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Scott Venters, “Embodiment and Ontological Fragility in the Fabrication of Early Royal Society Taxa,” in Identity, Culture, and the Science of Performance: From the Lab to the Streets, eds. Vivian Appler and Merdith Conti (Bloomsbury, 2022 – Forthcoming) |
Publications, Essays |
Theater History, 17th Century, Culture, Performance Studies, Science and Technology |
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Rogus, Amanda. “Educating Survivors: The Traumatic Effects of Sexual Assault on Student Academic Achievement in Graduate Education,” Journal of Psychology Research, vol. 10, no 3, June 2020, pp. 94-100. |
Publications, Essays |
Activist Theater |
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Rogus, Amanda. “Ignorant or Seem So Craftily:” Isabella and Angelo’s Rhetoric in Shakespeare’s Measure for Measure,” US English Education Review, vol. 19, no. 7, July 2020, pp. 219-224. |
Publications, Essays |
Shakespeare |
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Stefka Mihaylova, "Liveness Redux: Radical Performance, Television, and the Truthfulness of Illusion in Bloody Mess by Forced Entertainment," Contemporary Theatre Review 30.3 (2020): 340-356. |
Publications, Essays |
Theater History, Theory/Criticism, 21st Century, Postmodern, Television |
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Zimmerman, Shadow D. "Marinetti and Mussolini: Performing Citizenship in Anti-Fascist Italy." Theatre Symposium, Volume 28: Citizenship, edited by Andrew Gibb. Tuscaloosa: University of Alabama Press, 2020. |
Publications, Essays |
Modernism, Performance Studies |
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Zimmerman, Shadow D. “Hedda Gabler.” How to Teach a Play: Exercises for the College Classroom, edited by Miriam Chirico and Kelly Younger. London: Bloomsbury Publishing, 2020. |
Publications, Essays |
19th Century, Acting Pedagogy, Scandinavian, Scenery |
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“Space: Postdramatic Geography in Post-Collapse Seattle,” in Postdramatic Theatre and Form, edited by Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Methuen Drama Bloomsbury, 2019: 48-65. |
Publications, Essays |
Theater History, 21st Century, Aesthetics, American, Experimental, German, History, Postmodern, Race and Ethnicity, Radical Theater |
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Rogus, Amanda. "Exit Juliet Pursued by Romeo: Exploring Storytelling Shifts in Explicit Stage Directions,” CEA Critic, John Hopkins University Press, vol. 81, no. 3, November 2019, pp. 274-280. |
Publications, Essays |
Shakespeare |
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"Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue." Ecumenica, vol. 12, no. 2, Dec. 2019 |
Publications, Essays |
21st Century, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Queer Studies, Religion |
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Scott Magelssen and Shelby Lunderman. “Slow Down or Else: The Perils of Rapidity on Academics’ Mental Health.” In Reversing the Cult of Speed in Higher Education, edited by Jonathan Chambers and Stephanie Gearhart. Routledge, 2019. |
Publications, Essays |
Theory/Criticism |
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Rogus, Amanda M. “Tempting a Temptress: Analyzing Cleopatra’s Growing Dominance with Antony’s Shrinking Masculinity in Antony and Cleopatra,” US English Education Review, vol. 16, no. 9, Sept. 2018, pp. 447-459. |
Publications, Essays |
Shakespeare |
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"STONE ANGELS: PAINFUL PROGRESS AFTER THE MILLENNIUM." Etudes, vol. 4, no. 1, Dec. 2018. http://www.etudesonline.com/dec2018heiner.html |
Publications, Essays |
20th Century, 21st Century, American, Queer Studies |
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Scott Magelssen and Shelby Lunderman. “Tactical Slowness: Fomenting a Culture of Mental Health in the Academy.” Reversing the Cult of Speed in Higher Education: The Slow Movement in the Arts and Humanities. Ed. Jonathan Chambers and Stephannie Gearhart (Routledge, 2018). |
Publications, Essays |
Culture, Drama, Performance Studies, Popular Culture, Theater History |
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“Raising Proper Citizens: Uncle Tom’s Cabin and the Sentimental Education of Bulgarian Children during the Soviet Era.” In Uncle Tom’s Cabins: The Transnational History of America’s Most Mutable Book, edited by Tracy C. Davis and Stefka Mihaylova. Ann Arbor: The University of Michigan Press, 2018. 314-42 |
Publications, Essays |
19th Century, 20th Century, Bulgarian, Culture, Literature and Other Arts |
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Elizabeth Osborne and Shelby Lunderman. “This is the Dawning of the Age of the Online Course: Reimagining Introduction to Theatre.” In New Directions in Teaching Theatre Arts, edited by Anne Fliotsos and Gail Medford. Palgrave Macmillan, 2018. |
Publications, Essays |
Theater History |
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“An uncharted persistence: Alternative minoritarian theater in austere Chicago,” in Theater and Cultural Politics for a New World, edited by Chinua Thelwell. London: Routledge, 2017: 205-229. |
Publications, Essays |
21st Century, Activist Theater, African American, Arts Management, Asian American, Experimental, Race and Ethnicity, Radical Theater, Social Justice, Theater for Youth |
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Rogus, Amanda M. "Scorpions of the Mind:" An Analysis of Justin Kurzel's Film Adaptation of the Soliloquies in William Shakespeare's Macbeth," Spectrum, vol. 30, no. 3, April 2017, pp. 68-75. |
Publications, Essays |
Shakespeare |
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Axel Andersson and Scott Magelssen, “Performing a Viking History of America: The 1893 Voyage and Display of a Viking Longship at the Columbus Quadricentennial.” Theatre Journal 69.2 (June 2017), pp. 175-195. |
Publications, Essays |
19th Century, Culture, Historiography, History, Performance Studies, Popular Culture, Scandinavian, Theater History, Theory/Criticism, Visual Culture |
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“Right to the Artistic City: Performing Engagements Beyond Austerity in Post-Collapse Chicago” Revue Française d’Etudes Américaines (French Review of American Studies) 148 (2016): 84-97. |
Publications, Essays |
21st Century, Activist Theater, Aesthetics, Critical Theory |
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Rogus, Amanda M. "Treachery Thy Name is Barabas, Lawfulness Thy Name is Shylock, Yet Villainy in Both?: Law's Role in Marlowe's Malta and Shakespeare's Merchant," Spectrum, vol. 29, no. 2, May 2016, pp. 58-64. |
Publications, Essays |
Shakespeare |
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Scott Magelssen, “Our Academic Discipline is Making Us Sicker.” Special Section: ASTR’s 60th Anniversary. Theatre Survey 57.3 (September, 2016) 389-394. |
Publications, Essays |
Culture, Performance Studies, Popular Culture, Theater History |
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Scott Magelssen, “White-Skinned Gods: Thor Heyerdahl, The Kon-Tiki Museum, and the Racial Theory of Polynesian Origins.” TDR: The Drama Review 60.1 [T229] (Winter, 2016). |
Publications, Essays |
Indigenous, Performance Studies, Popular Culture, Postcolonial, Race and Ethnicity, Scandinavian, Theater History |
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Todd London. The Servant Economy. HowIRound, 2016. |
Publications, Essays |
Acting, Culture |
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Todd London, et all. Zelda Fichandler, Valient Striver in the Arena. American Theatre, 2016. |
Publications, Essays |
History, Theater Management |
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Todd London. A Lover's Guide to American Playwrights: Anne Washburn. HowIRound, 2016. |
Publications, Essays |
Playwriting |