| Villiers, Eric. "More Than Just a Fuck." A Year in Black Art, issue 6 (2023): 44-49. |
Publications, Reviews |
African American, Queer Studies, Race and Ethnicity, Visual Culture |
| Viewers in Distress: Race, Gender, Religion, and Avant-Garde Performance at the Turn of the 21stCentury |
Publications, Books |
Theater History, Theory/Criticism, 20th Century, 21st Century, Aesthetics, Gender, Women, and Sexuality Studies, Postmodern, Race and Ethnicity, Radical Theater, Reception Studies |
| “Sighting Segregation Black aesthetics and the materiality of art in St. Louis and Ferguson,” in The Material World of Modern Segregation edited by Iver Bernstein and Heidi Kolk, 2022. |
Publications, Essays |
21st Century, Aesthetics, African American, American, Choreography, History, Performance Studies, Race and Ethnicity, Social Justice, Visual Culture |
| Scott Magelssen. “Dinosaurs, Racial Anxiety, and Curatorial Intervention: Whiteness and Performative Historiography in the Museum.” Special Issue on Theatre Historiography, ed. Michal Kobialka. Pamietnik Teatralny 70.4 (2022). |
Publications, Essays |
Theater History, 19th Century, 20th Century, Historiography, History, Indigenous, Performance Studies, Popular Culture, Race and Ethnicity |
| “Space: Postdramatic Geography in Post-Collapse Seattle,” in Postdramatic Theatre and Form, edited by Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Methuen Drama Bloomsbury, 2019: 48-65. |
Publications, Essays |
Theater History, 21st Century, Aesthetics, American, Experimental, German, History, Postmodern, Race and Ethnicity, Radical Theater |
| “An uncharted persistence: Alternative minoritarian theater in austere Chicago,” in Theater and Cultural Politics for a New World, edited by Chinua Thelwell. London: Routledge, 2017: 205-229. |
Publications, Essays |
21st Century, Activist Theater, African American, Arts Management, Asian American, Experimental, Race and Ethnicity, Radical Theater, Social Justice, Theater for Youth |
| Scott Magelssen, “White-Skinned Gods: Thor Heyerdahl, The Kon-Tiki Museum, and the Racial Theory of Polynesian Origins.” TDR: The Drama Review 60.1 [T229] (Winter, 2016). |
Publications, Essays |
Indigenous, Performance Studies, Popular Culture, Postcolonial, Race and Ethnicity, Scandinavian, Theater History |
| "'Would you die for the Fatherland?': Disciplining the German Commemorative Body," Theatre History Studies 35 (2016): 39-72. |
Publications, Essays |
18th Century, 19th Century, 20th Century, Culture, Dance, Modernism, Performance Studies, Popular Culture, Race and Ethnicity |
| "Brooklyn’s Experimental Frontiers: A Performance Geography” TDR: The Drama Review 58:3 (August 2014): 97-123. |
Publications, Essays |
Theater History, 21st Century, Activist Theater, American, Experimental, Performance Studies, Postcolonial, Race and Ethnicity |
