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"The Octopus: Becoming Guatemalan in a Home Depot Parking Lot," You Are Here: The Post-Thematic Conference, ASTR. (2013) |
Christopher Goodson |
Critical Theory |
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"'The Most Famous Man in the U.S. Meets the Most Famous Woman in France': Thomas Edison, Sarah Bernhardt and the Birth of Motion Pictures," You Are Here: The Post-Thematic Conference, ASTR. (2013) |
Sarah Marsh |
Critical Theory, Film/Cinema |
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"First Person, Plural," You Are Here: The Post-Thematic Conference, ASTR. (2013) |
Odai Johnson |
Critical Theory |
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"Stained by Tears: Circulation of Affect in Professional and Amateur Performance in Early Modern Osaka," You Are Here: The Post-Thematic Conference, ASTR. (2013) |
Jyana Browne |
Critical Theory |
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"Emanuel Fried’s Working Class Theatre," You Are Here: The Post-Thematic Conference, ASTR. (2013) |
Barry Witham |
Critical Theory |
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"Taksim Square, Squared," You Are Here: The Post-Thematic Conference, ASTR. (2013) |
Bahar Karlidag |
Critical Theory |
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“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” OSU (2012) |
Scott Venters |
20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History |
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"Food in José Cruz Gonzalez’s Calabasas Street," SW/TX Popular/American Culture. (2012) |
|
Critical Theory |
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"The Commerce of Textual Sex: How Ken Davenport Made My First Time," ASTR. (2011) |
Elizabeth Coen |
Critical Theory |
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“Tamburlaine and Sublime Auto-Generation: A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium at Yale (2010) |
Scott Venters |
16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy |
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"Latino Theatre for Young Audiences." presented: "Marketing to a New Audience: Seattle Children's Theatre and Tomás and the Library Lady.” ATHE. (2010) |
|
Critical Theory |
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"Latino Theatre for Young Audiences," ATHE. (2010) |
|
Critical Theory |
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"The Theoretical Work of Jose Cruz Gonzalez," ATHE. (2010) |
|
Critical Theory |
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"Mourning in Eurydice by Sarah Ruhl," Comparative Drama. (2010) |
|
Critical Theory |
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"Girls Who Do Boys: Teatro Luna’s MACHOS.” SW/TX Popular/American Culture. (2009) |
|
Critical Theory |
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Article Writing Seminar for the Latino Theatre Focus Group, ATHE. (2008) |
|
Critical Theory |
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“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad," Comparative Drama. (2007) |
|
Critical Theory |
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"Teatro Visión’s 2006 Production of Alfaro’s Electricidad: Reclaiming the Mexican Heritage Plaza," ATHE. (2007) |
|
Critical Theory |
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“Weeping Women of Electricidad," Comparative Drama. (2007) |
|
Critical Theory |
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"Creating a Young Epic Audience in Loomer’s Bocón,” SW/TX Popular Culture Assoc./American Culture Assoc. (2006) |
|
Critical Theory |
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“The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea," Comparative Drama. (2006) |
|
Critical Theory |
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“Tattooing in Two Contemporary Chicano Plays," National Popular Culture Assoc./American Culture Association. (2006) |
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Critical Theory |
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“Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come," Medea Myth: Mutations and Permutations Conference. (2006) |
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Critical Theory |
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"You Are What You Eat: Mexicanidad and Producing Valdez's Los Vendidos," SW/Texas Popular Culture Assoc./American Culture Association. (2005) |
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Critical Theory |
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“Hope Seen From the Theatre of Death in Marisol,” Comparative Drama. (2005) |
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Critical Theory |
