|
“Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. |
Conferences, Graduate |
Critical Theory |
|
“Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. |
Conferences, Graduate |
Critical Theory |
|
"You Are What You Eat: Mexicanidad and Producing Valdez's Los Vendidos." SW/Texas Popular Culture Assoc./American Culture Association. Albuquerque, NM. Feb. 2005. |
Conferences, Graduate |
Critical Theory |
|
“Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. |
Conferences, Graduate |
Critical Theory |
|
Motherhood Research Group: “Subverting La Llorona in Loomer’s Bocón." ASTR. Toronto. November 2005. |
Conferences, Graduate |
Critical Theory |
|
"Reclaiming Rosaura Reveltes," Mixed Heritage/Ethnicity/Race Women's Studies Conference. Albuquerque, NM. March 2004. |
Conferences, Graduate |
Critical Theory |
|
"Reclaiming Rosaura Reveltes." Mixed Heritage/Ethnicity/Race Women's Studies Conference. Albuquerque, NM. March 2004. |
Conferences, Graduate |
Critical Theory |
|
"Picante or Szechuan?: Aquiring a Taste for Ethnic Performance," ASTR. Las Vegas, NV. November 2004. |
Conferences, Graduate |
Critical Theory |
|
"La Llorona: Helpful Spirit for Children," SW Women Studies Conference. Socorro, NM. March 2003. |
Conferences, Graduate |
Critical Theory |
|
“Restoration Sociability and the Post-Revolutionary National Imaginary in Dryden’s Essay of Dramatick Poesie,” ATHE, Orlando, FL, August, 2019 |
Conferences |
17th Century, 18th Century, Theory/Criticism |
|
“Casting Stare-able Bodies: Mabou Mines’ Dollhouse,” American Society for Theatre Research, Atlanta, 2017 |
Conferences |
Disability, Drama, Modernism, Postmodern, Radical Theater, Theory/Criticism |