Scott Magelssen Zero G


Short Title People Involved Related Fields
“Framing Violence in Interspecies Relations:  Encountering Flesh as Neoliberal Spatio-temporal Imaginary in The Portland Meat Collective," ASTR 2015, Portland  (2015) Scott Venters 21st Century, Activist Theater, Aesthetics, Critical Theory, Popular Culture, Social Change, Visual Culture
"Has Theatre Ever Been Secular?", Panel Organizer and Respondent, Religion and Theatre Focus Group, ATHE 2015, Montreal (2015) Scott Venters Global and Transnational Studies, Religion, Social Change, Theory/Criticism
"Sovereign Bodies:  Excessive Materiality and the Performance of Dis-substantiation in the Formation of the Public Sphere," MATC (2015) Scott Venters 17th Century, African American, Critical Theory, Ecocriticism, Global and Transnational Studies, Theater History
Forced Entertainment’s Live Simulacrum (2014) Stefka Mihaylova 21st Century, English, Experimental, Radical Theater, Theory/Criticism
MATC 2014 (2014) Shelby Lunderman Japanese, Theater History
B.F.F.’s and the Bard: Reclaiming the Importance of Female Friendship in William Shakespeare’s A Midsummer Night’s Dream (2014) Leah Adcock-Starr Directing, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Shakespeare
“近松の心中物と民間信仰ー年忌供養と回向を中心に (Chikamatsu’s Love Suicide Plays and Popular Belief – An Examination of Death Anniversaries and Memorial Prayers).” (2014) Jyana Browne 18th Century, Japanese, Religion, Theater History
VASTA conference in London (2014) Judith Shahn Devised Work, Music, Performance Studies, Singing, Speech, Voice
Keynote Address, "Staging American Memories," Toulouse, France. (2014) Barry Witham American, Theater History
“The Politics and Aesthetics of Play:  The Wartburg Book-Burning and Hellenic Masculinity in the Construction of the German Nation,” TUGS (2014) Scott Venters 18th Century, 19th Century, Aesthetics, Gender, Women, and Sexuality Studies, German, Popular Culture, Race and Ethnicity, Theater History
"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," ATHE (2014) Scott Venters Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism
"The Matter of the Heart:  Vesalius, Vivisection, and the Mediation of Print," ASTR (2014) Scott Venters 16th Century, Italian, Popular Culture, Reception Studies, Science and Technology
Layers of Mourning (2014) Jyana Browne 18th Century, Japanese
"University of Washington Students' Work Related to Women of Sand," SW/TX Popular/American Culture. (2014) Critical Theory
“The Reclamation of Angst and Self in These Streets: A Rock ‘n’ Roll Story,” University of British Columbia Graduate Symposium. (2014) Christopher Goodson Critical Theory
"The Women of Grunge (Re)membered," MATC. (2014) Christopher Goodson Critical Theory
"Drowning Playwrights, and Other State Incursions into Genre," MATC. (2014) Odai Johnson Critical Theory
"Revising the National Theater Narrative of 18th-Century Germany," MATC. (2014) Elizabeth Coen Critical Theory
"Spectacular Performance in Cuzco, Peru: Indigenismo and the Restor(y)ation of Andean Culture," MATC. (2014) Susan Finque Critical Theory
"Awe and Wonder Putting on a Show: The Anitkythera Mechanism and the Look of the 1st Century B.C.E.," MATC. (2014) Sarah Marsh Critical Theory
"The Behzti Riot: Revising the Narrative of Post-Wold War II Radical Theatre in Biew of Non-Leftist Performance," MATC. (2014) Stefka Mihaylova Critical Theory
"Larger than Life: Displacing History at Oklahoma's Centennial Land Run Monument," MATC. (2014) Scott Venters Critical Theory
"Reenactment and Reinvention: Diasporic Performances of Culture in Cleveland," MATC. (2014) Kristin Seifert Critical Theory
“These Streets: How Theater and Memory Fuse to Revise Grunge History,” MATC. (2014) Christopher Goodson Critical Theory
"The Private vs. Public Death of a Patriarch in 'All My Sons' and 'August: Osage County,'" ATDS, Comparative Drama Conference, Baltimore, MD, April 2013. (2013) Robert Wighs American, Playwriting