| “Arousing the Empathic Gendered Subject: Transpecies Domesticity and Sentient Spectacles in the Early Enlightenment,” Animal Engagements, ASTR Forum, La Jolla, CA, November, 2018. |
Conferences |
17th Century, 18th Century, Drama, Gender, Women, and Sexuality Studies, Popular Culture |
| “Authentic Sensations: Female Bodies and Creating Spiritual Affect.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, 19th Century, American, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Religion |
| “British Sikh Flaneurs: How the Failure of Multiculturalism Produces a Contemporary Avant-Garde,” plenary, ASTR, Portland, 2015. |
Conferences |
Drama, English, Gender, Women, and Sexuality Studies, Race and Ethnicity, Radical Theater, Reception Studies, Theory/Criticism |
| “Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. |
Conferences, Graduate |
Critical Theory |
| “Casting Stare-able Bodies: Mabou Mines’ Dollhouse,” American Society for Theatre Research, Atlanta, 2017 |
Conferences |
Disability, Drama, Modernism, Postmodern, Radical Theater, Theory/Criticism |
| “Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion |
| “Dinosaurs, Race, and the Staging of Civilization: Lileana Blain-Cruz’s revival of The Skin of Our Teeth at Lincoln Center.” Mid-America Theatre Conference (MATC), Madison, 2024. |
Conferences |
Acting, Design, Directing, Theater History, Visual Culture |
| “Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. |
Conferences, Graduate |
Critical Theory |
| “Forced Entertainment’s Live Simulacrum: Automata, Liveness, and the Human Actor’s Virtuosity,” plenary, ASTR, Baltimore, 2014 |
Conferences |
21st Century, English, Experimental, Radical Theater, Theory/Criticism |
| “Forest, Orchards, and Fallow Fields: Chekhov’s Moral Philosophy,” invited talk, Chekhov in the 21stCentury: A Symposium, Theatre Department, Lewis and Clark College, June 28, 2018 |
Conferences |
Drama, Modernism, Theater History |
| “Framing Violence in Interspecies Relations: Encountering Flesh as Neoliberal Spatio-temporal Imaginary in The Portland Meat Collective," ASTR 2015, Portland |
Conferences |
21st Century, Activist Theater, Aesthetics, Critical Theory, Popular Culture, Social Change, Visual Culture |
| “Framing Violence in Interspecies Relations: Encountering Flesh as Neoliberal Spatio-temporal Imaginary in The Portland Meat Collective," ASTR 2015, Portland |
Conferences |
21st Century, Activist Theater, Aesthetics, Ecocriticism, Performance Studies, Social Change, Social Justice |
| “Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. |
Conferences, Graduate |
Critical Theory |
| “It all Comes Round Again: Immersive 1950s Simulations as Reminiscence Therapy.” Mid-America Theatre Conference (MATC), Cleveland, 2022. |
Conferences |
20th Century, 21st Century, Historiography, Performance Studies, Popular Culture |
| “Performance, Flight, and the 9/11 Memorial & Museum,” American Society for Theatre Research (ASTR). Arlington, 2019. |
Conferences |
21st Century, Historiography, Museum Studies/Museology, Performance Studies, Popular Culture |
| “Performing the American Astronaut: From Fighter Pilot to Cold Warrior.” Innovation Series. University of Houston. March, 2017. |
Conferences |
20th Century, Costumes, Historiography, History, Performance Studies, Popular Culture, Theater History |
| “Power Perspective, and Role-Play: Mock Interviews with Inmates.” Mid-America Theatre Conference. Milwaukee, Wisconsin. March 15-18, 2018. |
Conferences |
Devised Work, Social Change, Social Justice |
| “Restoration Sociability and the Post-Revolutionary National Imaginary in Dryden’s Essay of Dramatick Poesie,” ATHE, Orlando, FL, August, 2019 |
Conferences |
17th Century, 18th Century, Theory/Criticism |
| “Seeing the Light: Inspiration, Femininity and Religion in Tim Slover’s Virtue.” Presenter, Religion and Theatre Emerging Scholar Panel, American Theatre in Higher Education (ATHE) Annual Conference, 4 August 2018. |
Conferences |
21st Century, Dramaturgy, Feminism and Feminist Theory, Queer Studies, Religion |
| “Spinning in Zero G: Playing Astronaut as Touristic Experience …and Theatre Research,” Mid-America Theatre Conference (MATC), Milwaukee, 2018. |
Conferences |
21st Century, Culture, Performance Studies, Popular Culture, Postmodern, Theater History |
| “Sweet Touch: The Sexuality and Power of Carmen in Simon Stephens’ Carmen Disruption.” Presenter, Comparative Drama Conference (CDC) Annual Conference, Orlando, 4 April 2018. |
Conferences |
21st Century, Dramaturgy, English, Gender, Women, and Sexuality Studies, Queer Studies |
| “Tamburlaine and Sublime Auto-Generation: A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium, Yale University, October, 2010 |
Conferences |
16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy |
| “Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. |
Conferences, Graduate |
Critical Theory |
| “The Character of Nostalgia: Meaning, Yearning, and Simulations of the Recent Past.” Mid-America Theatre Conference (MATC), Chicago, 2020. |
Conferences |
Historiography, Performance Studies, Popular Culture |
| “The Glass to Discover Oneself: Social Media, Affect Theory, and Theatre.” Presenter, University of Wisconsin-Madison Theatre and Drama Graduate Student Conference, Madison, 14 April 2018. |
Conferences |
21st Century, Reception Studies, Shakespeare |
