 |
Ghana's Concert Party Theatre (2001) |
Catherine Cole |
African |
 |
The Colonial American Stage (2001) |
Odai Johnson |
18th Century, American |
 |
Rehearsing the Revolution (2000) |
Odai Johnson |
17th Century, English |
 |
All Powers Necessary and Convenient (2000) |
Mark Jenkins |
Playwriting |
 |
Contemporary American Monologues for Women (1997) |
|
Acting, American |
|
|
The Artistic Home (1993) |
|
Playwriting |
|
|
Outrageous Fortune (1993) |
|
American, Playwriting |
|
|
Interpreting the Theatrical Past (1989) |
Thomas Postlewait |
Historiography, Theater History |
|
|
Prophet of the New Drama: William Archer and the Ibsen Campaign (1986) |
Thomas Postlewait |
19th Century, 20th Century, Drama, English, Theater History |
|
|
William Archer on Ibsen (1984) |
Thomas Postlewait |
19th Century, 20th Century, Drama, English |
|
|
Uncle Sam Presents (1982) |
Barry Witham |
20th Century, American, Theater History |
|
|
Victorian Science and Victorian Values (1981) |
Thomas Postlewait |
19th Century, Drama, English, Science and Technology, Theater History |
|
|
Publications and Projects (Completed/published) |
|
African, Gender, Women, and Sexuality Studies, Theater History |
 |
Volume 1. 1750–1915: Theatre in the Colonies and the United States (Completed/published) |
Barry Witham |
Theater History |
