| Stefka Mihaylova. “Reading Corneille with Brecht: The Comedy of Illusion and the Illusions of Citizenship.” The Theatre of Tony Kushner: New Essays on the Art and Politics of the Plays. Ed. by James Fisher, 2006. |
Publications, Essays |
17th Century, 20th Century |
| Troy Women (Anthologized in DIVINE FIRE: Eight Contemporary Plays Inspired by the Greeks) |
Creative Work, Publications |
Playwriting |
| Thomas, Lynn M. Politics of the Womb: Women, Reproduction, and the State in Kenya. Berkeley: University of California Press, 2003. Print. |
Publications, Books |
20th Century, African, Gender, Women, and Sexuality Studies |
| Gum and The Mother of Modern Censorship |
Creative Work, Publications |
Playwriting |
| Gum |
Creative Work, Publications |
Playwriting |
| Theatre Review, “Tek Kisilik Sehir”, E, April 2003, p.49-50 on Behiç Ak’s play performed and produced by Aksanat Prodüksiyon Tiyatrosu, directed by Isil Kasapoglu. |
Publications, Reviews, Graduate |
Critical Theory |
| Theatre Review, “Önemli Seyler Oluyor”, E, August 2003, p. 52-54 on Pina Bausch’s Istanbul Project performed in June 2003, also including introductory notes to the Workcenter’s above-mentioned projects as forth-coming event. |
Publications, Reviews, Graduate |
Critical Theory |
| Theatre Review, “Aksiyon ve Performans”, E, October 2003, p. 68-70, on the projects and performances of Jerzy Grotowski and Thomas Richards Workcenter held in Istanbul in August 2003. |
Publications, Reviews, Graduate |
Critical Theory |
| Translation, “Gerçekçilik” from “The Introduction/Realism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, November 2003, p.50-54. |
Publications, Translations, Graduate |
Critical Theory |
| Translation, “Siirde Düsüncenin Rolü – Siir, Dil ve Düsünce”, “Role of Thought in Poetry, Poetry, Language and Thought”, Paul Valery, in Richard Ellmand & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, August 2003, p. 56-62. |
Publications, Translations, Graduate |
Critical Theory |
| Translation, “Sembolizm” from “The Introduction/Symbolism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature. New York:Oxford University Press. 1965 as appeared in E, June 2003, p.78-84. |
Publications, Translations, Graduate |
Critical Theory |
| Book Review, Zehra Ipsiroglu, Gençler Için Nazim Hikmet Oyunlari. E, May 2003, p. 9 |
Publications, Reviews, Graduate |
Critical Theory |
| Thomas Postlewait and Tracy C. Davis, editors. Theatricality. Cambridge UP, 2003. |
Publications, Books |
Drama, Performance Studies |
| Kwame Braun. Stage-Shakers!. Indiana University Press. 2001 |
Publications, Film/Video |
African, Film/Cinema |
| Catherine M. Cole. Ghana's Concert Party Theatre. Indiana University Press, 2001. |
Publications, Books |
African |
| Odai Johnson and William J. Burling. The Colonial American Stage: A Documentary Calendar. Associated University Presses, 2001. |
Publications, Books |
18th Century, American |
| Odai Johnson. Rehearsing the Revolution: Radical Performance, Radical Politics in the English Restoration. U of Delaware Press, 2000. |
Publications, Books |
17th Century, English |
| Mark Jenkins, playwright. All Powers Necessary and Convenient. University of Washington Press, 2000. |
Creative Work, Productions, Publications, Books |
Playwriting |
| Kwame Braun. Passing Girl: Riverside. DER Documentary. 1998 |
Publications, Film/Video |
African, Film/Cinema |
| Todd London. Contemporary American Monologues for Women. Theatre Communications Group, 1997. |
Publications, Books |
Acting, American |
| Cortes, Monica Munoz (1995). The Works of Anna Deavere Smith: An Exploration of Otherness. The Berkeley McNair Journal, 3 (Summer 1995), 87-97 |
Publications, Essays |
Acting, Activist Theater, Critical Theory, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Performance Studies, Theater History, Theory/Criticism |
| Todd London. The Artistic Home. Theatre Communications Group, 1993. |
Publications, Books |
Playwriting |
| Todd London and Ben Pesner. Outrageous Fortune: The Life and Times of the New American Play. Theatre Development Fund, 1993. |
Publications, Books |
American, Playwriting |
| Fool's Fire. PBS Broadcasting & Sony New York, NY. 1992 |
Publications, Film/Video |
Design, Film/Cinema |
| Thomas Postlewait and Bruce McConachie, editors. Interpreting the Theatrical Past: Essays in the Historiography of Performance. U of Iowa P, 1989. |
Publications, Books |
Historiography, Theater History |
