“Forest, Orchards, and Fallow Fields: Chekhov’s Moral Philosophy,” invited talk, Chekhov in the 21stCentury: A Symposium, Theatre Department, Lewis and Clark College, June 28, 2018 |
Conferences |
Drama, Modernism, Theater History |
“Arousing the Empathic Gendered Subject: Transpecies Domesticity and Sentient Spectacles in the Early Enlightenment,” Animal Engagements, ASTR Forum, La Jolla, CA, November, 2018. |
Conferences |
17th Century, 18th Century, Drama, Gender, Women, and Sexuality Studies, Popular Culture |
"(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Living with Animals, EKU, Richmond, March, 2017 |
Conferences |
17th Century, Drama, Ecocriticism, Global and Transnational Studies, Popular Culture, Theater History |
"(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Mid-America Theatre Conference (MATC), Houston, March, 2017 |
Conferences |
17th Century, Drama, Performance Studies, Popular Culture |
“British Sikh Flaneurs: How the Failure of Multiculturalism Produces a Contemporary Avant-Garde,” plenary, ASTR, Portland, 2015. |
Conferences |
Drama, English, Gender, Women, and Sexuality Studies, Race and Ethnicity, Radical Theater, Reception Studies, Theory/Criticism |
“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012 |
Conferences |
20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History |
“Tamburlaine and Sublime Auto-Generation: A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 |
Conferences |
16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy |
“Casting Stare-able Bodies: Mabou Mines’ Dollhouse,” American Society for Theatre Research, Atlanta, 2017 |
Conferences |
Disability, Drama, Modernism, Postmodern, Radical Theater, Theory/Criticism |