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Graduate

Author/Title Research Type Related Fields
"Girls Who Do Boys: Teatro Luna’s MACHOS.” SW/TX Popular/American Culture. Albuquerque, NM. February 2009. Conferences, Graduate Critical Theory
Theatre Review, “Hotel Pro Forma”, 2008 Sanat Dünyamiz. Güz 2008 -108th issue Yapi Kredi Kültür Yayincilik, p. 8-10, and in the 15th issue of Mimesis, in the 2008 Istanbul Theatre Festival dossier. Publications, Reviews, Graduate Critical Theory
Book Review of Performance Practice and Process. New Theatre Quarterly, Spring 2008 Publications, Reviews, Graduate Critical Theory
Book Review of The Performance Studies Reader. for New Theatre Quarterly, Spring 2008 Publications, Reviews, Graduate Critical Theory
"Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Play Review.  Ollantay Theatre Magazine, Spring/Summer 2008 Publications, Reviews, Graduate Critical Theory
Dramaturgy. Electricidad. Teatro Nuevo Mexico/Tricklock International Revolutions Festival. Albuquerque, NM. January 2008. Creative Work, Productions, Graduate Dramaturgy
Article Writing Seminar for the Latino Theatre Focus Group, ATHE. Denver, CO. August 2008. Conferences, Graduate Critical Theory

Derek Samuel Davidson. "Martyrdom as a performance tradition." Diss. U of Washington, 2008.

Graduate, Dissertations Drama, Religion, Performance Studies
Theatre Review, “Birinci ÇGSG Sahne Sanatlari Bulusmasinin Ardindan...”, Tiyatro Tiyatro, July 2007, on the contributing performances at the first convention of the contemporary performance arts in Istanbul between May 22nd and June 3rd. Publications, Reviews, Graduate Critical Theory
Book translation, Sehirler, published in December 2007, by Yapi Kredi Kültür Yayincilik: Reader, John. 2004. Cities London: William Heinemann. Citation for my translation: Reader, John. Sehirler. trans. F. Bahar Karlidag. Istanbul: YKY, 2007. Publications, Translations, Graduate Critical Theory
“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. Conferences, Graduate Critical Theory
"Teatro Visión’s 2006 Production of Alfaro’s Electricidad: Reclaiming the Mexican Heritage Plaza," ATHE. New Orleans, LA. July 2007. Conferences, Graduate Critical Theory
“Weeping Women of Electricidad." Comparative Drama. Los Angeles, CA. March 2007. Conferences, Graduate Critical Theory

Scott W. Cole. "Traumatized performance: Antebellum Methodist camp meetings and the re-making of the American frontier." Diss. U of Washington, 2007.

Graduate, Dissertations Drama, Theater History, American, 19th Century

Walter Eugene Grodzik. "Parodies, paradox, pair o'divas: An oral history scrapbook of feminist opera's Derivative Duo." Diss. U of Washington, 2007.

Graduate, Dissertations Drama, Opera, Feminism and Feminist Theory, Theater History
Dramaturgy. Jason and the Golden Fleece. Seattle Children's Theatre. Seattle, WA. October - November 2006. Creative Work, Productions, Graduate Dramaturgy
"Creating a Young Epic Audience in Loomer’s Bocón.” SW/TX Popular Culture Assoc./American Culture Assoc. Albuquerque NM. February 2006. Conferences, Graduate Critical Theory
“The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea." Comparative Drama. Los Angeles, CA. March 2006. Conferences, Graduate Critical Theory
“Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. Conferences, Graduate Critical Theory
“Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. Conferences, Graduate Critical Theory

Joshua E. Polster. "Rethinking Arthur Miller: Symbol and structure." Diss. U of Washington, 2006.

Graduate, Dissertations Drama, 20th Century, American

Kara Elizabeth Reilly. "Automata: A Spectacular History of the Mimetic Faculty." Diss. U of Washington, 2006.

Graduate, Dissertations Drama, Theory/Criticism

John A. Warrick. "The Medieval Theatrical Hell-mouth: Ritual/Colonial Formations and Protestant Transformations in Anglo/Saxon and Early Modern England." Diss. U of Washington, 2006.

Graduate, Dissertations Drama, Medieval, Religion, English
"You Are What You Eat: Mexicanidad and Producing Valdez's Los Vendidos." SW/Texas Popular Culture Assoc./American Culture Association. Albuquerque, NM. Feb. 2005. Conferences, Graduate Critical Theory
“Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. Conferences, Graduate Critical Theory

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