| Scott Magelssen. “Actors as Surrogate Sufferers? Toward a Model for Well-Being in Acting Training.” Humanities and Human Flourishing Project. Oxford University Press, 2023. |
Publications, Essays |
Acting, Directing, Theater History, Theory/Criticism, Performance Studies |
Joe Hetterly & Tré Cotten (2022): A Keynote Conversation with Tré Cotten,
Voice and Speech Review, DOI: 10.1080/23268263.2021.2018807 |
Publications, Essays |
Acting, Dialects, Film/Cinema, Speech, Voice |
| Rizzardi, Jonathan M. “The Andreia of Grieving: Rehearsing Heroic Grief on the Ancient Athenian Stage.” New England Theatre Journal 33, no 1 (2022). |
Publications, Essays |
Theater History, Classics, Gender, Women, and Sexuality Studies, Queer Studies, Tragedy |
| “Sighting Segregation Black aesthetics and the materiality of art in St. Louis and Ferguson,” in The Material World of Modern Segregation edited by Iver Bernstein and Heidi Kolk, 2022. |
Publications, Essays |
21st Century, Aesthetics, African American, American, Choreography, History, Performance Studies, Race and Ethnicity, Social Justice, Visual Culture |
| Scott Magelssen. “Dinosaurs, Racial Anxiety, and Curatorial Intervention: Whiteness and Performative Historiography in the Museum.” Special Issue on Theatre Historiography, ed. Michal Kobialka. Pamietnik Teatralny 70.4 (2022). |
Publications, Essays |
Theater History, 19th Century, 20th Century, Historiography, History, Indigenous, Performance Studies, Popular Culture, Race and Ethnicity |
| Scott Venters, “Embodiment and Ontological Fragility in the Fabrication of Early Royal Society Taxa,” in Identity, Culture, and the Science of Performance: From the Lab to the Streets, eds. Vivian Appler and Merdith Conti (Bloomsbury, 2022 – Forthcoming) |
Publications, Essays |
Theater History, 17th Century, Culture, Performance Studies, Science and Technology |
| Rogus, Amanda. “Educating Survivors: The Traumatic Effects of Sexual Assault on Student Academic Achievement in Graduate Education,” Journal of Psychology Research, vol. 10, no 3, June 2020, pp. 94-100. |
Publications, Essays |
Activist Theater |
| Rogus, Amanda. “Ignorant or Seem So Craftily:” Isabella and Angelo’s Rhetoric in Shakespeare’s Measure for Measure,” US English Education Review, vol. 19, no. 7, July 2020, pp. 219-224. |
Publications, Essays |
Shakespeare |
| Stefka Mihaylova, "Liveness Redux: Radical Performance, Television, and the Truthfulness of Illusion in Bloody Mess by Forced Entertainment," Contemporary Theatre Review 30.3 (2020): 340-356. |
Publications, Essays |
Theater History, Theory/Criticism, 21st Century, Postmodern, Television |
| Zimmerman, Shadow D. "Marinetti and Mussolini: Performing Citizenship in Anti-Fascist Italy." Theatre Symposium, Volume 28: Citizenship, edited by Andrew Gibb. Tuscaloosa: University of Alabama Press, 2020. |
Publications, Essays |
Modernism, Performance Studies |
| Zimmerman, Shadow D. “Hedda Gabler.” How to Teach a Play: Exercises for the College Classroom, edited by Miriam Chirico and Kelly Younger. London: Bloomsbury Publishing, 2020. |
Publications, Essays |
19th Century, Acting Pedagogy, Scandinavian, Scenery |
| “Space: Postdramatic Geography in Post-Collapse Seattle,” in Postdramatic Theatre and Form, edited by Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Methuen Drama Bloomsbury, 2019: 48-65. |
Publications, Essays |
Theater History, 21st Century, Aesthetics, American, Experimental, German, History, Postmodern, Race and Ethnicity, Radical Theater |
| Rogus, Amanda. "Exit Juliet Pursued by Romeo: Exploring Storytelling Shifts in Explicit Stage Directions,” CEA Critic, John Hopkins University Press, vol. 81, no. 3, November 2019, pp. 274-280. |
