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Rogus, Amanda M. "Finding the Font of Accessibility: The Ideal Materiality in Pedagogical Formats for Neurodivergent Learners" Capella University - Harold Abel School of Psychology (February 2021) |
Graduate, Masters Theses |
21st Century, Acting Pedagogy |
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Rogus, Amanda M. "Spatiotemporal Dramaturgy, Dialogic "Imagination to Give them Shape": The Symbiosis of Doubling Types and Bakhtin's Chronotopes" (MFA Thesis - Dramaturgy & Acting Concentration) |
Graduate, Masters Theses |
Acting, Dramaturgy, Shakespeare |
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Duygu Monson, Replacing the Image of the Ottoman Turk: Le Bourgeois Gentilhomme and Turquerie as Resistance |
Graduate, Dissertations |
Theater History |
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Carlos Salazar, The Memory of the Islands: Cultural Negotiations and their Remains in (Post)Colonial Costa Rica |
Graduate, Dissertations |
Latin American, Postcolonial |
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Monica Cortes Viharo: Trauma Drama: The Translocal Legibility of Trauma and Utopia in Contemporary Feminist Performance |
Graduate, Dissertations |
21st Century, Performance Studies |
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Scott Venters - The (Im)mediate Animal: An Anti-theatrical History of Interspecies Entanglements in Enlightenment Transactions, 1640-1800 |
Graduate, Dissertations |
17th Century, 18th Century, English, French |
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Shelby Lunderman: Cruel and Unusual Performance: (Re)producing Capital Punishment on the U.S. Stage |
Graduate, Dissertations |
Theater History, American, Critical Theory, Social Justice |
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Rogus, Amanda M. “Make Distinction of Our Hands”: A Material Examination of Henslowe’s Diary, A Co-Written Codex" (2019, MLitt Thesis). |
Graduate, Masters Theses |
Theater History |
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Kristin Seifert. "Brecht between Mediums: Reevaluating Epic Theory in Theatre and Film." Diss. U of Washington |
Graduate, Dissertations |
Theory/Criticism, 20th Century, Drama, Film/Cinema, German |
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Jacob Hutchison. "Satirical Activism: Citizenship and satire in 21st century performance." Diss. U of Washington, 2018. |
Graduate, Dissertations |
21st Century, Activist Theater, Drama, Performance Studies |
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Christopher Goodson - Performing Precarity: Experimental Theater, Video, and Live Political Art with Undocumented Immigrants. Dissertation, University of Washington, 2017. |
Graduate, Dissertations |
21st Century, Aesthetics, Devised Work, Diaspora Studies, Experimental, Film/Cinema, Latino/a Studies, Performance Studies, Social Justice |
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Bahar Karlidag: "Workers' Theatre Movement conventions as shaping/informing conditions in the theatrical collaboration of Joan Littlewood and Ewan MacColl and beyond: in Littlewood's success". Dissertation, University of Washington, 2017. |
Graduate, Dissertations |
English, Theater History |
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Susan Finque: "Re-story(y)ing Theatre History in the Americas: Professional Players and the Callao Contract of 1599". Dissertation, University of Washington, 2017. |
Graduate, Dissertations |
Gender, Women, and Sexuality Studies, Latin American |
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Jyana Browne. "Creating a Public: Love Suicide on the Osaka Stage, 1703-1722." Diss. U of Washington, 2017. |
Graduate, Dissertations |
18th Century, Drama, Japanese, Theater History |
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Sarah Marsh. "Never Mere Observation: Performance, Technology, and the Act of Looking." Diss. U of Washington, 2017. |
Graduate, Dissertations |
Drama, Science and Technology, Theater History |
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Zimmerman, Shadow D. (2016). The Anima in Theatre: Animating a Jungian Concept for Devisers, Directors, and Actors. UC Santa Cruz: Theater Arts. http://escholarship.org/uc/item/17r577jp. |
Graduate, Masters Theses |
20th Century, Acting Pedagogy, Ancient, Dramaturgy, Gender, Women, and Sexuality Studies, Masks, Theater History, Theory/Criticism, Tragedy |
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“Resolution through Radio: Juvenile Delinquency, Buffalo, and the Federal Theatre Project." MA in Theatre Studies Thesis. Florida State University. 2016. |
Graduate, Masters Theses |
20th Century, American, Historiography, Social Change, Theater History |
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Elizabeth Coen. "Staging Theater to Realize a Nation: The Development of German National Theater in the 18th Century." Diss. U of Washington, 2016. |
Graduate, Dissertations |
Theater History, 18th Century, Drama, German |
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no.place. by andre g brown |
Creative Work, Graduate, Masters Theses |
African American, Devised Work, Directing, Performance Studies, Social Change, Social Justice |
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Dramaturgy. Death and the Maiden. Latinos Unidos. Seattle, WA. September 2014. |
Creative Work, Productions, Graduate |
Dramaturgy |
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"University of Washington Students' Work Related to Women of Sand." SW/TX Popular/American Culture. Albuquerque, NM. |
Conferences, Graduate |
Critical Theory |
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“The Reclamation of Angst and Self in These Streets: A Rock ‘n’ Roll Story.” University of British Columbia Graduate Symposium. Vancouver, B.C. |
Conferences, Graduate |
Critical Theory |
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“The Women of Grunge (Re)membered.” Mid America Theatre Conference Annual Meeting. Cleveland, OH. |
Conferences, Graduate |
Critical Theory |
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“The Octopus: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX. |
Conferences, Graduate |
Critical Theory |
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"Enacting Engravings: The Pictorial Narrative of Il Pomo d'Oro," Mid-America Theatre Conference, March 2013. |
Conferences, Graduate |
Critical Theory |