
Associate Professor, Theatre Theory and Criticism
Fields of Interest
Biography
Curriculum Vitae
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Ph. D. Northwestern University
M.A. Central European University, Hungary
B.A./M.A. Sofia University, Bulgaria
Stefka Mihaylova is Associate Professor of Theatre History and Performance Theory. Her book, Viewers in Distress: Race, Gender, Religion and Avant-Garde Performance at the Turn of the Twenty-First Century (University of Michigan Press, 2023), received an honorable mention for the Barnard Hewitt Award for Outstanding Research in Theatre History in 2024. She is the coeditor of Uncle Tom’s Cabins: The Transnational History of America’s Most Mutable Book (2018). Her research has appeared in Theatre Survey, NTQ, Contemporary Theatre Review, and book collections. She has worked as a production and literary dramaturge.
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Selected Research
- Viewers in Distress: Race, Gender, Religion, and Avant-Garde Performance at the Turn of the 21stCentury
- Stefka Mihaylova, "Liveness Redux: Radical Performance, Television, and the Truthfulness of Illusion in Bloody Mess by Forced Entertainment," Contemporary Theatre Review 30.3 (2020): 340-356.
- “Forest, Orchards, and Fallow Fields: Chekhov’s Moral Philosophy,” invited talk, Chekhov in the 21stCentury: A Symposium, Theatre Department, Lewis and Clark College, June 28, 2018
- “Raising Proper Citizens: Uncle Tom’s Cabin and the Sentimental Education of Bulgarian Children during the Soviet Era.” In Uncle Tom’s Cabins: The Transnational History of America’s Most Mutable Book, edited by Tracy C. Davis and Stefka Mihaylova. Ann Arbor: The University of Michigan Press, 2018. 314-42
- Tracy C. Davis and Stefka Mihaylova, eds. Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book. Ann Arbor: The University of Michigan Press, 2018.
- “British Sikh Flaneurs: How the Failure of Multiculturalism Produces a Contemporary Avant-Garde,” plenary, ASTR, Portland, 2015.
- “The Radical Formalism of Suzan-Lori Parks and Sarah Kane,” Theatre Survey 56.2 (May 2015): 213-31
- “Forced Entertainment’s Live Simulacrum: Automata, Liveness, and the Human Actor’s Virtuosity,” plenary, ASTR, Baltimore, 2014
- "The Behzti Riot: Revising the Narrative of Post-Wold War II Radical Theatre in Biew of Non-Leftist Performance," Mid-America Theatre Conference 2014, History Symposium #13.
- Stefka Mihaylova. Review of Reading Modern Drama. Theatre Journal, 2013.
- Stefka Mihaylova. Review of Endgame, by Samuel Beckett, directed by Frank Gallati, Steppenwolf Theatre, Chicago. Journal of Beckett Studies, 2011.
- Stefka Mihaylova. “Whose Performance Is It, Anyway? Performed Criticism as a Feminist Strategy.” New Theatre Quarterly, 2009.
- Stefka Mihaylova. Review of Theatre of Estrangement: Theatre, Practice, Ideology, by Silvija Jestrovic. Contemporary Theatre Review, 2008.
- Stefka Mihaylova. “Reading Corneille with Brecht: The Comedy of Illusion and the Illusions of Citizenship.” The Theatre of Tony Kushner: New Essays on the Art and Politics of the Plays. Ed. by James Fisher, 2006.
- “Casting Stare-able Bodies: Mabou Mines’ Dollhouse,” American Society for Theatre Research, Atlanta, 2017
Research Advised
- Zimmerman, Shadow. Mediating Black Modernisms: Charles S Johnson and His Circle, Printing Opportunity and Performing the New Negro. 2022. University of Washington, PhD dissertation.
- Li, Weiyu. The Black is the New Red: Performances of Racial Blackness in the Maoist China. 2022. University of Washington, PhD dissertation.
- Seifert, Kristin. Brecht between Mediums: Reevaluating Epic Theory in Theatre and Film. 2019. University of Washington, PhD dissertation.
- Karlidag, Bahar. Workers' Theatre Movement conventions as shaping/informing conditions in the theatrical collaboration of Joan Littlewood and Ewan MacColl and beyond: in Littlewood's success. 2017. University of Washington, PhD dissertation.
- Griffith, H. (2014) “Through the Lens of Apartheid: The Shifting of Perspectives for Sizwe Bansi is Dead," winner of the 2014 National Amy and Eric Burger Essays on Theatre Competition.
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Autumn 2025
Autumn 2024
Spring 2024
Winter 2024
Autumn 2023
Spring 2023
Winter 2023
Autumn 2022
Spring 2022
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Professional AffiliationsAmerican Society for Theatre Research (ASTR); International Federation for Theatre Research (IFTR); Mid-America Theatre Conference (MATC)