| “Dinosaurs, Race, and the Staging of Civilization: Lileana Blain-Cruz’s revival of The Skin of Our Teeth at Lincoln Center.” Mid-America Theatre Conference (MATC), Madison, 2024. |
Conferences |
Acting, Design, Directing, Theater History, Visual Culture |
| Heiner, Catherine. "Casting and Creating Importance: Complicating Race and Gender in Wilde's The Importance of Being Earnest." Mid-American Theatre Conference (MATC), Cleveland, OH, 3 March 2022. |
Conferences |
Theater History, Theory/Criticism, Dramaturgy, Queer Studies |
| “It all Comes Round Again: Immersive 1950s Simulations as Reminiscence Therapy.” Mid-America Theatre Conference (MATC), Cleveland, 2022. |
Conferences |
20th Century, 21st Century, Historiography, Performance Studies, Popular Culture |
| Rogus, Amanda Marie "Vygotskian Teaching Methods in the Pandemic: Creating an Interactive Environment in a Virtual Composition Course" SAMLA Conference (November 2021) |
Conferences |
Acting Pedagogy |
| “The Character of Nostalgia: Meaning, Yearning, and Simulations of the Recent Past.” Mid-America Theatre Conference (MATC), Chicago, 2020. |
Conferences |
Historiography, Performance Studies, Popular Culture |
| Rogus, Amanda M. “The Pedagogy of Trauma Drama: Teaching a Trauma-Informed Understanding of Measure for Measure” - Mid-America Theatre Conference, Chicago, IL. (March 2020) |
Conferences |
Acting Pedagogy |
| Rogus, Amanda M. “A Play by Any Other Name Would Sound as Sweet: Paleographical Proof of Mispronunciation in Henslowe’s Diary” - Mid-America Theatre Conference, Chicago, IL. (March 2020) |
Conferences |
Theater History |
| Rogus, Amanda M. "Shakespeare's Survivors: The Representation of the Philomela Character Across the Dramatic Canon" Wooden O Symposium, Online Zoom Presentation due to COVID-19. (August 2020) |
Conferences |
Shakespeare |
| ““A Weak Woman Beat Them”: Constructing Feminine Leadership and Resistance” Panelist, Mid-American Theatre Conference, Chicago, IL. 8 March 2020 |
Conferences |
Theater History, 17th Century, Critical Theory, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies |
| “Authentic Sensations: Female Bodies and Creating Spiritual Affect.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, 19th Century, American, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Religion |
| “Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion |
| “Performance, Flight, and the 9/11 Memorial & Museum,” American Society for Theatre Research (ASTR). Arlington, 2019. |
Conferences |
21st Century, Historiography, Museum Studies/Museology, Performance Studies, Popular Culture |
| Rogus, Amanda M. “Two Hands are Better Than One: A Paleographic Exploration of Henslowe's Diary” Mid-America Theatre Conference, Cleveland, OH. (March 2019) |
Conferences |
Theater History |
| Rogus, Amanda M. “Exit Juliet Pursued by Romeo: Exploring Storytelling Shifts in Explicit Stage Directions” College English Association Conference, New Orleans, LA. (March 2019) |
Conferences |
Shakespeare |
| Rogus, Amanda M. “Ignorant or Seem So Craftily”: Isabella and Angelo’s Rhetoric in Measure for Measure” South Atlantic Modern Language Association Conference Atlanta, GA. (November 2019) |
Conferences |
Shakespeare |
| Rogus, Amanda M. “Treachery Thy Name is Barabas; Lawfulness Thy Name is Shylock: Yet Villainy in Both?” College English Association Conference, St. Petersburgh, FL. (April 2018) |
Conferences |
Shakespeare |
| Rogus, Amanda M. “One Collective Sensation in the Greek Chorus Line: A Performance Reflection of Oedipus” Ancient Theatre Conference, Lynchburg, VA. (October 2018) |
Conferences |
Acting, Theater History |
| “Sweet Touch: The Sexuality and Power of Carmen in Simon Stephens’ Carmen Disruption.” Presenter, Comparative Drama Conference (CDC) Annual Conference, Orlando, 4 April 2018. |
Conferences |
21st Century, Dramaturgy, English, Gender, Women, and Sexuality Studies, Queer Studies |
| “The Glass to Discover Oneself: Social Media, Affect Theory, and Theatre.” Presenter, University of Wisconsin-Madison Theatre and Drama Graduate Student Conference, Madison, 14 April 2018. |
Conferences |
21st Century, Reception Studies, Shakespeare |
| “Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue.” Presenter, Religion and Theatre Emerging Scholar Panel, American Theatre in Higher Education (ATHE) Annual Conference, 4 August 2018. |
Conferences |
21st Century, Dramaturgy, Feminism and Feminist Theory, Queer Studies, Religion |
| “Spinning in Zero G: Playing Astronaut as Touristic Experience …and Theatre Research,” Mid-America Theatre Conference (MATC), Milwaukee, 2018. |
Conferences |
21st Century, Culture, Performance Studies, Popular Culture, Postmodern, Theater History |
| “Forest, Orchards, and Fallow Fields: Chekhov’s Moral Philosophy,” invited talk, Chekhov in the 21stCentury: A Symposium, Theatre Department, Lewis and Clark College, June 28, 2018 |
Conferences |
Drama, Modernism, Theater History |
| 2018 Interdisciplinary Graduate Students Conference (IGSC) in Seattle, WA. "Being a Hedgehog: Isolation, Creativity, and Destruction." |
Conferences |
Critical Theory, Hispanic Studies, Literature and Other Arts, Spanish, Theory/Criticism |
| 2018 Theatre History Symposium of MATC (Mid-America Theatre Conference), Milwaukee, WI. Panel: "Counter Spin: Racial and Counter-Cultural Clap Blacks." |
Conferences |
Latin American, Latino/a Studies, Performance Studies, Postcolonial |
| “Arousing the Empathic Gendered Subject: Transpecies Domesticity and Sentient Spectacles in the Early Enlightenment,” Animal Engagements, ASTR Forum, La Jolla, CA, November, 2018. |
Conferences |
17th Century, 18th Century, Drama, Gender, Women, and Sexuality Studies, Popular Culture |
