Professor in theatre history and head of the Ph.D. program, Odai Johnson took his MFA from the University of Utah and his Ph.D. from the University of Texas at Austin. His articles have appeared in Theatre Journal, Theatre Survey, New England Theatre Journal, Theatre Symposium and the Virginia Magazine of History as well as contributions to numerous anthologies.   His books include Rehearsing the Revolution (University of Delaware 1999), The Colonial American Stage: A Documentary Calendar (AUP: 2001), Absence and Memory on the Colonial American Stage (Palgrave-Macmillan, 2005),  London in a Box (Iowa 2017), and Ruins: Classical Theatre and the Archeology of Memory (University of Michigan), as well as contributor to the Oxford Handbook of Dance and Theatre, Oxford Handbook of The Georgian Theatre, the Oxford Handbook of American Drama.  He is currently working on a book on Revolution and genres that explores the structures of the imaginanation. His courses range from the classical past, to the Baroque, the Early Modern, the Long 18th century, historiography, and recently, Staging the City, taught in Rome. Professor Johnson holds the Floyd and Delores Jones Endowed Professorship in the Arts, and has recently been honored as a Distinguished Alumni from the University of Utah.