| Viewers in Distress: Race, Gender, Religion, and Avant-Garde Performance at the Turn of the 21stCentury |
Publications, Books |
Theater History, Theory/Criticism, 20th Century, 21st Century, Aesthetics, Gender, Women, and Sexuality Studies, Postmodern, Race and Ethnicity, Radical Theater, Reception Studies |
| “Sighting Segregation Black aesthetics and the materiality of art in St. Louis and Ferguson,” in The Material World of Modern Segregation edited by Iver Bernstein and Heidi Kolk, 2022. |
Publications, Essays |
21st Century, Aesthetics, African American, American, Choreography, History, Performance Studies, Race and Ethnicity, Social Justice, Visual Culture |
| Stefka Mihaylova, "Liveness Redux: Radical Performance, Television, and the Truthfulness of Illusion in Bloody Mess by Forced Entertainment," Contemporary Theatre Review 30.3 (2020): 340-356. |
Publications, Essays |
Theater History, Theory/Criticism, 21st Century, Postmodern, Television |
| “Space: Postdramatic Geography in Post-Collapse Seattle,” in Postdramatic Theatre and Form, edited by Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Methuen Drama Bloomsbury, 2019: 48-65. |
Publications, Essays |
Theater History, 21st Century, Aesthetics, American, Experimental, German, History, Postmodern, Race and Ethnicity, Radical Theater |
| "Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue." Ecumenica, vol. 12, no. 2, Dec. 2019 |
Publications, Essays |
21st Century, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Queer Studies, Religion |
| "STONE ANGELS: PAINFUL PROGRESS AFTER THE MILLENNIUM." Etudes, vol. 4, no. 1, Dec. 2018. http://www.etudesonline.com/dec2018heiner.html |
Publications, Essays |
20th Century, 21st Century, American, Queer Studies |
| Tracy C. Davis and Stefka Mihaylova, eds. Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book. Ann Arbor: The University of Michigan Press, 2018. |
Publications, Books |
19th Century, 20th Century, 21st Century, Drama, Global and Transnational Studies, Literature and Other Arts, Performance Studies |
| “An uncharted persistence: Alternative minoritarian theater in austere Chicago,” in Theater and Cultural Politics for a New World, edited by Chinua Thelwell. London: Routledge, 2017: 205-229. |
Publications, Essays |
21st Century, Activist Theater, African American, Arts Management, Asian American, Experimental, Race and Ethnicity, Radical Theater, Social Justice, Theater for Youth |
| “Right to the Artistic City: Performing Engagements Beyond Austerity in Post-Collapse Chicago” Revue Française d’Etudes Américaines (French Review of American Studies) 148 (2016): 84-97. |
Publications, Essays |
21st Century, Activist Theater, Aesthetics, Critical Theory |
| "Brooklyn’s Experimental Frontiers: A Performance Geography” TDR: The Drama Review 58:3 (August 2014): 97-123. |
Publications, Essays |
Theater History, 21st Century, Activist Theater, American, Experimental, Performance Studies, Postcolonial, Race and Ethnicity |
| “Black love? Black love!: All Aboard the presence of punk in Seattle’s NighTraiN” Women & Performance: a journal of feminist theory 22: 2-3 (November 2012): 315-323. |
Publications, Essays, Reviews |
Theater History, Theory/Criticism, 21st Century, Aesthetics, African American, American, Music |
