School of Drama Blog

Judith Shahn (right) with Kristin Lanklater at the new Kristin Linklater Voice Centre on Orkney Island.

by Judith Shahn

I had the good fortune to spend a week with Kristin Linklater at KLVC (the new Kristin Linklater Voice Centre) on the main Orkney Island for about 10 days. Kristin has built a beautiful studio with attached kitchen and living room area for residential retreats in the area of Voice & Text. The attached dormitories will be completed by the end of the month. Meanwhile, we lived in modern, comfortable cottages five minutes away.

Releasing your voice is always a worthy pursuit wherever you are and Kristin’s method is known worldwide as “Freeing the Natural Voice” (also the name of her much used book in drama programs around the world). It is inspirational, however, to free one’s voice while looking at the rolling Scottish farmland and the sea just beyond. One beautiful day, we went down to the beach and practiced our Shakespeare text out to the waves!

Kristin arranged for me to do a singing workshop for...

Read more
Drama PhD students look at medieval manuscripts in Special Collections.

by Jay Eckard

“You’re getting a PhD in the theatre? …are you, like, an actor?”

“No,” I say, without dropping my smile. I’ve had practice with this response. You can tell: for example, I never, ever use the word “dramaturg” in the sentence, however accurately it might describe what I used to do for a living. “I used to be a director, but then I decided to go back to school. I’m a scholar: I study medieval and early modern drama.”

At this point, the faint look of bemusement on my interlocutor begins to fade into boredom and disappointment. “Like Shakespeare,” they say, their voice trailing off. Their response is ironic, because I think Shakespeare is boring and disappointing. “Sort of. Mostly before him, though,” I respond. At this point, my spooked interlocutor usually scuttles off to find the nearest wine (at best) or any other person they can eyeball up and be reasonably certain is sane (at worst). My mother made it slightly...

Read more
Simon Tran at the Edmund Pettus Bridge during the Civil Rights Pilgrimage with UW's Dept. of Communication.

by Simon Tran

It all starts with Drama and ends with Drama.

This last October and again this March I participated in the University of Washington Department of Communication’s Civil Rights Pilgrimage, a nine-day intentional trip to the Deep South to learn about the Civil Rights history in the places where the monumental Civil Rights events occurred. On the pilgrimage we met with living Civil Rights activists, saw theatre performances about the Civil Rights, and dove into the racial history and realities of our country. On these pilgrimages I was joined by 52 others. Our pilgrimage community included students from the University of Washington, Bellevue College, Utah State, faculty, and staff, in addition to adults from the community. The pilgrimage community was intentionally interracial and intergenerational. This fostered people on the pilgrimage to broaden their perspectives and the humanity and...

Read more
Melody Donais, senior majoring in Drama with a minor in Dance

Melody Donais is a Drama: Design major with a minor in Dance, specializing in stage management and choreography, and the 2016 recipient of the School of Drama Senior Capstone Award. With the support from the School, Melody is producing and directing Sarah Kane’s 4.48 Psychosis.

The show runs March 31 thru April 3 in room 218 of Hutchinson Hall, and features a creative team of current students—James Melnick, Levi Perez, Max Kerwien, Mairin Hackett, Emma Broback, and Jake Israel—and alumni—Taige Kussman (BA ‘15) and Jonathan Shue (PATP ‘14).

Here, Melody shares with us some of the process and challenges in creating her production of 4.48 Psychosis.

Can you tell us a little bit about the play?

4.48 Psychosis...

Read more
Poster for "The Life and Many Deaths of Peter Pan"

By Taigé Kussman and Mimi Santos

A little over a year ago, third-year MFA directing candidate Leah Adcock-Starr (now a graduate) gathered a group of artists from the University of Washington and Seattle theatre community to devise a new play about JM Barrie and his creation, Peter Pan. That devised piece had a three performance workshop run at the Penthouse Theatre in November of 2015. After the workshop, the play went back into the incubator until an opportunity arose to produce it at the 2016 Seattle Fringe Festival! Out of the incubator and into rehearsal went the little play about Pan. The re-imagined play The Life and Many Deaths of Peter Pan goes up at the Seattle Fringe Festival February 25–March 5, 2016. The company includes seven UW Drama alumni...

