| Susan Finque, Director. Kiss of the Spider Woman. 2006.Winner, Chicago's Jeff Award, Best Director of a Musical for KISS OF THE SPIDER WOMAN |
Creative Work, Productions |
Directing, Musical Theater |
| Judy Shahn, dialect coach. The American Cycle at Intiman Theatre, Seattle. Included All the King's Men, (directed by Pam McKinnon), To Kill a Mockingbird, and Native Son, 2004-2006. |
Creative Work, Productions |
Dialects |
| Geoff Korf, lighting designer. Electricidad. Center Theatre Group, Mark Taper Forum. 2005. |
Creative Work, Productions |
Lighting |
| Geoff Korf, lighting designer. Long Bridge over Deep Waters . Faith Based Bridge. Cornerstone Theatre Company, Los Angeles, CA, 2005. |
Creative Work, Productions |
Lighting |
| A Raisin in the Sun. (2004). d. Kenny Leon. Written by Lorranine Hansberry. |
Creative Work, Productions |
Design, Scenery |
| Ezra Homison, writer, director, performer, mask maker. A Fig for Such a Life. Winningstad Theater, Portland Center for the Performing Arts, 2004. |
Creative Work, Productions |
Playwriting, Masks |
| Geoff Korf, lighting designer. The Clean House. Yale Repertory Theatre, 2004. |
Creative Work, Productions |
Lighting |
| Geoff Korf, lighting designer. La Perichole. Long Beach Opera, 2003. |
Creative Work, Productions |
Lighting |
| Judy Shahn, dialect/language coach. Homebody Kabul by Tony Kushner, directed by Bartlett Sher. Intiman Theatre, 2006. |
Creative Work, Productions |
Dialects |
| Sarah Nash Gates, costume designer. Salome. Seattle Opera, 2001-2002. |
Creative Work, Productions |
Costumes, Opera |
| The Music Man. Neil Simon Theatre. Apr 27, 2000-Dec 30, 2001 |
Creative Work, Productions |
Design, Scenery |
| The Ballad of Little Jo. Steppenwolf Theatre Company. September 14 – November 11, 2000 |
Creative Work, Productions |
Design, Scenery |
| Sarah Nash Gates, costume designer. Crumbs from the Table of Joy. Intiman Theatre, 1999-2000. |
Creative Work, Productions |
Costumes |
| Geoff Korf, lighting designer. The Cosmonaut's Last Message to the Woman he Loved in the Former Soviet Union. La Jolla Playhouse, 2000. |
Creative Work, Productions |
Lighting |
| Mark Jenkins, playwright. All Powers Necessary and Convenient. University of Washington Press, 2000. |
Creative Work, Productions, Publications, Books |
Playwriting |
| Blues for an Alabama Sky. The Arizona Theatre Company, Pheonix. Feb 4-20, 1999 |
Creative Work, Productions |
Directing |
| Susan Finque, Interim Producing Artistic Director. New York City's Dixon Place, 1998. |
Creative Work, Productions |
Directing |
| Sarah Nash Gates, costume designer. Gross Indecency: The Three Trials of Oscar Wilde. Intiman Theatre, 1997-1998. |
Creative Work, Productions |
Costumes |
| Juan Darien: A Carnival Mass. Vivian Beaumont Theatre, Lincoln Center, NYC. Nov 24, 1996-Jan 05, 1997 |
Creative Work, Productions |
Costumes, Design, Puppetry, Scenery |
| Bed and Sofa. Vinyard Theater. 1996 |
Creative Work, Productions |
Costumes, Design, Scenery |
| Susan Finque, Artistic Director. Alice B Theatre, 1984-1995. |
Creative Work, Productions |
Directing |
| Judy Shahn, vocal/dialect coach. Angels in America by Tony Kushner, (Parts 1 and 2), directed by Warner Shook. Intiman Theatre, 1994. |
Creative Work, Productions |
Dialects |
| Sarah Nash Gates, costume designer. Biederman and the Firebugs. Oregon Shakespare Festival, 1991-1992. |
Creative Work, Productions |
Costumes |
| Geoff Korf, lighting designer. Two Trains Running. Walter Kerr Theatre, Broadway, 1992. |
Creative Work, Productions |
Lighting |
| Judy Shahn, dialect designer and coach. A Kentucky Cycle by Robert Schenkan, directed by Warner Shook, 1992. |
Creative Work, Productions |
Dialects |
