Conferences

Completed/published

Short Title People Involved Related Fields
“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” OSU (2012) Scott Venters 20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History
"Food in  José Cruz Gonzalez’s Calabasas Street," SW/TX Popular/American Culture. (2012) Critical Theory
"The Commerce of Textual Sex: How Ken Davenport Made My First Time,"  ASTR. (2011) Elizabeth Coen Critical Theory
“Tamburlaine and Sublime Auto-Generation:  A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium at Yale (2010) Scott Venters 16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy
"Latino Theatre for Young Audiences." presented: "Marketing to a New Audience: Seattle Children's Theatre and Tomás and the Library Lady.” ATHE. (2010) Critical Theory
"Latino Theatre for Young Audiences," ATHE. (2010) Critical Theory
"The Theoretical Work of Jose Cruz Gonzalez," ATHE. (2010) Critical Theory
"Mourning in Eurydice by Sarah Ruhl," Comparative Drama. (2010) Critical Theory
"Girls Who Do Boys: Teatro Luna’s MACHOS.” SW/TX Popular/American Culture. (2009) Critical Theory
Article Writing Seminar for the Latino Theatre Focus Group, ATHE. (2008) Critical Theory
“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad," Comparative Drama. (2007) Critical Theory
"Teatro Visión’s 2006 Production of Alfaro’s Electricidad: Reclaiming the Mexican Heritage Plaza," ATHE. (2007) Critical Theory
“Weeping Women of Electricidad," Comparative Drama. (2007) Critical Theory
"Creating a Young Epic Audience in Loomer’s Bocón,” SW/TX Popular Culture Assoc./American Culture Assoc. (2006) Critical Theory
“The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea," Comparative Drama. (2006) Critical Theory
“Tattooing in Two Contemporary Chicano Plays," National Popular Culture Assoc./American Culture Association. (2006) Critical Theory
 “Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come," Medea Myth: Mutations and Permutations Conference. (2006) Critical Theory
"You Are What You Eat: Mexicanidad and Producing Valdez's Los Vendidos," SW/Texas Popular Culture Assoc./American Culture Association. (2005) Critical Theory
 “Hope Seen From the Theatre of Death in Marisol,” Comparative Drama. (2005) Critical Theory
 Motherhood Research Group: “Subverting La Llorona in Loomer’s Bocón," ASTR. (2005) Critical Theory
"Reclaiming Rosaura Reveltes," Mixed Heritage/Ethnicity/Race Women's Studies Conference. (2004) Critical Theory
"Reclaiming Rosaura Reveltes," Mixed Heritage/Ethnicity/Race Women's Studies Conference. (2004) Critical Theory
"Picante or Szechuan?: Aquiring a Taste for Ethnic Performance," ASTR. (2004) Critical Theory
"La Llorona: Helpful Spirit for Children," SW Women Studies Conference. (2003) Critical Theory

Forthcoming

Short Title People Involved Related Fields
“Arousing the Empathic Gendered Subject: Transpecies Domesticity and Sentient Spectacles in the Early Enlightenment,” American Society for Theatre Research, San Diego, CA, November, 2018. (2018) Scott Venters 17th Century, 18th Century, Drama, Gender, Women, and Sexuality Studies, Popular Culture

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