Read more
Skip Mercier

Skip Mercier is half-way through his second quarter as senior lecturer in design at the UW School of Drama. In addition to his teaching responsibilities, he keeps an active professional career in scenic, costume, and puppet design. Skip recently answered a few questions about his work and teaching experience at UW.

You have two shows up in New York City right now. Can you tell us a little about each of them?

Old Hats by Bill Irwin and David Shiner with music by Shaina Taub, directed by Tina Landau, opened at Signature Theatre on February 18. It is a modern vaudeville with the “clowns” Bill and David transforming into different characters for each sketch. They are in competition for Shaina’s attention who drives the show with songs and...

Read more

Kathy Hsieh is the Cultural Partnerships & Grants Manager for the Seattle Office of Arts & Culture and Co-Executive Producer for SIS Productions. From 1990–1997 she served as Managing Director for the Northwest Asian American Theatre (NWAAT), which was recently featured in the Lost & Founded reading series.

We asked Kathy a few questions about NWAAT and her current work as an artist and arts administrator—work that is driven by a desire to inspire the community will of Seattle’s arts & cultural sector to play a leading role in creating racial equity.

What challenges did the Northwest Asian American Theatre (NWAAT) encounter?

When NWAAT (as Theatrical Ensemble of Asians – TEA) was started by UW students like Marilyn Tokuda, Stan Asis, and Maria Batayola, it enjoyed success because it was the first time locally that the...

Read more
Thorn Michaels

Thorn Michaels (third-year lighting design graduate student) finds it easy to relate to Sasha, the central character in Melissa James Gibson’s Brooklyn Bridge, being co-produced by UW Drama and Seattle Children’s Theatre and opening next month.

“It’s a beautiful show, with an adult message.” says Thorn. “Growing up an only child with a single mother, like Sasha, I battled with loneliness. What I love about this play is that she learns to look to the people around her and in them finds support and community that is greater than the insular nature of the old-fashioned family.”

Thorn is the show’s lighting designer—- her thesis production—- and it’s a bit of a homecoming for her. She started taking classes at Seattle Children’s Theatre when she was 12, including studying directing with Brooklyn Bridge director...

Read more
Photo of Ben Gonio, PATP '05

Ben Gonio (PATP 2005) owns his own consulting business, teaches part-time at University of Washington Bothell, holds office hours at Startup Hall, continues to explore acting opportunities, and maintains a day job at Medex Northwest as part of a clinical team supporting medical education. After graduating with a BFA from Carnegie Mellon in 1998, Ben worked the regional theatre circuit and spent some time in Los Angeles before deciding to continue his acting studies in graduate school at the University of Washington School of Drama. He describes his post-graduation period of adjustment as “clunky.” Now he’s finding his niche as an artist in Seattle’s theatre community and as an artist in Seattle’s tech community.

What were your expectations going into grad school and joining the Seattle theatre community?


Read more
Sarah Nash Gates Endowed Graduate Student Support Fund

There are people who come into this world that shine a light.

We all have those people in our lives, that certain teacher, or mentor, or friend who took the time to see us and through their guidance and support opened up doors of possibility for our own personal growth.

Sarah Nash Gates was that person for so many people. When we lost her to cancer on Friday evening, it felt as though a radiant and beautiful light was extinguished. But, what happened in the hours that followed was extraordinary. People from all over the country took to sharing their stories. They were paying tribute to this woman who made time for them and, in ways both large and small, altered their trajectory. Sarah’s light was glowing brighter and more majestic than ever!

To say that Sarah had a profound impact on the School of Drama and the Seattle theatre community does not do her justice. For more than thirty years, Sarah served our community as an educator, a mentor, a leader, a designer...

Read more