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"Taksim Square, Squared," You Are Here: The Post-Thematic Conference, The American Society for Theatre Research, November 2013. |
Conferences |
Critical Theory |
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“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012 |
Conferences |
20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History |
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"Food in José Cruz Gonzalez’s Calabasas Street," SW/TX Popular/American Culture. Albuquerque, NM. |
Conferences, Graduate |
Critical Theory |
|
"The Commerce of Textual Sex: How Ken Davenport Made My First Time." American Society for Theatre Research Conference, November 2011. |
Conferences, Graduate |
Critical Theory |
|
"Latino Theatre for Young Audiences." presented: "Marketing to a New Audience: Seattle Children's Theatre and Tomás and the Library Lady.” Association for Theatre in Higher Education. New York, NY. |
Conferences, Graduate |
Critical Theory |
|
"Latino Theatre for Young Audiences," Association for Theatre in Higher Education. |
Conferences, Graduate |
Critical Theory |
|
"The Theoretical Work of Jose Cruz Gonzalez." ATHE. Los Angeles, CA. |
Conferences, Graduate |
Critical Theory |
|
"Mourning in Eurydice by Sarah Ruhl," Comparative Drama. Los Angeles, CA. |
Conferences, Graduate |
Critical Theory |
|
"Girls Who Do Boys: Teatro Luna’s MACHOS.” SW/TX Popular/American Culture. Albuquerque, NM. February 2009. |
Conferences, Graduate |
Critical Theory |
|
Article Writing Seminar for the Latino Theatre Focus Group, ATHE. Denver, CO. August 2008. |
Conferences, Graduate |
Critical Theory |
|
“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. |
Conferences, Graduate |
Critical Theory |
|
"Teatro Visión’s 2006 Production of Alfaro’s Electricidad: Reclaiming the Mexican Heritage Plaza," ATHE. New Orleans, LA. July 2007. |
Conferences, Graduate |
Critical Theory |
|
“Weeping Women of Electricidad." Comparative Drama. Los Angeles, CA. March 2007. |
Conferences, Graduate |
Critical Theory |
|
"Creating a Young Epic Audience in Loomer’s Bocón.” SW/TX Popular Culture Assoc./American Culture Assoc. Albuquerque NM. February 2006. |
Conferences, Graduate |
Critical Theory |
|
“The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea." Comparative Drama. Los Angeles, CA. March 2006. |
Conferences, Graduate |
Critical Theory |
|
“Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. |
Conferences, Graduate |
Critical Theory |
|
“Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. |
Conferences, Graduate |
Critical Theory |
|
"You Are What You Eat: Mexicanidad and Producing Valdez's Los Vendidos." SW/Texas Popular Culture Assoc./American Culture Association. Albuquerque, NM. Feb. 2005. |
Conferences, Graduate |
Critical Theory |
|
“Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. |
Conferences, Graduate |
Critical Theory |
|
Motherhood Research Group: “Subverting La Llorona in Loomer’s Bocón." ASTR. Toronto. November 2005. |
Conferences, Graduate |
Critical Theory |
|
"Reclaiming Rosaura Reveltes," Mixed Heritage/Ethnicity/Race Women's Studies Conference. Albuquerque, NM. March 2004. |
Conferences, Graduate |
Critical Theory |
|
"Reclaiming Rosaura Reveltes." Mixed Heritage/Ethnicity/Race Women's Studies Conference. Albuquerque, NM. March 2004. |
Conferences, Graduate |
Critical Theory |
|
"Picante or Szechuan?: Aquiring a Taste for Ethnic Performance," ASTR. Las Vegas, NV. November 2004. |
Conferences, Graduate |
Critical Theory |
|
"La Llorona: Helpful Spirit for Children," SW Women Studies Conference. Socorro, NM. March 2003. |
Conferences, Graduate |
Critical Theory |