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Productions

Author/Title Research Type Related Fields

Susan Finque, Director. Kiss of the Spider Woman. 2006.Winner, Chicago's Jeff Award, Best Director of a Musical for KISS OF THE SPIDER WOMAN

 		Creative Work, Productions Directing, Musical Theater

Judy Shahn, dialect coach. The American Cycle at Intiman Theatre, Seattle. Included All the King's Men, (directed by Pam McKinnon), To Kill a Mockingbird, and Native Son, 2004-2006.

 		Creative Work, Productions Dialects

Geoff Korf, lighting designer. Electricidad. Center Theatre Group, Mark Taper Forum. 2005.

 		Creative Work, Productions Lighting

Geoff Korf, lighting designer. Long Bridge over Deep Waters . Faith Based Bridge. Cornerstone Theatre Company, Los Angeles, CA, 2005.

 		Creative Work, Productions Lighting
 A Raisin in the Sun. (2004). d. Kenny Leon. Written by Lorranine Hansberry. Creative Work, Productions Design, Scenery

Geoff Korf, lighting designer. The Clean House. Yale Repertory Theatre, 2004.

 		Creative Work, Productions Lighting

Ezra Homison, writer, director, performer, mask maker. A Fig for Such a Life. Winningstad Theater, Portland Center for the Performing Arts, 2004.

 		Creative Work, Productions Playwriting, Masks

Judy Shahn, dialect/language coach. Homebody Kabul by Tony Kushner, directed by Bartlett Sher. Intiman Theatre, 2006.

 		Creative Work, Productions Dialects

Geoff Korf, lighting designer. La Perichole. Long Beach Opera, 2003.

 		Creative Work, Productions Lighting

Sarah Nash Gates, costume designer. Salome. Seattle Opera, 2001-2002.

 		Creative Work, Productions Costumes, Opera
The Music Man. Neil Simon Theatre. Apr 27, 2000-Dec 30, 2001 Creative Work, Productions Design, Scenery
The Ballad of Little Jo.  Steppenwolf Theatre Company. September 14 – November 11, 2000 Creative Work, Productions Design, Scenery

Sarah Nash Gates, costume designer. Crumbs from the Table of Joy. Intiman Theatre, 1999-2000.

 		Creative Work, Productions Costumes
Mark Jenkins, playwright. All Powers Necessary and Convenient. University of Washington Press, 2000. Creative Work, Productions, Publications, Books Playwriting

Geoff Korf, lighting designer. The Cosmonaut's Last Message to the Woman he Loved in the Former Soviet Union. La Jolla Playhouse, 2000.

 		Creative Work, Productions Lighting
Blues for an Alabama Sky. The Arizona Theatre Company, Pheonix. Feb 4-20, 1999 Creative Work, Productions Directing

Susan Finque, Interim Producing Artistic Director. New York City's Dixon Place, 1998.

 		Creative Work, Productions Directing

Sarah Nash Gates, costume designer. Gross Indecency: The Three Trials of Oscar Wilde. Intiman Theatre, 1997-1998.

 		Creative Work, Productions Costumes
Juan Darien: A Carnival Mass. Vivian Beaumont Theatre, Lincoln Center, NYC. Nov 24, 1996-Jan 05, 1997 Creative Work, Productions Costumes, Design, Puppetry, Scenery
Bed and Sofa. Vinyard Theater. 1996 Creative Work, Productions Costumes, Design, Scenery

Susan Finque, Artistic Director. Alice B Theatre, 1984-1995.

 		Creative Work, Productions Directing

Judy Shahn, vocal/dialect coach. Angels in America by Tony Kushner, (Parts 1 and 2), directed by Warner Shook. Intiman Theatre, 1994.

 		Creative Work, Productions Dialects

Sarah Nash Gates, costume designer. Biederman and the Firebugs. Oregon Shakespare Festival, 1991-1992.

 		Creative Work, Productions Costumes

Geoff Korf, lighting designer. Two Trains Running. Walter Kerr Theatre, Broadway, 1992.

 		Creative Work, Productions Lighting

Judy Shahn, dialect designer and coach. A Kentucky Cycle by Robert Schenkan, directed by Warner Shook, 1992.

 		Creative Work, Productions Dialects

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