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Christopher Goodson: Performing Precarity: Experimental Theater, Video, and Live Political Art with Undocumented Immigrants (2017) |
Christopher Goodson
Adviser: Scott Magelssen |
21st Century, Aesthetics, Devised Work, Diaspora Studies, Experimental, Film/Cinema, Latino/a Studies, Performance Studies, Social Justice |
|
Workers' Theatre Movement conventions as shaping/informing conditions in the theatrical collaboration of Joan Littlewood and Ewan MacColl and beyond: in Littlewood's success (2017) |
Bahar Karlidag
Adviser: Stefka Mihaylova |
English, Theater History |
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Re-story(y)ing Theatre History in the Americas: Professional Players and the Callao Contract of 1599 (2017) |
Susan Finque
Adviser: Scott Magelssen |
Gender, Women, and Sexuality Studies, Latin American |
|
Never Mere Observation: Performance, Technology, and the Act of Looking (2017) |
Sarah Marsh
Adviser: Scott Magelssen |
Drama, Science and Technology, Theater History |
|
Creating a Public: Love Suicide on the Osaka Stage, 1703-1722 (2017) |
Jyana Browne |
18th Century, Drama, Japanese, Theater History |
|
Master's Thesis (2016) |
Shelby Lunderman |
20th Century, American, Historiography, Social Change, Theater History |
|
Staging Theater to Realize a Nation: The Development of German National Theater in the 18th Century (2016) |
Elizabeth Coen
Adviser: Odai Johnson |
18th Century, Drama, German, Theater History |
|
"University of Washington Students' Work Related to Women of Sand," SW/TX Popular/American Culture. (2014) |
|
Critical Theory |
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“The Reclamation of Angst and Self in These Streets: A Rock ‘n’ Roll Story,” University of British Columbia Graduate Symposium. (2014) |
Christopher Goodson |
Critical Theory |
|
"The Women of Grunge (Re)membered," MATC. (2014) |
Christopher Goodson |
Critical Theory |
|
“The Octopus: Becoming Guatemalan in a Home Depot Parking Lot,” ASTR. (2013) |
Christopher Goodson |
Critical Theory |
|
"Enacting Engravings: The Pictorial Narrative of Il Pomo d'Oro," MATC. (2013) |
Elizabeth Coen |
Critical Theory |
|
"Silencing the Fool: The Hanswurst Controversy of 18th Century Vienna," ASECS. (2013) |
Elizabeth Coen |
Critical Theory |
|
Harlem Holiday: The Cotton Club, 1925-1940
(2013) |
Adviser: Sarah Bryant-Bertail |
Drama, Theater History, 20th Century, American, African American |
|
European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970
(2013) |
Adviser: Thomas Postlewait |
Drama, Theater History, American, Modernism, 20th Century |
|
Permission To Perform: Palestinian Theatre in Jerusalem, 1967-1993
(2013) |
Samer Al-Saber
Adviser: Thomas Postlewait |
Drama, Theater History, 20th Century |
|
Performing an 'Absent' China: Cultural Propaganda in Anti-Communist Taiwan in the 1950's and 1960's
(2013) |
Adviser: Thomas Postlewait |
Drama, 20th Century |
|
In the Beaten Way of Friendship: Horace Howard Furness, Edwin Booth, and the New Variorum Shakespeare.
(2013) |
Adviser: Thomas Postlewait |
Drama, Shakespeare, 19th Century, American |
|
Essay, "Bir Biçim Polemiği: Fredric Jameson’ın Marksizm ve Form eseri ışığında Brecht-Lukacs tartışması ve Üç Kuruşluk Opera eseri üzerinde bir uygulama.” (2012) |
Bahar Karlidag |
Critical Theory |
|
"Food in José Cruz Gonzalez’s Calabasas Street," SW/TX Popular/American Culture. (2012) |
|
Critical Theory |
|
The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater
(2012) |
Adviser: Sarah Bryant-Bertail |
Drama, Theory/Criticism |
|
The Hibernicon and Visions of Returning Home: Popular Entertainment in Irish America from the Civil War to World War I
(2012) |
Michelle Granshaw
Adviser: Barry Witham |
Drama, 19th Century, 20th Century, American |
|
Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010
(2012) |
Adviser: Odai Johnson |
Drama, 20th Century, 21st Century, African |
|
"The Commerce of Textual Sex: How Ken Davenport Made My First Time," ASTR. (2011) |
Elizabeth Coen |
Critical Theory |
|
Producing Absence: Theatrical Representations of Domestic Space
(2011) |
Jeanmarie Higgins
Adviser: Sarah Bryant-Bertail |
Drama, Theater History, Gender, Women, and Sexuality Studies, Theory/Criticism |
