| Author/Title |
Research Type |
Related Fields |
| “An uncharted persistence: Alternative minoritarian theater in austere Chicago,” in Theater and Cultural Politics for a New World, edited by Chinua Thelwell. London: Routledge, 2017: 205-229. |
Publications, Essays |
21st Century, Activist Theater, African American, Arts Management, Asian American, Experimental, Race and Ethnicity, Radical Theater, Social Justice, Theater for Youth |
| “Black love? Black love!: All Aboard the presence of punk in Seattle’s NighTraiN” Women & Performance: a journal of feminist theory 22: 2-3 (November 2012): 315-323. |
Publications, Essays, Reviews |
Theater History, Theory/Criticism, 21st Century, Aesthetics, African American, American, Music |
| “Raising Proper Citizens: Uncle Tom’s Cabin and the Sentimental Education of Bulgarian Children during the Soviet Era.” In Uncle Tom’s Cabins: The Transnational History of America’s Most Mutable Book, edited by Tracy C. Davis and Stefka Mihaylova. Ann Arbor: The University of Michigan Press, 2018. 314-42 |
Publications, Essays |
19th Century, 20th Century, Bulgarian, Culture, Literature and Other Arts |
| “Right to the Artistic City: Performing Engagements Beyond Austerity in Post-Collapse Chicago” Revue Française d’Etudes Américaines (French Review of American Studies) 148 (2016): 84-97. |
Publications, Essays |
21st Century, Activist Theater, Aesthetics, Critical Theory |
| “Shiva in America: Frontiers of Destruction.” New Plains Review 7.2 (2007): 73-76. |
Publications, Essays |
18th Century, 19th Century, Aesthetics, American, English, History |
| “Space: Postdramatic Geography in Post-Collapse Seattle,” in Postdramatic Theatre and Form, edited by Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Methuen Drama Bloomsbury, 2019: 48-65. |
Publications, Essays |
Theater History, 21st Century, Aesthetics, American, Experimental, German, History, Postmodern, Race and Ethnicity, Radical Theater |
| “Statements Before and After Arrests: Performing at Law’s Edge in Apartheid South Africa,” Law as/and Performance, edited by Austin Sarat, Lawrence Douglas, and Martha Umphrey, The Amherst Series in Law, Jurisprudence, and Social Thought, published by University of Massachusetts Press. |
Publications |
African |
| “The Radical Formalism of Suzan-Lori Parks and Sarah Kane,” Theatre Survey 56.2 (May 2015): 213-31 |
Publications, Essays |
20th Century, Drama, Theory/Criticism |
| Odai Johnson. Ruins: Classical Theatre and the Archeology of Memory. Book in progress. |
Publications, Books |
Ancient, Classics, Theater History |
| Scott Magelssen and Ann Haugo, editors. Querying Difference in Theatre History. Cambridge Scholars, 2007. |
Publications, Books |
Historiography |
| Scott Magelssen and Henry Bial, editors. Theater Historiography: Critical Interventions. U of Michigan Press, 2010. |
Publications, Books |
Historiography |
