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“Authentic Sensations: Female Bodies and Creating Spiritual Affect.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, 19th Century, American, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Religion |
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“Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion |
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“Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue.” Presenter, Religion and Theatre Emerging Scholar Panel, American Theatre in Higher Education (ATHE) Annual Conference, 4 August 2018. |
Conferences |
21st Century, Dramaturgy, Feminism and Feminist Theory, Queer Studies, Religion |
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"The Revelation of the Sensible: Theatre and Science in Seventeenth-Century Revolutionary England," ATHE, Boston, August, 2018 |
Conferences |
17th Century, Performance Studies, Religion, Science and Technology, Theater History |
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"The Violent Spatializing of Time: Colonizing Utopian Imaginaries in Seventeenth-Century Barbados," International Medieval Congress, Kalamazoo, 2016. |
Conferences |
17th Century, Ecocriticism, Global and Transnational Studies, Postcolonial, Race and Ethnicity, Religion |
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"Has Theatre Ever Been Secular?", Panel Organizer and Respondent, Religion and Theatre Focus Group, ATHE 2015, Montreal |
Conferences |
Global and Transnational Studies, Religion, Social Change, Theory/Criticism |
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“近松の心中物と民間信仰ー年忌供養と回向を中心に (Chikamatsu’s Love Suicide Plays and Popular Belief – An Examination of Death Anniversaries and Memorial Prayers).” Paper presentation in Japanese. 早稲田大学演劇映像学会 (Waseda University’s Conference on Theatre and Film). Tokyo. July, 2014. |
Conferences |
18th Century, Japanese, Religion, Theater History |
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"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 |
Conferences |
Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism |
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“‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013 |
Conferences |
17th Century, Critical Theory, Popular Culture, Religion, Theater History |
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“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012 |
Conferences |
20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History |
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“Tamburlaine and Sublime Auto-Generation: A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 |
Conferences |
16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy |