|
“It all Comes Round Again: Immersive 1950s Simulations as Reminiscence Therapy.” Mid-America Theatre Conference (MATC), Cleveland, 2022. |
Conferences |
20th Century, 21st Century, Historiography, Performance Studies, Popular Culture |
|
“The Character of Nostalgia: Meaning, Yearning, and Simulations of the Recent Past.” Mid-America Theatre Conference (MATC), Chicago, 2020. |
Conferences |
Historiography, Performance Studies, Popular Culture |
|
“Performance, Flight, and the 9/11 Memorial & Museum,” American Society for Theatre Research (ASTR). Arlington, 2019. |
Conferences |
21st Century, Historiography, Museum Studies/Museology, Performance Studies, Popular Culture |
|
“Spinning in Zero G: Playing Astronaut as Touristic Experience …and Theatre Research,” Mid-America Theatre Conference (MATC), Milwaukee, 2018. |
Conferences |
21st Century, Culture, Performance Studies, Popular Culture, Postmodern, Theater History |
|
“Arousing the Empathic Gendered Subject: Transpecies Domesticity and Sentient Spectacles in the Early Enlightenment,” Animal Engagements, ASTR Forum, La Jolla, CA, November, 2018. |
Conferences |
17th Century, 18th Century, Drama, Gender, Women, and Sexuality Studies, Popular Culture |
|
“Performing the American Astronaut: From Fighter Pilot to Cold Warrior.” Innovation Series. University of Houston. March, 2017. |
Conferences |
20th Century, Costumes, Historiography, History, Performance Studies, Popular Culture, Theater History |
|
"(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Living with Animals, EKU, Richmond, March, 2017 |
Conferences |
17th Century, Drama, Ecocriticism, Global and Transnational Studies, Popular Culture, Theater History |
|
"(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Mid-America Theatre Conference (MATC), Houston, March, 2017 |
Conferences |
17th Century, Drama, Performance Studies, Popular Culture |
|
“Framing Violence in Interspecies Relations: Encountering Flesh as Neoliberal Spatio-temporal Imaginary in The Portland Meat Collective," ASTR 2015, Portland |
Conferences |
21st Century, Activist Theater, Aesthetics, Critical Theory, Popular Culture, Social Change, Visual Culture |
|
“The Politics and Aesthetics of Play: The Wartburg Book-Burning and Hellenic Masculinity in the Construction of the German Nation,” (Re)Presenting Archives, University of British Columbia, April, 2014 |
Conferences |
18th Century, 19th Century, Aesthetics, Gender, Women, and Sexuality Studies, German, Popular Culture, Race and Ethnicity, Theater History |
|
"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 |
Conferences |
Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism |
|
"The Matter of the Heart: Vesalius, Vivisection, and the Mediation of Print," What Performs? The American Society for Theatre Research, Animals Perform Working Session, November, 2014 |
Conferences |
16th Century, Italian, Popular Culture, Reception Studies, Science and Technology |
|
“‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013 |
Conferences |
17th Century, Critical Theory, Popular Culture, Religion, Theater History |
|
“Tamburlaine and Sublime Auto-Generation: A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 |
Conferences |
16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy |