| Heiner, Catherine. "Casting and Creating Importance: Complicating Race and Gender in Wilde's The Importance of Being Earnest." Mid-American Theatre Conference (MATC), Cleveland, OH, 3 March 2022. |
Conferences |
Theater History, Theory/Criticism, Dramaturgy, Queer Studies |
| “Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion |
| 2018 Interdisciplinary Graduate Students Conference (IGSC) in Seattle, WA. "Being a Hedgehog: Isolation, Creativity, and Destruction." |
Conferences |
Critical Theory, Hispanic Studies, Literature and Other Arts, Spanish, Theory/Criticism |
| Rogus, Amanda M. “The Patriarchal Matriarch: An Analysis of Women’s Power in Jen Silverman’s Plays” Race and Gender Roles Conference, Miami, OH. (February 2017) |
Conferences |
Theater History, Theory/Criticism |
| “The Last ‘Last Meal’: Reexamining Execution and the Performance of Power.” Mid-America Theatre Conference. Houston, Texas. March 16-19, 2017. |
Conferences |
Critical Theory, Social Justice, Theory/Criticism |
| Panelist, "The Macabre, the Mystifying, and the Memorable," First Annual Conference on Dark Tourism |
Conferences |
Performance Studies, Theory/Criticism |
| “British Sikh Flaneurs: How the Failure of Multiculturalism Produces a Contemporary Avant-Garde,” plenary, ASTR, Portland, 2015. |
Conferences |
Drama, English, Gender, Women, and Sexuality Studies, Race and Ethnicity, Radical Theater, Reception Studies, Theory/Criticism |
| "Has Theatre Ever Been Secular?", Panel Organizer and Respondent, Religion and Theatre Focus Group, ATHE 2015, Montreal |
Conferences |
Global and Transnational Studies, Religion, Social Change, Theory/Criticism |
| “Forced Entertainment’s Live Simulacrum: Automata, Liveness, and the Human Actor’s Virtuosity,” plenary, ASTR, Baltimore, 2014 |
Conferences |
21st Century, English, Experimental, Radical Theater, Theory/Criticism |
| "'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 |
Conferences |
Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism |
| “Restoration Sociability and the Post-Revolutionary National Imaginary in Dryden’s Essay of Dramatick Poesie,” ATHE, Orlando, FL, August, 2019 |
Conferences |
17th Century, 18th Century, Theory/Criticism |
| “Casting Stare-able Bodies: Mabou Mines’ Dollhouse,” American Society for Theatre Research, Atlanta, 2017 |
Conferences |
Disability, Drama, Modernism, Postmodern, Radical Theater, Theory/Criticism |
