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Author/Title Research Type Related Fields
“Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. Conferences Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion
2018 Interdisciplinary Graduate Students Conference (IGSC) in Seattle, WA.  "Being a Hedgehog: Isolation, Creativity, and Destruction." Conferences Critical Theory, Hispanic Studies, Literature and Other Arts, Spanish, Theory/Criticism
Rogus, Amanda M. “The Patriarchal Matriarch: An Analysis of Women’s Power in Jen Silverman’s Plays” Race and Gender Roles Conference, Miami, OH. (February 2017) Conferences Theater History, Theory/Criticism
“The Last ‘Last Meal’: Reexamining Execution and the Performance of Power.” Mid-America Theatre Conference. Houston, Texas. March 16-19, 2017. Conferences Critical Theory, Social Justice, Theory/Criticism
Panelist, "The Macabre, the Mystifying, and the Memorable," First Annual Conference on Dark Tourism Conferences Performance Studies, Theory/Criticism
“British Sikh Flaneurs: How the Failure of Multiculturalism Produces a Contemporary Avant-Garde,”  plenary, ASTR, Portland, 2015. Conferences Drama, English, Gender, Women, and Sexuality Studies, Race and Ethnicity, Radical Theater, Reception Studies, Theory/Criticism
"Has Theatre Ever Been Secular?", Panel Organizer and Respondent, Religion and Theatre Focus Group, ATHE 2015, Montreal Conferences Global and Transnational Studies, Religion, Social Change, Theory/Criticism
“Forced Entertainment’s Live Simulacrum: Automata, Liveness, and the Human Actor’s Virtuosity,” plenary, ASTR, Baltimore, 2014 Conferences 21st Century, English, Experimental, Radical Theater, Theory/Criticism
"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 Conferences Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism
“Restoration Sociability and the Post-Revolutionary National Imaginary in Dryden’s Essay of Dramatick Poesie,”  ATHE, Orlando, FL, August, 2019 Conferences 17th Century, 18th Century, Theory/Criticism
“Casting Stare-able Bodies: Mabou Mines’ Dollhouse,” American Society for Theatre Research, Atlanta, 2017 Conferences Disability, Drama, Modernism, Postmodern, Radical Theater, Theory/Criticism