| “Power Perspective, and Role-Play: Mock Interviews with Inmates.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018. |
Conferences |
Devised Work, Social Change, Social Justice |
| “The Incarceration of Language: Xhosa and the Performance of Race in South Africa’s Ubuze Bam.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018. |
Conferences |
African, Social Justice |
2018 Theatre History Symposium of MATC (Mid-America Theatre Conference) in Milwaukee, WI Panel: The Upside Downs: Mobile Theatres, Confinement, and Parallel Stages
Chair: Robert Shimko, University of Houston |
Conferences |
18th Century, Feminism and Feminist Theory, French, Historiography, History, Performance Studies |
| "The Revelation of the Sensible: Theatre and Science in Seventeenth-Century Revolutionary England," ATHE, Boston, August, 2018 |
Conferences |
17th Century, Performance Studies, Religion, Science and Technology, Theater History |
| Rogus, Amanda M. “The Patriarchal Matriarch: An Analysis of Women’s Power in Jen Silverman’s Plays” Race and Gender Roles Conference, Miami, OH. (February 2017) |
Conferences |
Theater History, Theory/Criticism |
| Rogus, Amanda M. “Early Modern Villainy?: Law’s Role in Shakespeare’s Merchant and Marlowe’s Malta” Elizabethan and Jacobean Conference, Harrisonburg, VA. (November 2017) |
Conferences |
Shakespeare |
| “Performing the American Astronaut: From Fighter Pilot to Cold Warrior.” Innovation Series. University of Houston. March, 2017. |
Conferences |
20th Century, Costumes, Historiography, History, Performance Studies, Popular Culture, Theater History |
| 2017 American Asociation for Theatre Research Conference (ASTR), "Extraordinary Bodies." Working Group: "Global South" |
Conferences |
Diaspora Studies, Global and Transnational Studies, Historiography, Indigenous, Latin American, Latino/a Studies, Performance Studies, Postcolonial |
| “The Last ‘Last Meal’: Reexamining Execution and the Performance of Power.” Mid-America Theatre Conference. Houston, Texas. March 16-19, 2017. |
Conferences |
Critical Theory, Social Justice, Theory/Criticism |
| “The Nature of Orca Encounters: SeaWorld Post-Blackfish.” Working Group, American Society for Theatre Research. Atlanta, Georgia. November 16-19, 2017. |
Conferences |
Ecocriticism, Museum Studies/Museology |
| Panelist, Seattle GeekGirlCon, “Beyond the Stage: Exploring Theater Fandom,” October 2017 This panel takes a closer look at current theater fandom. Panelists discuss how they have been impacted by the shows they love, why some shows inspire such passionate fans, how fandoms have grown and evolved over the years, and more! |
Conferences |
Musical Theater |
| "Beyond Hybrid Bodies in the Early Enlightenment Laboratory: Epistemological Formations as Interspecies Constitutions," From the Curious to the Quantum Working Group, ASTR, Atlanta, November, 2017 |
Conferences |
17th Century, English, French, Global and Transnational Studies, Museum Studies/Museology, Visual Culture |
| Panelist, "The Macabre, the Mystifying, and the Memorable," First Annual Conference on Dark Tourism |
Conferences |
Performance Studies, Theory/Criticism |
| "(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Living with Animals, EKU, Richmond, March, 2017 |
Conferences |
17th Century, Drama, Ecocriticism, Global and Transnational Studies, Popular Culture, Theater History |
| "(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Mid-America Theatre Conference (MATC), Houston, March, 2017 |
Conferences |
17th Century, Drama, Performance Studies, Popular Culture |
| Elizabeth A. Osborne and Shelby Lunderman. ”This is the Dawning of the Age of the Online Course: Process, Practice, & Pageantry in Introduction to Theatre.” Mid-America Theatre Conference. Minneapolis, Minnesota. March 17-20, 2016. |
Conferences |
History |
| Panelist, Seattle GeekGirlCon, "History Has Its Eyes on Hamilton: The Musical, The History, and the Impact," October 2016 |
Conferences |
Musical Theater, Race and Ethnicity |
| International Federation for Theatre Research, "Conversations with a silenced past and current oppressions: a film-set activism of Turkish unions" Part of the panel: Political Performances,Performing the Past in Prison Theatre / Archive, Space and Resistance |
Conferences |
20th Century, Turkish |
| "The Violent Spatializing of Time: Colonizing Utopian Imaginaries in Seventeenth-Century Barbados," International Medieval Congress, Kalamazoo, 2016. |
Conferences |
17th Century, Ecocriticism, Global and Transnational Studies, Postcolonial, Race and Ethnicity, Religion |
| "DADA’s Queer Ontologies: Tzara, Ball, and Pluriversal Politics at Cabaret Voltaire," Mid-America Theatre Conference, March 2016 |
Conferences |
20th Century, Aesthetics, Culture, Modernism, Queer Studies, Race and Ethnicity |
| “British Sikh Flaneurs: How the Failure of Multiculturalism Produces a Contemporary Avant-Garde,” plenary, ASTR, Portland, 2015. |
Conferences |
Drama, English, Gender, Women, and Sexuality Studies, Race and Ethnicity, Radical Theater, Reception Studies, Theory/Criticism |
| "Remembering the Best and Forgetting the Rest: Training as a Dramaturg," Association for Theatre in Higher Education, Montreal, July/August 2015 |
Conferences |
Dramaturgy |
| 2015 ASTR Working Group: 'Mobilizing Effective Scholarship and Performance Today: Advocacy and Activism in Indigenous Research and Performance in the Americas' - "Performing Textual Communities: Lear Khehkwaii and Alaska Native Shakespeare" |
Conferences |
Activist Theater, American Indian/Native American, Directing, Performance Studies |
| "Intersections and Collaborations: Dramaturg and Director Case Studies in Conversation," Association for Theatre in Higher Education, Montreal, July/August 2015 |
Conferences |
17th Century, 18th Century, Directing, Dramaturgy, French, Opera |
| "Remembering the Best and Forgetting the Rest: Training as a Dramaturg," Association for Theatre in Higher Education, Montreal, July/August 2015 |
Conferences |
Dramaturgy |
