group, ASTR, Atlanta, November, 2017
- Karlidag, Bahar. Workers' Theatre Movement conventions as shaping/informing conditions in the theatrical collaboration of Joan Littlewood and Ewan MacColl and beyond: in Littlewood's success. 2017. University of Washington, PhD dissertation.
- “British Sikh Flaneurs: How the Failure of Multiculturalism Produces a Contemporary Avant-Garde,” plenary, ASTR, Portland, 2015.
- "'The ransome of Prides fury': The Executions as the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth." New England Theatre Journal 26 (2015): 1-20.
- “Forced Entertainment’s Live Simulacrum: Automata, Liveness, and the Human Actor’s Virtuosity,” plenary, ASTR, Baltimore, 2014
- Beeston's Boys and Negotiations of Sovereignty in Late Caroline Drama, Master's Thesis, Oklahoma State University, 2012; Maria Beach, Advisor
- “Shiva in America: Frontiers of Destruction.” New Plains Review 7.2 (2007): 73-76.
- Warrick, John A. The Medieval Theatrical Hell-mouth: Ritual/Colonial Formations and Protestant Transformations in Anglo/Saxon and Early Modern England. 2006. University of Washington, PhD dissertation.