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“Dinosaurs, Race, and the Staging of Civilization: Lileana Blain-Cruz’s revival of The Skin of Our Teeth at Lincoln Center.” Mid-America Theatre Conference (MATC), Madison, 2024. |
Conferences |
Acting, Design, Directing, Theater History, Visual Culture |
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Heiner, Catherine. "Casting and Creating Importance: Complicating Race and Gender in Wilde's The Importance of Being Earnest." Mid-American Theatre Conference (MATC), Cleveland, OH, 3 March 2022. |
Conferences |
Theater History, Theory/Criticism, Dramaturgy, Queer Studies |
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Rogus, Amanda M. “A Play by Any Other Name Would Sound as Sweet: Paleographical Proof of Mispronunciation in Henslowe’s Diary” - Mid-America Theatre Conference, Chicago, IL. (March 2020) |
Conferences |
Theater History |
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““A Weak Woman Beat Them”: Constructing Feminine Leadership and Resistance” Panelist, Mid-American Theatre Conference, Chicago, IL. 8 March 2020 |
Conferences |
Theater History, 17th Century, Critical Theory, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies |
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“Authentic Sensations: Female Bodies and Creating Spiritual Affect.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, 19th Century, American, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Religion |
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“Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion |
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Rogus, Amanda M. “Two Hands are Better Than One: A Paleographic Exploration of Henslowe's Diary” Mid-America Theatre Conference, Cleveland, OH. (March 2019) |
Conferences |
Theater History |
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Rogus, Amanda M. “One Collective Sensation in the Greek Chorus Line: A Performance Reflection of Oedipus” Ancient Theatre Conference, Lynchburg, VA. (October 2018) |
Conferences |
Acting, Theater History |
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“Spinning in Zero G: Playing Astronaut as Touristic Experience …and Theatre Research,” Mid-America Theatre Conference (MATC), Milwaukee, 2018. |
Conferences |
21st Century, Culture, Performance Studies, Popular Culture, Postmodern, Theater History |
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“Forest, Orchards, and Fallow Fields: Chekhov’s Moral Philosophy,” invited talk, Chekhov in the 21stCentury: A Symposium, Theatre Department, Lewis and Clark College, June 28, 2018 |
Conferences |
Drama, Modernism, Theater History |
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"The Revelation of the Sensible: Theatre and Science in Seventeenth-Century Revolutionary England," ATHE, Boston, August, 2018 |
Conferences |
17th Century, Performance Studies, Religion, Science and Technology, Theater History |
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Rogus, Amanda M. “The Patriarchal Matriarch: An Analysis of Women’s Power in Jen Silverman’s Plays” Race and Gender Roles Conference, Miami, OH. (February 2017) |
Conferences |
Theater History, Theory/Criticism |
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“Performing the American Astronaut: From Fighter Pilot to Cold Warrior.” Innovation Series. University of Houston. March, 2017. |
Conferences |
20th Century, Costumes, Historiography, History, Performance Studies, Popular Culture, Theater History |
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"(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Living with Animals, EKU, Richmond, March, 2017 |
Conferences |
17th Century, Drama, Ecocriticism, Global and Transnational Studies, Popular Culture, Theater History |
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"Sovereign Bodies: Excessive Materiality and the Performance of Dis-substantiation in the Formation of the Public Sphere," Mid-America Theatre Conference (2015) |
Conferences |
17th Century, African American, Critical Theory, Ecocriticism, Global and Transnational Studies, Theater History |
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“’A medium for informing persons:’ Kamishibai and Land Reform in Allied Occupied Japan” Mid-America Theatre Conference. Cleveland, Ohio, March 6-9, 2014. |
Conferences |
Japanese, Theater History |
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“近松の心中物と民間信仰ー年忌供養と回向を中心に (Chikamatsu’s Love Suicide Plays and Popular Belief – An Examination of Death Anniversaries and Memorial Prayers).” Paper presentation in Japanese. 早稲田大学演劇映像学会 (Waseda University’s Conference on Theatre and Film). Tokyo. July, 2014. |
Conferences |
18th Century, Japanese, Religion, Theater History |
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Keynote Address, "Staging American Memories," Toulouse, France. |
Conferences |
American, Theater History |
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“The Politics and Aesthetics of Play: The Wartburg Book-Burning and Hellenic Masculinity in the Construction of the German Nation,” (Re)Presenting Archives, University of British Columbia, April, 2014 |
Conferences |
18th Century, 19th Century, Aesthetics, Gender, Women, and Sexuality Studies, German, Popular Culture, Race and Ethnicity, Theater History |
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"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 |
Conferences |
Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism |
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“‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013 |
Conferences |
17th Century, Critical Theory, Popular Culture, Religion, Theater History |
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“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012 |
Conferences |
20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History |
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“Tamburlaine and Sublime Auto-Generation: A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 |
Conferences |
16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy |