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Warrick, John A. The Medieval Theatrical Hell-mouth: Ritual/Colonial Formations and Protestant Transformations in Anglo/Saxon and Early Modern England. 2006. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Drama, English, Medieval, Religion |
|
"You Are What You Eat: Mexicanidad and Producing Valdez's Los Vendidos." SW/Texas Popular Culture Assoc./American Culture Association. Albuquerque, NM. Feb. 2005. |
Conferences, Graduate |
Critical Theory |
|
“Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. |
Conferences, Graduate |
Critical Theory |
|
Motherhood Research Group: “Subverting La Llorona in Loomer’s Bocón." ASTR. Toronto. November 2005. |
Conferences, Graduate |
Critical Theory |
|
Bonjean, Elizabeth Geralyn. In the Shadow of Civil Wars: Performances of Cultural Memory. 2005. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, Drama, Performance Studies |
|
McFall, Edwin K. Tragic Hero to Antichrist: Macbeth, the Oedipus Tyrannus of the English Renaissance. 2005. University of Washington, PhD dissertation. |
Graduate, Dissertations |
17th Century, Drama, Shakespeare |
|
"Reclaiming Rosaura Reveltes," Mixed Heritage/Ethnicity/Race Women's Studies Conference. Albuquerque, NM. March 2004. |
Conferences, Graduate |
Critical Theory |
|
"Reclaiming Rosaura Reveltes." Mixed Heritage/Ethnicity/Race Women's Studies Conference. Albuquerque, NM. March 2004. |
Conferences, Graduate |
Critical Theory |
|
"Picante or Szechuan?: Aquiring a Taste for Ethnic Performance," ASTR. Las Vegas, NV. November 2004. |
Conferences, Graduate |
Critical Theory |
|
Cheek O'Donnell, Sydney Elizabeth. An exaggerated life: Franca Rame on the political stage. 2004. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, Drama |
|
Fitzmorris, James M. Summoning the spectacle. 2004. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Drama, Performance Studies |
|
Dawson, Gregory. The nineteenth century origins of feminist solo performance. 2004. University of Washington, PhD dissertation. |
Graduate, Dissertations |
19th Century, Drama, Gender, Women, and Sexuality Studies |
|
Theatre Review, “Tek Kisilik Sehir”, E, April 2003, p.49-50 on Behiç Ak’s play performed and produced by Aksanat Prodüksiyon Tiyatrosu, directed by Isil Kasapoglu. |
Publications, Reviews, Graduate |
Critical Theory |
|
Theatre Review, “Önemli Seyler Oluyor”, E, August 2003, p. 52-54 on Pina Bausch’s Istanbul Project performed in June 2003, also including introductory notes to the Workcenter’s above-mentioned projects as forth-coming event. |
Publications, Reviews, Graduate |
Critical Theory |
|
Theatre Review, “Aksiyon ve Performans”, E, October 2003, p. 68-70, on the projects and performances of Jerzy Grotowski and Thomas Richards Workcenter held in Istanbul in August 2003. |
Publications, Reviews, Graduate |
Critical Theory |
|
Translation, “Gerçekçilik” from “The Introduction/Realism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, November 2003, p.50-54. |
Publications, Translations, Graduate |
Critical Theory |
|
Translation, “Siirde Düsüncenin Rolü – Siir, Dil ve Düsünce”, “Role of Thought in Poetry, Poetry, Language and Thought”, Paul Valery, in Richard Ellmand & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, August 2003, p. 56-62. |
Publications, Translations, Graduate |
Critical Theory |
|
Translation, “Sembolizm” from “The Introduction/Symbolism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature. New York:Oxford University Press. 1965 as appeared in E, June 2003, p.78-84. |
Publications, Translations, Graduate |
Critical Theory |
|
Book Review, Zehra Ipsiroglu, Gençler Için Nazim Hikmet Oyunlari. E, May 2003, p. 9 |
Publications, Reviews, Graduate |
Critical Theory |
|
"La Llorona: Helpful Spirit for Children," SW Women Studies Conference. Socorro, NM. March 2003. |
Conferences, Graduate |
Critical Theory |
|
Eric Villiers, “Staging Queer, Queer(ing) Curation: Queer Art, Queer Performativity, and Queer Curatorial Practices in Art Museums,” expected 2024. |
Graduate, Dissertations |
Theater History, Theory/Criticism, 20th Century, 21st Century, Critical Theory, Culture, Historiography, Queer Studies |
|
Mackenzie Bounds, “Technophobic Drama: America’s Stages Fearing Machines,” expected 2024. |
Graduate, Dissertations |
Acting, Design, Directing, Theater History, Theory/Criticism, 20th Century, 21st Century, Critical Theory, Performance Studies, Popular Culture |
|
Villiers, Eric. Staging Queer, Queer(ing) Curation: Queer Art, Queer Performativity, and Queer Curatorial Practices in Art Museums. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
20th Century, 21st Century, Performance Studies |
|
Bounds, Mackenzie. Technophobic Drama: America’s Stages Fearing Machines, University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
19th Century, 20th Century, 21st Century, History, Literature and Other Arts, Performance Studies |
|
Rizzardi, Jonathan. Coming of Age in America’s Coming of Age: Children, The Federal Theatre Project, and the Depression Era United States. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
20th Century, American |