|
|
Review of Theatre of Estrangement (2008) |
Stefka Mihaylova |
20th Century |
 |
Africa After Gender? (2007) |
Catherine Cole |
African |
|
|
ALICE: Tales of a Curious Girl (2007) |
Karen Hartman |
Playwriting |
|
|
"Shiva in America: Frontiers of Destruction" (2007) |
Scott Venters |
18th Century, 19th Century, Aesthetics, American, English, History |
|
|
Theatre Review, “Birinci ÇGSG Sahne Sanatlari Bulusmasinin Ardindan...” (2007) |
Bahar Karlidag |
Critical Theory |
|
|
Book translation, Sehirler by Yapi Kredi Kültür Yayincilik (2007) |
Bahar Karlidag |
Critical Theory |
 |
Living History Museums: Undoing History Through Performance (2007) |
Scott Magelssen |
Popular Culture, Theater History |
|
|
Querying Difference in Theatre History
(2007) |
Scott Magelssen |
Historiography |
|
|
Reading Corneille with Brecht (2006) |
Stefka Mihaylova |
17th Century, 20th Century |
 |
Absence and Memory in Colonial American Theatre (2006) |
Odai Johnson |
18th Century, American |
|
|
Troy Women (Anthologized in DIVINE FIRE) (2005) |
Karen Hartman |
Playwriting |
|
|
Gum and The Mother of Modern Censorship (2003) |
Karen Hartman |
Playwriting |
|
|
Gum (2003) |
Karen Hartman |
Playwriting |
|
|
Theatre Review, “Tek Kisilik Sehir (2003) |
Bahar Karlidag |
Critical Theory |
|
|
Theatre Review, “Önemli Seyler Oluyor” (2003) |
Bahar Karlidag |
Critical Theory |
|
|
Theatre Review, “Aksiyon ve Performans” (2003) |
Bahar Karlidag |
Critical Theory |
|
|
Trnaslation, “Gerçekçilik” from “The Introduction/Realism” (2003) |
Bahar Karlidag |
Critical Theory |
|
|
Translation, “Siirde Düsüncenin Rolü – Siir, Dil ve Düsünce” (“Role of Thought in Poetry, Poetry, Language and Thought”) in The Modern Tradition: Backgrounds of Modern Literature. (2003) |
Bahar Karlidag |
Critical Theory |
|
|
Translation, “Sembolizm” from “The Introduction/Symbolism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature. (2003) |
Bahar Karlidag |
Critical Theory |
|
|
Gençler Için Nazim Hikmet Oyunlari, Book Review. (2003) |
Bahar Karlidag |
Critical Theory |
|
|
Theatricality (2003) |
Thomas Postlewait |
Drama, Performance Studies |
 |
Stage-Shakers! (2001) |
Kwame Braun, Catherine Cole |
African, Film/Cinema |
 |
Ghana's Concert Party Theatre (2001) |
Catherine Cole |
African |
 |
The Colonial American Stage (2001) |
Odai Johnson |
18th Century, American |
 |
Rehearsing the Revolution (2000) |
Odai Johnson |
17th Century, English |
