|
2018 Theatre History Symposium of MATC (Mid-America Theatre Conference) in Milwaukee, WIPanel: The Upside Downs: Mobile Theatres, Confinement, and Parallel StagesChair: Robert Shimko, University of Houston |
Conferences |
18th Century, Feminism and Feminist Theory, French, Historiography, History, Performance Studies |
|
"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 |
Conferences |
Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism |
|
"DADA’s Queer Ontologies: Tzara, Ball, and Pluriversal Politics at Cabaret Voltaire," Mid-America Theatre Conference, March 2016 |
Conferences |
20th Century, Aesthetics, Culture, Modernism, Queer Studies, Race and Ethnicity |
|
Adcock-Starr, Leah. (April 2014). "B.F.F.’s and the Bard: Reclaiming the Importance of Female Friendship in William Shakespeare’s A Midsummer Night’s Dream". Paper presented at Shakespeare 450: Societe Francaise Shakespeare. Paris, France. |
Conferences |
Directing, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Shakespeare |
|
Article Writing Seminar for the Latino Theatre Focus Group, ATHE. Denver, CO. August 2008. |
Conferences, Graduate |
Critical Theory |
|
Elizabeth A. Osborne and Shelby Lunderman. ”This is the Dawning of the Age of the Online Course: Process, Practice, & Pageantry in Introduction to Theatre.” Mid-America Theatre Conference. Minneapolis, Minnesota. March 17-20, 2016. |
Conferences |
History |
|
Heiner, Catherine. "Casting and Creating Importance: Complicating Race and Gender in Wilde's The Importance of Being Earnest." Mid-American Theatre Conference (MATC), Cleveland, OH, 3 March 2022. |
Conferences |
Theater History, Theory/Criticism, Dramaturgy, Queer Studies |
|
International Federation for Theatre Research, "Conversations with a silenced past and current oppressions: a film-set activism of Turkish unions"Part of the panel: Political Performances,Performing the Past in Prison Theatre / Archive, Space and Resistance |
Conferences |
20th Century, Turkish |
|
Judith Shahn is a board member of the Voice and Speech Trainers Association and attended the London conference at The Royal Central School of Speech and Drama |
Conferences |
Devised Work, Music, Performance Studies, Singing, Speech, Voice |
|
Keynote Address, "Staging American Memories," Toulouse, France. |
Conferences |
American, Theater History |
|
Motherhood Research Group: “Subverting La Llorona in Loomer’s Bocón." ASTR. Toronto. November 2005. |
Conferences, Graduate |
Critical Theory |
|
Panelist, "The Macabre, the Mystifying, and the Memorable," First Annual Conference on Dark Tourism |
Conferences |
Performance Studies, Theory/Criticism |
|
Panelist, Seattle GeekGirlCon, “Beyond the Stage: Exploring Theater Fandom,” October 2017This panel takes a closer look at current theater fandom. Panelists discuss how they have been impacted by the shows they love, why some shows inspire such passionate fans, how fandoms have grown and evolved over the years, and more! |
Conferences |
Musical Theater |
|
Rogus, Amanda M. "Shakespeare's Survivors: The Representation of the Philomela Character Across the Dramatic Canon" Wooden O Symposium, Online Zoom Presentation due to COVID-19. (August 2020) |
Conferences |
Shakespeare |
|
Rogus, Amanda M. “A Play by Any Other Name Would Sound as Sweet: Paleographical Proof of Mispronunciation in Henslowe’s Diary” - Mid-America Theatre Conference, Chicago, IL. (March 2020) |
Conferences |
Theater History |
|
Rogus, Amanda M. “Early Modern Villainy?: Law’s Role in Shakespeare’s Merchant and Marlowe’s Malta” Elizabethan and Jacobean Conference, Harrisonburg, VA. (November 2017) |
Conferences |
Shakespeare |
|
Rogus, Amanda M. “Exit Juliet Pursued by Romeo: Exploring Storytelling Shifts in Explicit Stage Directions” College English Association Conference, New Orleans, LA. (March 2019) |
Conferences |
Shakespeare |
|
Rogus, Amanda M. “Ignorant or Seem So Craftily”: Isabella and Angelo’s Rhetoric in Measure for Measure” South Atlantic Modern Language Association Conference Atlanta, GA. (November 2019) |
Conferences |
Shakespeare |
|
Rogus, Amanda M. “One Collective Sensation in the Greek Chorus Line: A Performance Reflection of Oedipus” Ancient Theatre Conference, Lynchburg, VA. (October 2018) |
Conferences |
Acting, Theater History |
|
Rogus, Amanda M. “The Patriarchal Matriarch: An Analysis of Women’s Power in Jen Silverman’s Plays” Race and Gender Roles Conference, Miami, OH. (February 2017) |
Conferences |
Theater History, Theory/Criticism |
|
Rogus, Amanda M. “The Pedagogy of Trauma Drama: Teaching a Trauma-Informed Understanding of Measure for Measure” - Mid-America Theatre Conference, Chicago, IL. (March 2020) |
Conferences |
Acting Pedagogy |
|
Rogus, Amanda M. “Treachery Thy Name is Barabas; Lawfulness Thy Name is Shylock: Yet Villainy in Both?” College English Association Conference, St. Petersburgh, FL. (April 2018) |
Conferences |
Shakespeare |
|
Rogus, Amanda M. “Two Hands are Better Than One: A Paleographic Exploration of Henslowe's Diary” Mid-America Theatre Conference, Cleveland, OH. (March 2019) |
Conferences |
Theater History |
|
Rogus, Amanda Marie "Vygotskian Teaching Methods in the Pandemic: Creating an Interactive Environment in a Virtual Composition Course" SAMLA Conference (November 2021) |
Conferences |
Acting Pedagogy |
|
“The Octopus: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX. |
Conferences, Graduate |
Critical Theory |
