Susan Finque, Director. Kiss of the Spider Woman. 2006.Winner, Chicago's Jeff Award, Best Director of a Musical for KISS OF THE SPIDER WOMAN
Judy Shahn, dialect coach. The American Cycle at Intiman Theatre, Seattle. Included All the King's Men, (directed by Pam McKinnon), To Kill a Mockingbird, and Native Son, 2004-2006.
Geoff Korf, lighting designer. Electricidad. Center Theatre Group, Mark Taper Forum. 2005.
Geoff Korf, lighting designer. Long Bridge over Deep Waters . Faith Based Bridge. Cornerstone Theatre Company, Los Angeles, CA, 2005.
Geoff Korf, lighting designer. The Clean House. Yale Repertory Theatre, 2004.
Ezra Homison, writer, director, performer, mask maker. A Fig for Such a Life. Winningstad Theater, Portland Center for the Performing Arts, 2004.
Judy Shahn, dialect/language coach. Homebody Kabul by Tony Kushner, directed by Bartlett Sher. Intiman Theatre, 2006.
Geoff Korf, lighting designer. La Perichole. Long Beach Opera, 2003.
Sarah Nash Gates, costume designer. Salome. Seattle Opera, 2001-2002.
Sarah Nash Gates, costume designer. Crumbs from the Table of Joy. Intiman Theatre, 1999-2000.
Geoff Korf, lighting designer. The Cosmonaut's Last Message to the Woman he Loved in the Former Soviet Union. La Jolla Playhouse, 2000.
Susan Finque, Interim Producing Artistic Director. New York City's Dixon Place, 1998.
Sarah Nash Gates, costume designer. Gross Indecency: The Three Trials of Oscar Wilde. Intiman Theatre, 1997-1998.
Susan Finque, Artistic Director. Alice B Theatre, 1984-1995.
Judy Shahn, vocal/dialect coach. Angels in America by Tony Kushner, (Parts 1 and 2), directed by Warner Shook. Intiman Theatre, 1994.
Sarah Nash Gates, costume designer. Biederman and the Firebugs. Oregon Shakespare Festival, 1991-1992.
Judy Shahn, dialect designer and coach. A Kentucky Cycle by Robert Schenkan, directed by Warner Shook, 1992.
Geoff Korf, lighting designer. Two Trains Running. Walter Kerr Theatre, Broadway, 1992.