| Author/Title |
Research Type |
Related Fields |
| Foreword, “Sequins, Self and Struggle” special issue, Safundi: The Journal of South African and American Studies, vol. 18, no. 2., 2017 |
Publications |
African |
| 2016, “In the Theater of the Rule of Law: Performing the Rivonia Trial in South Africa, 1963-1964,” co-authored with Jens Meierhenrich, chapter in Political Trials in Theory and History edited by Jens Meierhenrich and Devin O. Pendas, Cambridge: Cambridge University Press. |
Publications |
African |
| 2015, “Justice in Transition: South Africa Political Trials, 1956–1964,” chapter in The Courtroom as a Space of Resistance: Reflections on the Legacy of the Rivonia Trial, edited by Awol Allo. Ashgate, Edinburgh/Glasgow Law and Society Series, Ashgate; reprint from Cole’s monograph on the Truth and Reconciliation Commission. |
Publications |
African, Social Justice |
| 2014, “At the Convergence of Transitional Justice and Art,” Review essay for International Journal of Transitional Justice, Vol. 8, pp. 314-322. |
Publications |
African, Social Justice |
| 2014, “Reverberations of Testimony: South Africa’s TRC in Art and Media,” in Transitional Justice, Culture and Society: Beyond Outreach. Edited by Clara Ramirez-Barat, International Center for Transitional Justice, New York: Social Science Research Council. |
Publications |
African, Social Justice |
| Catherine M. Cole. Performing South Africa's Truth Commission. Indiana University Press, 2010. |
Publications, Books |
African |
| Cole, Jennifer and Lynn M. Thomas, eds. Love in Africa. Chicago: University of Chicago Press, 2009. Print. |
Publications, Books |
20th Century, African, Culture |
| Catherine M. Cole. Africa After Gender? Indiana University Press, 2007. |
Publications, Books |
African |
| Thomas, Lynn M. Politics of the Womb: Women, Reproduction, and the State in Kenya. Berkeley: University of California Press, 2003. Print. |
Publications, Books |
20th Century, African, Gender, Women, and Sexuality Studies |
| Kwame Braun. Stage-Shakers!. Indiana University Press. 2001 |
Publications, Film/Video |
African, Film/Cinema |
| Catherine M. Cole. Ghana's Concert Party Theatre. Indiana University Press, 2001. |
Publications, Books |
African |
| Kwame Braun. Passing Girl: Riverside. DER Documentary. 1998 |
Publications, Film/Video |
African, Film/Cinema |
| “Statements Before and After Arrests: Performing at Law’s Edge in Apartheid South Africa,” Law as/and Performance, edited by Austin Sarat, Lawrence Douglas, and Martha Umphrey, The Amherst Series in Law, Jurisprudence, and Social Thought, published by University of Massachusetts Press. |
Publications |
African |
| Performing South Africa’s Truth Commission: Stages of Transition (2010) Africa After Gender? co-edited w Takyiwaa Manuh and Stephan Miescher, Indiana University Press (2007) Ghana’s Concert Party Theatre (2001) Lead Curator, Fiat Lux Redux: Ansel Adams and Clark Kerr, exhibit at the Bancroft Library, UC Berkeley (2012) |
Creative Work, Exhibits, Publications, Books, Film/Video |
African, Gender, Women, and Sexuality Studies, Theater History |
