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Conferences

Author/Title Research Type Related Fields
Rogus, Amanda M. “A Play by Any Other Name Would Sound as Sweet: Paleographical Proof of Mispronunciation in Henslowe’s Diary” - Mid-America Theatre Conference, Chicago, IL. (March 2020) Conferences Theater History
““A Weak Woman Beat Them”: Constructing Feminine Leadership and Resistance” Panelist, Mid-American Theatre Conference, Chicago, IL. 8 March 2020 Conferences Theater History, 17th Century, Critical Theory, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies
“Authentic Sensations: Female Bodies and Creating Spiritual Affect.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. Conferences Theater History, 19th Century, American, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Religion
“Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. Conferences Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion
Rogus, Amanda M. “Two Hands are Better Than One: A Paleographic Exploration of Henslowe's Diary” Mid-America Theatre Conference, Cleveland, OH. (March 2019) Conferences Theater History
Rogus, Amanda M. “One Collective Sensation in the Greek Chorus Line: A Performance Reflection of Oedipus” Ancient Theatre Conference, Lynchburg, VA. (October 2018) Conferences Acting, Theater History
“Spinning in Zero G: Playing Astronaut as Touristic Experience …and Theatre Research,” Mid-America Theatre Conference (MATC), Milwaukee, 2018. Conferences 21st Century, Culture, Performance Studies, Popular Culture, Postmodern, Theater History
“Forest, Orchards, and Fallow Fields: Chekhov’s Moral Philosophy,” invited talk, Chekhov in the 21stCentury: A Symposium, Theatre Department, Lewis and Clark College, June 28, 2018 Conferences Drama, Modernism, Theater History
"The Revelation of the Sensible: Theatre and Science in Seventeenth-Century Revolutionary England," ATHE, Boston, August, 2018 Conferences 17th Century, Performance Studies, Religion, Science and Technology, Theater History
Rogus, Amanda M. “The Patriarchal Matriarch: An Analysis of Women’s Power in Jen Silverman’s Plays” Race and Gender Roles Conference, Miami, OH. (February 2017) Conferences Theater History, Theory/Criticism
“Performing the American Astronaut: From Fighter Pilot to Cold Warrior.” Innovation Series. University of Houston. March, 2017. Conferences 20th Century, Costumes, Historiography, History, Performance Studies, Popular Culture, Theater History
"(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Living with Animals, EKU, Richmond, March, 2017 Conferences 17th Century, Drama, Ecocriticism, Global and Transnational Studies, Popular Culture, Theater History
"Sovereign Bodies:  Excessive Materiality and the Performance of Dis-substantiation in the Formation of the Public Sphere," Mid-America Theatre Conference (2015) Conferences 17th Century, African American, Critical Theory, Ecocriticism, Global and Transnational Studies, Theater History
 “’A medium for informing persons:’ Kamishibai and Land Reform in Allied Occupied Japan” Mid-America Theatre Conference. Cleveland, Ohio, March 6-9, 2014. Conferences Japanese, Theater History
“近松の心中物と民間信仰ー年忌供養と回向を中心に (Chikamatsu’s Love Suicide Plays and Popular Belief – An Examination of Death Anniversaries and Memorial Prayers).” Paper presentation in Japanese. 早稲田大学演劇映像学会 (Waseda University’s Conference on Theatre and Film). Tokyo. July, 2014. Conferences 18th Century, Japanese, Religion, Theater History
Keynote Address, "Staging American Memories," Toulouse, France. Conferences American, Theater History
 “The Politics and Aesthetics of Play:  The Wartburg Book-Burning and Hellenic Masculinity in the Construction of the German Nation,” (Re)Presenting Archives, University of British Columbia, April, 2014 Conferences 18th Century, 19th Century, Aesthetics, Gender, Women, and Sexuality Studies, German, Popular Culture, Race and Ethnicity, Theater History
"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 Conferences Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism
“‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013 Conferences 17th Century, Critical Theory, Popular Culture, Religion, Theater History
“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012  Conferences 20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History
“Tamburlaine and Sublime Auto-Generation:  A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 Conferences 16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy
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