|Author/Title||Research Type||Related Fields|
|Shelby Lunderman: Cruel and Unusual Performance: (Re)producing Capital Punishment on the U.S. Stage||Graduate, Dissertations||Theater History, American, Critical Theory, Social Justice|
|Kristin Seifert. "Brecht between Mediums: Reevaluating Epic Theory in Theatre and Film." Diss. U of Washington||Graduate, Dissertations||Theory/Criticism, 20th Century, Drama, Film/Cinema, German|
|Jacob Hutchison. "Satirical Activism: Citizenship and satire in 21st century performance." Diss. U of Washington, 2018.||Graduate, Dissertations||21st Century, Activist Theater, Drama, Performance Studies|
|Christopher Goodson - Performing Precarity: Experimental Theater, Video, and Live Political Art with Undocumented Immigrants. Dissertation, University of Washington, 2017.||Graduate, Dissertations||21st Century, Aesthetics, Devised Work, Diaspora Studies, Experimental, Film/Cinema, Latino/a Studies, Performance Studies, Social Justice|
|Bahar Karlidag: "Workers' Theatre Movement conventions as shaping/informing conditions in the theatrical collaboration of Joan Littlewood and Ewan MacColl and beyond: in Littlewood's success". Dissertation, University of Washington, 2017.||Graduate, Dissertations||English, Theater History|
|Susan Finque: "Re-story(y)ing Theatre History in the Americas: Professional Players and the Callao Contract of 1599". Dissertation, University of Washington, 2017.||Graduate, Dissertations||Gender, Women, and Sexuality Studies, Latin American|
|Jyana Browne. "Creating a Public: Love Suicide on the Osaka Stage, 1703-1722." Diss. U of Washington, 2017.||Graduate, Dissertations||18th Century, Drama, Japanese, Theater History|
|Sarah Marsh. "Never Mere Observation: Performance, Technology, and the Act of Looking." Diss. U of Washington, 2017.||Graduate, Dissertations||Drama, Science and Technology, Theater History|
|Zimmerman, Shadow D. (2016). The Anima in Theatre: Animating a Jungian Concept for Devisers, Directors, and Actors. UC Santa Cruz: Theater Arts. http://escholarship.org/uc/item/17r577jp.||Graduate, Masters Theses||20th Century, Acting Pedagogy, Ancient, Dramaturgy, Gender, Women, and Sexuality Studies, Masks, Theater History, Theory/Criticism, Tragedy|
|“Resolution through Radio: Juvenile Delinquency, Buffalo, and the Federal Theatre Project." MA in Theatre Studies Thesis. Florida State University. 2016.||Graduate, Masters Theses||20th Century, American, Historiography, Social Change, Theater History|
|Elizabeth Coen. "Staging Theater to Realize a Nation: The Development of German National Theater in the 18th Century." Diss. U of Washington, 2016.||Graduate, Dissertations||Theater History, 18th Century, Drama, German|
|no.place. by andre g brown||Creative Work, Graduate, Masters Theses||African American, Devised Work, Directing, Performance Studies, Social Change, Social Justice|
|Dramaturgy. Death and the Maiden. Latinos Unidos. Seattle, WA. September 2014.||Creative Work, Productions, Graduate||Dramaturgy|
|"University of Washington Students' Work Related to Women of Sand." SW/TX Popular/American Culture. Albuquerque, NM.||Conferences, Graduate||Critical Theory|
|“The Reclamation of Angst and Self in These Streets: A Rock ‘n’ Roll Story.” University of British Columbia Graduate Symposium. Vancouver, B.C.||Conferences, Graduate||Critical Theory|
|“The Women of Grunge (Re)membered.” Mid America Theatre Conference Annual Meeting. Cleveland, OH.||Conferences, Graduate||Critical Theory|
|“The Octopus: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX.||Conferences, Graduate||Critical Theory|
|"Enacting Engravings: The Pictorial Narrative of Il Pomo d'Oro," Mid-America Theatre Conference, March 2013.||Conferences, Graduate||Critical Theory|
|"Silencing the Fool: The Hanswurst Controversy of 18th Century Vienna," American Society for Eighteenth-Century Studies, April 2013.||Conferences, Graduate||Critical Theory|
Lezlie C. Cross. "In the Beaten Way of Friendship: Horace Howard Furness, Edwin Booth, and the New Variorum Shakespeare." Diss. U of Washington, 2013.
|Graduate, Dissertations||Drama, Shakespeare, 19th Century, American|
Malcolm Womack. "Harlem Holiday: The Cotton Club, 1925-1940." Diss. U of Washington, 2013.
|Graduate, Dissertations||Drama, Theater History, 20th Century, American, African American|
Sarah Guthu. "European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970." Diss. U of Washington, 2013.
|Graduate, Dissertations||Drama, Theater History, American, Modernism, 20th Century|
Samer Al-Saber. "Permission To Perform: Palestinian Theatre in Jerusalem, 1967-1993." Diss. U of Washington, 2013.
|Graduate, Dissertations||Drama, Theater History, 20th Century|
Ching-Yi Huang. "Performing an 'Absent' China: Cultural Propaganda in Anti-Communist Taiwan in the 1950's and 1960's." Diss. U of Washington, 2013.
|Graduate, Dissertations||Drama, 20th Century|
|Beeston's Boys and Negotiations of Sovereignty in Late Caroline Drama, Master's Thesis, Oklahoma State University, 2012; Maria Beach, Advisor||Graduate, Masters Theses||16th Century, 17th Century, Drama, English, Popular Culture, Theater History|