Publications, Essays |
Shakespeare |
| "Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue." Ecumenica, vol. 12, no. 2, Dec. 2019 |
Publications, Essays |
21st Century, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Queer Studies, Religion |
| Scott Magelssen and Shelby Lunderman. “Slow Down or Else: The Perils of Rapidity on Academics’ Mental Health.” In Reversing the Cult of Speed in Higher Education, edited by Jonathan Chambers and Stephanie Gearhart. Routledge, 2019. |
Publications, Essays |
Theory/Criticism |
| Rogus, Amanda M. “Tempting a Temptress: Analyzing Cleopatra’s Growing Dominance with Antony’s Shrinking Masculinity in Antony and Cleopatra,” US English Education Review, vol. 16, no. 9, Sept. 2018, pp. 447-459. |
Publications, Essays |
Shakespeare |
| "STONE ANGELS: PAINFUL PROGRESS AFTER THE MILLENNIUM." Etudes, vol. 4, no. 1, Dec. 2018. http://www.etudesonline.com/dec2018heiner.html |
Publications, Essays |
20th Century, 21st Century, American, Queer Studies |
| Scott Magelssen and Shelby Lunderman. “Tactical Slowness: Fomenting a Culture of Mental Health in the Academy.” Reversing the Cult of Speed in Higher Education: The Slow Movement in the Arts and Humanities. Ed. Jonathan Chambers and Stephannie Gearhart (Routledge, 2018). |
Publications, Essays |
Culture, Drama, Performance Studies, Popular Culture, Theater History |
| “Raising Proper Citizens: Uncle Tom’s Cabin and the Sentimental Education of Bulgarian Children during the Soviet Era.” In Uncle Tom’s Cabins: The Transnational History of America’s Most Mutable Book, edited by Tracy C. Davis and Stefka Mihaylova. Ann Arbor: The University of Michigan Press, 2018. 314-42 |
Publications, Essays |
19th Century, 20th Century, Bulgarian, Culture, Literature and Other Arts |
| Elizabeth Osborne and Shelby Lunderman. “This is the Dawning of the Age of the Online Course: Reimagining Introduction to Theatre.” In New Directions in Teaching Theatre Arts, edited by Anne Fliotsos and Gail Medford. Palgrave Macmillan, 2018. |
Publications, Essays |
Theater History |
| “An uncharted persistence: Alternative minoritarian theater in austere Chicago,” in Theater and Cultural Politics for a New World, edited by Chinua Thelwell. London: Routledge, 2017: 205-229. |
Publications, Essays |
21st Century, Activist Theater, African American, Arts Management, Asian American, Experimental, Race and Ethnicity, Radical Theater, Social Justice, Theater for Youth |
| Rogus, Amanda M. "Scorpions of the Mind:" An Analysis of Justin Kurzel's Film Adaptation of the Soliloquies in William Shakespeare's Macbeth," Spectrum, vol. 30, no. 3, April 2017, pp. 68-75. |
Publications, Essays |
Shakespeare |
| Axel Andersson and Scott Magelssen, “Performing a Viking History of America: The 1893 Voyage and Display of a Viking Longship at the Columbus Quadricentennial.” Theatre Journal 69.2 (June 2017), pp. 175-195. |
Publications, Essays |
19th Century, Culture, Historiography, History, Performance Studies, Popular Culture, Scandinavian, Theater History, Theory/Criticism, Visual Culture |
| “Right to the Artistic City: Performing Engagements Beyond Austerity in Post-Collapse Chicago” Revue Française d’Etudes Américaines (French Review of American Studies) 148 (2016): 84-97. |
Publications, Essays |
21st Century, Activist Theater, Aesthetics, Critical Theory |
| Rogus, Amanda M. "Treachery Thy Name is Barabas, Lawfulness Thy Name is Shylock, Yet Villainy in Both?: Law's Role in Marlowe's Malta and Shakespeare's Merchant," Spectrum, vol. 29, no. 2, May 2016, pp. 58-64. |
Publications, Essays |
Shakespeare |
