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Viewers in Distress: Race, Gender, Religion, and Avant-Garde Performance at the Turn of the 21stCentury |
Publications, Books |
Theater History, Theory/Criticism, 20th Century, 21st Century, Aesthetics, Gender, Women, and Sexuality Studies, Postmodern, Race and Ethnicity, Radical Theater, Reception Studies |
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“Sighting Segregation Black aesthetics and the materiality of art in St. Louis and Ferguson,” in The Material World of Modern Segregation edited by Iver Bernstein and Heidi Kolk, 2022. |
Publications, Essays |
21st Century, Aesthetics, African American, American, Choreography, History, Performance Studies, Race and Ethnicity, Social Justice, Visual Culture |
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“Space: Postdramatic Geography in Post-Collapse Seattle,” in Postdramatic Theatre and Form, edited by Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Methuen Drama Bloomsbury, 2019: 48-65. |
Publications, Essays |
Theater History, 21st Century, Aesthetics, American, Experimental, German, History, Postmodern, Race and Ethnicity, Radical Theater |
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“Right to the Artistic City: Performing Engagements Beyond Austerity in Post-Collapse Chicago” Revue Française d’Etudes Américaines (French Review of American Studies) 148 (2016): 84-97. |
Publications, Essays |
21st Century, Activist Theater, Aesthetics, Critical Theory |
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“Black love? Black love!: All Aboard the presence of punk in Seattle’s NighTraiN” Women & Performance: a journal of feminist theory 22: 2-3 (November 2012): 315-323. |
Publications, Essays, Reviews |
Theater History, Theory/Criticism, 21st Century, Aesthetics, African American, American, Music |
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“Shiva in America: Frontiers of Destruction.” New Plains Review 7.2 (2007): 73-76. |
Publications, Essays |
18th Century, 19th Century, Aesthetics, American, English, History |