| Ezra Homison, actor. Anodyne. Pig Iron Theater, Philadelphia, PA, 2001. |
Creative Work, Performances |
Acting |
| The Ballad of Little Jo. Steppenwolf Theatre Company. September 14 – November 11, 2000 |
Creative Work, Productions |
Design, Scenery |
| Sarah Nash Gates, costume designer. Crumbs from the Table of Joy. Intiman Theatre, 1999-2000. |
Creative Work, Productions |
Costumes |
| Geoff Korf, lighting designer. The Cosmonaut's Last Message to the Woman he Loved in the Former Soviet Union. La Jolla Playhouse, 2000. |
Creative Work, Productions |
Lighting |
| Mark Jenkins, playwright. All Powers Necessary and Convenient. University of Washington Press, 2000. |
Creative Work, Productions, Publications, Books |
Playwriting |
| Blues for an Alabama Sky. The Arizona Theatre Company, Pheonix. Feb 4-20, 1999 |
Creative Work, Productions |
Directing |
| Sarah Nash Gates, costume designer. Gross Indecency: The Three Trials of Oscar Wilde. Intiman Theatre, 1997-1998. |
Creative Work, Productions |
Costumes |
| Susan Finque, Interim Producing Artistic Director. New York City's Dixon Place, 1998. |
Creative Work, Productions |
Directing |
| Juan Darien: A Carnival Mass. Vivian Beaumont Theatre, Lincoln Center, NYC. Nov 24, 1996-Jan 05, 1997 |
Creative Work, Productions |
Costumes, Design, Puppetry, Scenery |
| Bed and Sofa. Vinyard Theater. 1996 |
Creative Work, Productions |
Costumes, Design, Scenery |
| Susan Finque, Artistic Director. Alice B Theatre, 1984-1995. |
Creative Work, Productions |
Directing |
| Judy Shahn, vocal/dialect coach. Angels in America by Tony Kushner, (Parts 1 and 2), directed by Warner Shook. Intiman Theatre, 1994. |
Creative Work, Productions |
Dialects |
| Sarah Nash Gates, costume designer. Biederman and the Firebugs. Oregon Shakespare Festival, 1991-1992. |
Creative Work, Productions |
Costumes |
| Geoff Korf, lighting designer. Two Trains Running. Walter Kerr Theatre, Broadway, 1992. |
Creative Work, Productions |
Lighting |
| Judy Shahn, dialect designer and coach. A Kentucky Cycle by Robert Schenkan, directed by Warner Shook, 1992. |
Creative Work, Productions |
Dialects |
| Sarah Nash Gates, costume designer. The Tempest. Oregon Shakespeare Festival, 1985-1986. |
Creative Work, Productions |
Costumes, Shakespeare |
| Sarah Nash Gates. Production Clown Wardrobe. Ringling Brothers, Barnum & Bailey Circus, 108th Edition. 1978. |
Creative Work, Productions |
Costumes |
| Mark Jenkins appeared in Hawaii Five-O. Seasons 1971-1974 |
Creative Work, Performances |
Acting, Television |
| NVC Theatre |
Creative Work, Performances |
Acting, Devised Work, Drama, Performance Studies, Radical Theater, Social Change, Social Justice, Speech, Suzuki/Viewpoints, Voice |
| Performing South Africa’s Truth Commission: Stages of Transition (2010) Africa After Gender? co-edited w Takyiwaa Manuh and Stephan Miescher, Indiana University Press (2007) Ghana’s Concert Party Theatre (2001) Lead Curator, Fiat Lux Redux: Ansel Adams and Clark Kerr, exhibit at the Bancroft Library, UC Berkeley (2012) |
Creative Work, Exhibits, Publications, Books, Film/Video |
African, Gender, Women, and Sexuality Studies, Theater History |
| BSSC, Architecture, The Chinese University of Hong Kong |
Creative Work |
Architecture, Design, Experimental, Film/Cinema |
| Mark Jenkins, "Uncle Vanya." Uncle Vanya. Russia, Japan, US. |
Creative Work, Performances |
Acting |
| Mark Jenkins, founder. Freehold Theatre Lab Studio. |
Creative Work, Projects |
Theater Management |
| Cathy Madden. After Mr. by Connie Amundson. Seattle, WA. Developing new work, in progress. |
Creative Work, Productions |
Directing, Acting |
| Cathy Madden. 25,000 Posts by Jim Lapan. Seattle, WA. New works project, in progress. |
Creative Work, Productions |
Directing, Acting |
