|
“Arousing the Empathic Gendered Subject: Transpecies Domesticity and Sentient Spectacles in the Early Enlightenment,” Animal Engagements, ASTR Forum, La Jolla, CA, November, 2018. |
Conferences |
17th Century, 18th Century, Drama, Gender, Women, and Sexuality Studies, Popular Culture |
|
2018 Theatre History Symposium of MATC (Mid-America Theatre Conference) in Milwaukee, WIPanel: The Upside Downs: Mobile Theatres, Confinement, and Parallel StagesChair: Robert Shimko, University of Houston |
Conferences |
18th Century, Feminism and Feminist Theory, French, Historiography, History, Performance Studies |
|
"Intersections and Collaborations: Dramaturg and Director Case Studies in Conversation," Association for Theatre in Higher Education, Montreal, July/August 2015 |
Conferences |
17th Century, 18th Century, Directing, Dramaturgy, French, Opera |
|
“近松の心中物と民間信仰ー年忌供養と回向を中心に (Chikamatsu’s Love Suicide Plays and Popular Belief – An Examination of Death Anniversaries and Memorial Prayers).” Paper presentation in Japanese. 早稲田大学演劇映像学会 (Waseda University’s Conference on Theatre and Film). Tokyo. July, 2014. |
Conferences |
18th Century, Japanese, Religion, Theater History |
|
“The Politics and Aesthetics of Play: The Wartburg Book-Burning and Hellenic Masculinity in the Construction of the German Nation,” (Re)Presenting Archives, University of British Columbia, April, 2014 |
Conferences |
18th Century, 19th Century, Aesthetics, Gender, Women, and Sexuality Studies, German, Popular Culture, Race and Ethnicity, Theater History |
|
"Layers of Mourning: Ghosting in Chikamatsu's Love Suicide Plays," Asian Studies Conference Japan. Tokyo. June 2014. |
Conferences |
18th Century, Japanese |
|
“Restoration Sociability and the Post-Revolutionary National Imaginary in Dryden’s Essay of Dramatick Poesie,” ATHE, Orlando, FL, August, 2019 |
Conferences |
17th Century, 18th Century, Theory/Criticism |