| "The Private vs. Public Death of a Patriarch in 'All My Sons' and 'August: Osage County,'" ATDS, Comparative Drama Conference, 'Revealing Patriarch: Cruelty, Corruption, and Death in Contemporary U.S. Drama' Panel, Baltimore, MD, April 2013. |
Conferences |
American, Playwriting |
| “‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013 |
Conferences |
17th Century, Critical Theory, Popular Culture, Religion, Theater History |
| “The Octopus: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX. |
Conferences, Graduate |
Critical Theory |
| "Enacting Engravings: The Pictorial Narrative of Il Pomo d'Oro," Mid-America Theatre Conference, March 2013. |
Conferences, Graduate |
Critical Theory |
| "Silencing the Fool: The Hanswurst Controversy of 18th Century Vienna," American Society for Eighteenth-Century Studies, April 2013. |
Conferences, Graduate |
Critical Theory |
| "The Octopus: Becoming Guatemalan in a Home Depot Parking Lot," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013. |
Conferences |
Critical Theory |
| "'The Most Famous Man in the U.S. Meets the Most Famous Woman in France': Thomas Edison, Sarah Bernhardt and the Birth of Motion Pictures," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013. |
Conferences |
Critical Theory, Film/Cinema |
| "First Person, Plural," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013. |
Conferences |
Critical Theory |
| "Stained by Tears: Circulation of Affect in Professional and Amateur Performance in Early Modern Osaka," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013. |
Conferences |
Critical Theory |
| "Emanuel Fried’s Working Class Theatre, You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013. |
Conferences |
Critical Theory |
| "Taksim Square, Squared," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013. |
Conferences |
Critical Theory |
| “Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012 |
Conferences |
20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History |
| "Food in José Cruz Gonzalez’s Calabasas Street," SW/TX Popular/American Culture. Albuquerque, NM. |
Conferences, Graduate |
Critical Theory |
| "The Commerce of Textual Sex: How Ken Davenport Made My First Time." American Society for Theatre Research Conference, November 2011. |
Conferences, Graduate |
Critical Theory |
| “Tamburlaine and Sublime Auto-Generation: A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 |
Conferences |
16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy |
| "Latino Theatre for Young Audiences." presented: "Marketing to a New Audience: Seattle Children's Theatre and Tomás and the Library Lady.” Association for Theatre in Higher Education. New York, NY. |
Conferences, Graduate |
Critical Theory |
| "Latino Theatre for Young Audiences," Association for Theatre in Higher Education. |
Conferences, Graduate |
Critical Theory |
| "The Theoretical Work of Jose Cruz Gonzalez." ATHE. Los Angeles, CA. |
Conferences, Graduate |
Critical Theory |
| "Mourning in Eurydice by Sarah Ruhl," Comparative Drama. Los Angeles, CA. |
Conferences, Graduate |
Critical Theory |
| "Girls Who Do Boys: Teatro Luna’s MACHOS.” SW/TX Popular/American Culture. Albuquerque, NM. February 2009. |
Conferences, Graduate |
Critical Theory |
| Article Writing Seminar for the Latino Theatre Focus Group, ATHE. Denver, CO. August 2008. |
Conferences, Graduate |
Critical Theory |
| “Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. |
Conferences, Graduate |
Critical Theory |
| "Teatro Visión’s 2006 Production of Alfaro’s Electricidad: Reclaiming the Mexican Heritage Plaza," ATHE. New Orleans, LA. July 2007. |
Conferences, Graduate |
Critical Theory |
| “Weeping Women of Electricidad." Comparative Drama. Los Angeles, CA. March 2007. |
Conferences, Graduate |
Critical Theory |
| "Creating a Young Epic Audience in Loomer’s Bocón.” SW/TX Popular Culture Assoc./American Culture Assoc. Albuquerque NM. February 2006. |
Conferences, Graduate |
Critical Theory |
